Movie |
Storm | Isolation
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7.4/10
IMDb2020 | Jarin
Best Supporting Actor Mejor Actor de reparto | 2020 | Willem
Best Actor International Competition | 2020 | Robert
Best Supporting Actor | 2020 | Willem
Best Limited Release Film | 2020
Best Actor | 2020 | Robert
Best Supporting Actor | 2020 | Willem
Best Cinematography | 2020 | Jarin
BritishIrish Actor of the Year For and | 2020
BritishIrish Actor of the Year | 2020 | Robert
Best Supporting Actor | 2020 | Willem
Best Cinematography | 2020 | Jarin
Best Editing | 2020 | Louise
Best Costume Design in Film Period | 2020
2019 | Robert
2019
2019 | Robert
Best Cinematography | 2019 | Jarin
Best Supporting Actor | 2019 | Willem
2019 | Robert
Best Experimental Film | 2019
2019 | Robert
Best Supporting Actor | 2019 | Willem
Best Cinematography | 2019 | Jarin
Best Cinematography | 2019 | Jarin
Best Actor in a Supporting Role | 2019 | Willem
Best Supporting Actor | 2019 | Willem
Best American Film Bedste amerikanske film | 2021 | Robert
Best Foreign Actor Melhor Ator Estrangeiro | 2021 | Willem
Best Foreign Actor Melhor Ator Estrangeiro | 2021 | Willem
Best Achievement in Cinematography | 2020 | Jarin
Best Cinematography | 2020 | Jarin
Cinematography | 2020 | Jarin
Supporting Actor | 2020 | Willem
Supporting Actor of the Decade | 2020 | Willem
Cinematography of the Decade | 2020 | Jarin
Best Foreign Film Melhor Filme Estrangeiro | 2021 | Robert
Best English Language Film rets engelsksprogede film | 2021 | Robert
Best Buddy Picture | 2020
Best Supporting Actor | 2020 | Willem
Best Cinematography | 2020 | Jarin
Best Actor | 2020 | Robert
Best Motion Picture | 2020 | Jay Van
Best Actor in a Leading Role | 2020 | Robert
Best Actor in a Supporting Role | 2020 | Willem
Best Cinematography | 2020 | Jarin
Best Lead Actor Mejor Actor | 2020 | Robert
Feature | 2020 | Christopher
Best Supporting Actor | 2020 | Willem
Best Cinematography | 2020 | Jarin
Best Director | 2020
Best Production Design | 2020 | Craig
Best Cinematography | 2020 | Jarin
Best Film International Competition | 2020 | Jay Van
Best Duo International Competition | 2020 | Robert
Best Supporting Actor International Competition | 2020 | Willem
Best ScienceFictionHorror Film | 2020
Best Actor | 2019 | Robert
Best Supporting Actor | 2019 | Willem
Best Screenplay | 2019 | Max
Outstanding Achievement in Production Design Feature Film | 2020 | Craig
Best Director | 2020 | Robert
Best Score | 2020 | Mark
Best Creature FX | 2020 | Adrien
Best Achievement in Directing | 2020 | Robert
Best Motion Picture of the Year | 2020 | Robert
Best Performance by an Actor in a Leading Role | 2020 | Robert
Best Performance by an Actor in a Supporting Role | 2020 | Willem
Best Original Screenplay | 2020 | Max
Best Male Lead | 2020 | Robert
Best Director | 2020 | Robert
Best Editing | 2020 | Louise
Visually Striking Film of the Year | 2020
Best Supporting Actor | 2020 | Willem
Best Cinematography | 2020 | Jarin
Best Production Design | 2020 | Matt
Best Cinematography | 2020 | Jarin
Best Supporting Actor | 2020 | Willem
Best Cinematography | 2020 | Jarin
Best Production Design | 2020 | Craig
Best Sound Design | 2020 | Damian
Best Cinematography | 2020 | Jarin
Best Sound Editing | 2020 | Damian
Best Sound Mixing | 2020 | Damian
Best Performance by an Actor in a Supporting Role | 2020 | Willem
Best Cinematography | 2020 | Jarin
Best Picture | 2020 | Youree
Best Director | 2020 | Robert
Best Actor | 2020 | Robert
Best Screenplay | 2020 | Max
Best Production Design | 2020
Best Support Actor | 2020 | Willem
Best Cinematography | 2020 | Jarin
Best Streaming Film | 2020
Screenplay | 2019 | Max
Best Cinematography in a Theatrical Feature Film | 2019 | Jarin
Best Directorial Debut | 2019 | Robert
Best Cinematography | 2019 | Jarin
Best Film | 2019 | Robert
City of Donostia Audience Award | 2019 | Robert
Midnight Shivers | 2019 | Robert
Best Supporting Actor | 2019 | Willem
2019 | Robert
Best Supporting Actor | 2019
Best Original Screenplay | 2019 | Robert
Best Cinematography | 2019 | Jarin
Best Film Editing | 2019 | Louise
Best Director | 2019 | Robert
Best Sound Editing | 2019
Best Actor | 2019 | Robert
Best Screenplay | 2019 | Max
Best Costume Design | 2019 | Linda
Best Horror Movie of the Year | 2019
Best Supporting Actor of the Year | 2019 | Willem
