Movie |
Slave | Gladiator
In 79 A.D., Milo, a slave turned gladiator, finds himself in a race against time to save his true love Cassia, the beautiful daughter of a wealthy merchant who has been unwillingly betrothed to a corrupt Roman Senator. As Mount Vesuvius erupts in a torrent of blazing lava, Milo must fight his way out of the arena in order to save his beloved as the once magnificent Pompeii crumbles around him.
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In 79 A.D., Milo, a slave turned gladiator, finds himself in a race against time to save his true love Cassia, the beautiful daughter of a wealthy merchant who has been unwillingly betrothed to a corrupt Roman Senator. As Mount Vesuvius erupts in a torrent of blazing lava, Milo must fight his way out of the arena in order to save his beloved as the once magnificent Pompeii crumbles around him.
Achievement in Overall Sound | 2015 | Mark
Achievement in Art DirectionProduction Design | 2015 | Paul D.
Achievement in Sound Editing | 2015 | Kevin
Achievement in Costume Design | 2015 | Wendy
Achievement in Visual Effects | 2015
International Film Music Award | 2016 | Clinton
Feature Film | 2015 | Don
Picture Editing Feature Film | 2015 | Michele
Sound Editing Feature Film | 2015 | Tyler
Worst Supporting Actor | 2015 | Kiefer
Production Design Feature Film | 2015 | Paul D.
Budget 100,000,000 USD
Box Office Collection 117,831,631 USD
The thumbs-up/thumbs-down gestures which stem from gladiatorial events had different if not opposite meanings to what they do today. A down-turned thumb by an official symbolized the winner burying his sword in the sand and the loser's life spared; an upturned thumb expressed delivering the killing stroke, symbolizing a slit throat. The actual gesture remains unknown - our belief in the thumbs-up/down stem from a painting by Gerome (pollice verso - with turned thumb) the surviving descriptions 'Infesto pollice' (with hostile thumb) and 'pollice premere' (with thumb pressed down) are too ambiguous to conclusively state what gesture was used in reality.
Director Paul W.S. Anderson said that he was not pleased when a lot of people online said that Kit Harington's six pack abs were digitally enhanced and not real after the first stills and trailers for the movie were released. He reiterated that they were completely real with no make-up or digital enhancement and Harington actually looked like that for the shooting of those scenes.
Kit Harington suffered from body dysmorphia (excessive anxiety about the appearance of one's body) while working out for this role. He said he became completely obsessed with it to the point where he was "going to the gym three times a day for six days a week." He suffered from a case of "exhaustion" and eventually his trainer stepped in to rein him in. But he said that he was "proud of what he achieved in the end".
The peculiar form of hand shake Severus and Senator Corvus share is real and period accurate, recorded on old frescoes and statues.
The opening scene of Milo as a young child in Britannia takes place in 62 CE, the year an earthquake shook Pompeii and damaged it severly. Some damaged structures were not repaired by 79 CE. This earthquake was a precursor to the Vesuvius eruption in 79 CE, depicted in the film.
"Corvus: What exactly is that slave to you? Cassia: Everything that you are not."
"Cassia: I don't want to spend our last moments running."
