Movie
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Best Feature Film | 2015
Best Supporting Actress in a Feature Film | 2016
Best Supporting Actor in a Feature | 2016 | Chris
Best Feature Film | 2016
Best Actor in a Feature Film | 2016 | Jesse
Best Actress in a Feature Film | 2016 | Tazmin
Best Director of a Feature Film | 2016
Best Cinematography | 2016 | Laura Beth
Best Screenplay | 2016
The painting system featured in the film is based on a concept first described in an aesthetics paper written by director/writer Kyle Broom, who has a PhD in philosophy.
There is a small robot figurine hidden in the background of many scenes, which was added by Assistant Director Daniel Estrada, a philosophy professor specializing in artificial intelligence.
At the beginning of the movie when Sara is playing games at the arcade/boardwalk, a Zoltar machine can be briefly seen. This is the same machine that was a major plot element in the Tom Hanks classic, Big.
"Rob: Crazy clown time is coming to an end right now!"
"Sara Speed: This is great, because I'm always doing interesting stuff but I never have anyone around to film me."