Movie |
Killing | Admiration
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Best Actor | 2007 | Casey Affleck
Best Actor | 2007 | Brad Pitt
Best Supporting Actor | 2007 | Casey Affleck
Best Supporting Actor | 2007 | Casey Affleck
Best Supporting Actor | 2008 | Casey Affleck
Best Actor in a Supporting Role Drama | 2007 | Casey Affleck
Best Cinematography | 2007 | Roger Deakins
Best Cinematography | 2007 | Roger Deakins
Best Cinematography | 2008 | Roger Deakins
Best Cinematography | 2008 | Roger Deakins
Best Cinematography For | 2007 | Roger Deakins
Best Cinematography | 2007 | Roger Deakins
2007 | Roger Deakins
Best Cinematography | 2007 | Roger Deakins
2008 | Roger Deakins
Best Cinematography Miglior fotografia | 2008 | Roger Deakins
Best Cinematography | 2008 | Roger Deakins
Best Western Drama | 2008 | Andrew Dominik
Best Performance by an Actor in a Supporting Role | 2008 | Casey Affleck
Best Achievement in Cinematography | 2008 | Roger Deakins
Best Performance by an Actor in a Supporting Role in a Motion Picture | 2008 | Casey Affleck
Best Film | 2007 | Andrew Dominik
Best Motion Picture | 2007 | Jules Daly
Best Actor in a Supporting Role | 2007 | Casey Affleck
Best Original Score | 2007 | Warren Ellis
Best Cinematography of the Decade | 2012 | Roger Deakins
Best Adapted Screenplay | 2007 | Andrew Dominik
Best Supporting Actor Miglior attore non protagonista | 2008 | Brad Pitt
Best Picture | 2008 | Jules Daly
Best Actor | 2008 | Casey Affleck
Best Music Original Score | 2008 | Warren Ellis
Best Sound Mixing | 2008 | Hamilton Sterling
Best Director | 2008 | Andrew Dominik
Best Production Design | 2008 | Troy Sizemore
Best Costume Design | 2008 | Patricia Norris
Best Actor | 2008 | Casey Affleck
Actor of the Year | 2008 | Casey Affleck
Best Supporting Actor | 2008 | Casey Affleck
Best Supporting Actor | 2008 | Casey Affleck
Best Original Score | 2008 | Warren Ellis
Best Cinematography | 2008 | Roger Deakins
Best Supporting Actor of the Year | 2007 | Casey Affleck
Best Supporting Performance Male | 2007 | Casey Affleck
Best Actor | 2007 | Casey Affleck
Best Supporting Actor | 2007 | Casey Affleck
Outstanding Performance by a Male Actor in a Supporting Role | 2008 | Casey Affleck
Best Supporting Actor | 2008 | Casey Affleck
Best Supporting Actor | 2008 | Casey Affleck
Best Supporting Actor | 2007 | Casey Affleck
Supporting Actor of the Decade | 2010 | Casey Affleck
Supporting Actor | 2008 | Casey Affleck
Cinematography | 2008 | Roger Deakins
Best Supporting Actor | 2007 | Casey Affleck
Best Supporting Actor | 2007 | Casey Affleck
Best Supporting Performance | 2007 | Casey Affleck
Best Cinematography | 2007 | Roger Deakins
Best Actor | 2007 | Casey Affleck
Best Original Score | 2007 | Nick Cave
Best Cinematography | 2007 | Roger Deakins
Best Art Direction Production Design | 2007 | Martin Gendron
Best Score | 2007 | Warren Ellis
Best Original Score | 2008 | Warren Ellis
Best Cinematography For and | 2007 | Roger Deakins
Best Cinematography | 2007 | Roger Deakins
Best Technical Achievement | 2008 | Roger Deakins
Best Technical Achievement For | 2008 | Roger Deakins
Outstanding Achievement in Cinematography in Theatrical Releases | 2008 | Roger Deakins
Best Sound Editing Music in a Feature Film | 2008 | Gerard McCann
Best Film | 2007 | Andrew Dominik
Best Foreign Film English Language | 2008 | Andrew Dominik
2007 | Andrew Dominik
Budget 30,000,000 USD
Box Office Collection 14,711,793 USD
Cinematographer Roger Deakins has called the arrival of the train in darkness is one of the high points of his career.
Brad Pitt's personal favorite movie that he has acted in.
Of all the films made about Jesse James, his descendants have claimed that this is the most accurate. They were especially enthusiastic about Brad Pitt and Casey Affleck's performances.
According to Andrew Dominik, Brad Pitt's contract stated that the movie's name could not be changed.
Unlike in most Westerns, the male characters don't wear Stetsons, but the derby and stovepipe hats that were far more prevalent at the time.
"[last lines] Narrator: He was ashamed of his persiflage, his boasting, his pretensions of courage and ruthlessness; he was sorry about his cold-bloodedness, his dispassion, his inability to express what he now believed was the case- that he truly regretted killing Jesse, that he missed the man as much as anybody and wished his murder hadn't been necessary. Even as he circulated his saloon he knew that the smiles disappeared when he passed by. He received so many menacing letters that he could read them without any reaction except curiosity. He kept to his apartment all day, flipping over playing cards, looking at his destiny in every King and Jack. Edward O'Kelly came up from Bachelor at one P.M. on the 8th. He had no grand scheme. No strategy. No agreement with higher authorities. Nothing but a vague longing for glory, and a generalized wish for revenge against Robert Ford. Edward O'Kelly would be ordered to serve a life sentence in the Colorado Penitentiary for second degree murder. Over seven thousand signatures would eventually be gathered in a petition asking for O'Kelly's release, and in 1902, Governor James B. Ullman would pardon the man. There would be no eulogies for Bob, no photographs of his body would be sold in sundries stores, no people would crowd the streets in the rain to see his funeral cortege, no biographies would be written about him, no children named after him, no one would ever pay twenty-five cents to stand in the rooms he grew up in. The shotgun would ignite, and Ella Mae would scream, but Robert Ford would only lay on the floor and look at the ceiling, the light going out of his eyes before he could find the right words."
"Jesse James: [last words] Don't that picture look dusty?"
