Movie |
Shootout | Racial Tension
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Best Sound Editing Sound Effects | 1994
A production assistant was specifically assigned to follow Tone Loc around between set-ups as he constantly wandered off-set, usually to the craft service table.
Salli Richardson-Whitfield found herself in the unusual position of shooting a naked love scene (it will be her only one in her career) with the film's star, Mario Van Peebles, who also directed the movie. Seemingly unconcerned that Van Peeblees wanted to shoot a scene bordering on pornography, the actress saw an unusual advantage to the arrangement: "It makes one less man in the room."
Was the first film to be distributed by Gramercy Pictures.
"Colonel Graham: Jesse, did you know that this man is the last surviving member of the Mo-Tee-Sah tribe? Yes! The Mo-Tee-Sah tribe. I'll show you. [picks up coffee cup] Weezie: [picks up coffee pot] Mo' Tea, sah? Colonel Graham: I'm sorry I didn't hear you. Weezie: Mo' Tea, sah? Colonel Graham: No, thank you."
"Father Time: The Red Man ain't got no problem with the Black Man. As for you, White Boy, that's a whole different story. I mean, first you enslave the Black Man, exploit the Yellow Man, and then you kill off the Red Man so you can snatch up his land for railroads and such. Can I get a witness? Obobo: Amen! Jimmy J. 'Little J' Teeters: Well if I may approach the bench, your Honor. First, I ain't ever personally enslaved nobody. So, Time, you can kiss my White ass. Second of all, if there was a train coming through on these tracks right now, I'd be on it and you'd be on it, except the only difference would be, I'd be gambling on it and you'd be fetching my chips like a little houseboy, because you can't even cheat right. Now, can I get a witness? Thank you. Obobo: Amen! Father Time: Jesse, can I kill the cracker, now? Jesse: Why don't you let the Indians get him."
