Movie |
Dystopia | Saving The World
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Best Special Effects | 1998 | Mark
Best Makeup and Hairstyling | 1998 | Mark
Best SciFiFantasyHorror Actor | 1998 | Gary
Best Director Meilleur ralisateur | 1998 | Luc
Best Production Design Meilleurs dcors | 1998 | Dan
Best Cinematography Meilleure photographie | 1998 | Thierry
Best Director Meilleur ralisateur | 1998 | Luc
Best Costume Design | 2018 | Jean-Paul
1997
Best Effects Sound Effects Editing | 1998 | Mark A.
European Film of the Year | 1997 | Patrice
Best Production Design | 1998 | Ron
Best Music Adapted Song | 1998 | Gaetano
Best Music Original ComedyMusical Score | 1998 | Éric
Best SciFiFantasyHorror Actress | 1998 | Milla
Best SciFiFantasyHorror Actor | 1998 | Bruce
Best SciFiFantasyHorror Picture | 1998 | Patrice
Best Sound Effects Editing | 1998 | Mark A.
Best Sound Mixing | 1998 | Ron
Best Costume Design | 1998 | Jean-Paul
Best Visual Effects | 1998 | Karen E.
Best Visual Effects | 1998 | Mark
Worst New Star For | 1998 | Chris
Worst New Star | 1998 | Chris
Worst Supporting Actress | 1998 | Milla
Best Sound Editing Sound Effects Foley | 1998
Best Science Fiction Film | 1998
Best Supporting Actress | 1998 | Milla
Best Costumes | 1998 | Jean-Paul
Best Special Effects | 1998 | Mark
Favorite Female Newcomer | 1998 | Milla
Best Film Meilleur film | 1998 | Luc
Best Music Meilleure musique | 1998 | Éric
Best Editing Meilleur montage | 1998 | Sylvie
Best Sound Meilleur son | 1998 | Daniel
Best Costume Design Meilleurs costumes | 1998 | Jean-Paul
Best Fight | 1998 | Milla
Best Foreign Director Regista del Miglior Film Straniero | 1998 | Luc
Best Dramatic Presentation | 1998 | Luc
Worst Sense of Direction Stop them before they direct again | 1997 | Luc
Worst Supporting Actor | 1997 | Chris
Worst Picture | 1997
Worst Supporting Actress | 1997 | Milla
Best Visual Effects | 1997
Best Sound | 1997
Best Costume Design | 1997 | Jean-Paul
Best Art Direction | 1997 | Anna
Budget 90,000,000 USD
Box Office Collection 263,920,180 USD
The "Divine Language", spoken by Leeloo, was invented by co-writer and director Luc Besson, and further refined by Milla Jovovich, who had little trouble learning and developing it, as she was already fluent in four languages. The language had only four hundred words. He and Milla Jovovich held conversations, and wrote letters to each other in the language as practice. By the end of filming, they were able to have full conversations in this language.
When composer Éric Serra showed soprano Inva Mula (who dubs the voice of the Diva) the sheet music for the Diva Dance, she reportedly smiled and relayed to him that some of the notes written were not humanly possible to achieve, because the human voice cannot change notes that fast. Hence, she performed the notes in isolation, one by one, as opposed to consecutively singing them all together, and they digitized the notes to fit the music. There are a few moments when you can hear the differences in the vocal tones of the Diva's voice.
Luc Besson demanded that most of the action shots in the movie take place in broad daylight, as he was reportedly tired of the dark spaceship corridors and dimly lit planets common in science fiction movies, and wanted a brighter "cheerfully crazy" look as opposed to a gloomy, realistic one.
Luc Besson wrote the original screenplay when he was in high school. He had conceived the story of this movie, and invented the world of the movie, as a child so he could escape his lonely childhood. He began writing the script when he was sixteen, though it was not released in theaters until he was thirty-eight.
Diva Plavalaguna sings "Il dolce suono", an aria from the opera Lucia de Lammermoor. It is one of the most difficult arias because of its length, its soaring arpeggios, and the high F above high C.
"Police: Are you classified as human? Korben Dallas: Negative, I am a meat popsicle."
"Leeloo: Leeloo Dallas mul-ti-pass. Korben Dallas: Yeah. Leeloo: Mul-ti-pass. Korben Dallas: Yeah, multipass, she knows it's a multipass. Leeloo Dallas. This is my wife. Leeloo: Mul-ti-pass. Korben Dallas: We're newlyweds. Just met. You know how it is. We bumped into each other, sparks happen... Leeloo: Mul-ti-pass. Korben Dallas: Yes, she knows it's a multipass. Anyway, we're in love."