Most Underrated Movie of the Year | 2019
Trippiest Movie of the Year | 2019
Best Actor | 2019 | Willem
Best Picture | 2019
Best Supporting Actor | 2019 | Willem
Best Cinematography | 2019 | Jarin
Best Debut Film | 2019 | Robert
Best Feature | 2019 | Robert
Best Feature Film | 2019 | Robert
Best Picture | 2019
Best Picture | 2019
Best Cinematography | 2019 | Jarin
Best Supporting Actor | 2019 | Willem
Best Supporting Actor | 2019 | Willem
Best Cinematography | 2019 | Jarin
Best Horror Film | 2019
Best Film | 2019 | Robert
Best Film | 2019
Best Supporting Actor | 2019 | Willem
Best Motion Picture Drama | 2019
Best Film | 2019 | Robert
Best Supporting Actor | 2019 | Willem
Best Cinematography | 2019 | Jarin
Budget 11,000,000 USD
Box Office Collection 18,262,464 USD
Willem Dafoe and Robert Pattinson stated that they barely spoke a word to each other on set and were too exhausted to hang out together after a day of shooting because filming was so physically demanding due to the miserable weather conditions. While Pattinson stayed at a normal hotel with the rest of the film crew during the shoot, Dafoe lived in a little fisherman's cottage in solitude. On set, on the other hand, Pattinson would tend to eat and stay by himself during filming breaks, while Dafoe stayed with the crew. Both stated that they liked each other very much as soon as they had their first real conversation a few months later.
The scene where Willem Dafoe's character gives the sea curse to Robert Pattinson's character because he doesn't like his cooked lobster was shot in one single take. According to director Robert Eggers, Dafoe didn't blink for over two minutes.
The dream sequence where Wake stands naked, beaming light from his eyes onto Winslow, is a reference to the painting "Hypnosis" by German artist Sascha Schneider from 1904.
Robert Pattinson's accent is based on a very specific area of Maine farming dialect, while Willem Dafoe's is the jargon of Atlantic fishermen and sailors of the time. Director/writer Robert Eggers was very precise about the actor's accents and line delivery. He would, for example, give instructions to "say the second sentence of your third line 75% faster."
The cast and crew filmed under extreme weather conditions: freezing temperatures, cold Atlantic water, intense winds, snow, rain and no protective flora on the Forchu terrain kept them exposed to the elements throughout the shoot. Three Nor'easters blew across Cape Forchu during various stages of the production. Much of the film was shot in real weather elements, so rain and wind machines weren't needed most of the time, with director Robert Eggers stating that "the most crazy and dramatic stuff was shot for real." The crew had to film the scene where Pattinson's character goes into the sea at night when the weather settled down, because they were afraid they might lose him to a riptide.
"Thomas Wake: Yer fond of me lobster aint' ye? I seen it - yer fond of me lobster! Say it! Say it. Say it! Ephraim Winslow: I don't have to say nothin'. Thomas Wake: Damn ye! Let Neptune strike ye dead Winslow! HAAARK! Thomas Wake: Hark Triton, hark! Bellow, bid our father the Sea King rise from the depths full foul in his fury! Black waves teeming with salt foam to smother this young mouth with pungent slime, to choke ye, engorging your organs til' ye turn blue and bloated with bilge and brine and can scream no more - only when he, crowned in cockle shells with slitherin' tentacle tail and steaming beard take up his fell be-finned arm, his coral-tine trident screeches banshee-like in the tempest and plunges right through yer gullet, bursting ye - a bulging bladder no more, but a blasted bloody film now and nothing for the harpies and the souls of dead sailors to peck and claw and feed upon only to be lapped up and swallowed by the infinite waters of the Dread Emperor himself - forgotten to any man, to any time, forgotten to any god or devil, forgotten even to the sea, for any stuff for part of Winslow, even any scantling of your soul is Winslow no more, but is now itself the sea! Ephraim Winslow: Alright, have it your way. I like your cookin'."
"Thomas Wake: What. Ephraim Winslow: What. Thomas Wake: What. Ephraim Winslow: What. Thomas Wake: What. Ephraim Winslow: What. Thomas Wake: What. Ephraim Winslow: What."