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The highly anticipated film 'Tenet', directed by Christopher Nolan, has left audiences divided in their opinions. Some praised the film for its complex storyline and tribute to multiple genres and film-making techniques, while others found it confusing and difficult to follow. The protagonist, played by John David Washington, lacked emotion and failed to make a likable or credible hero. The film attempted to take time travel to the next level with the concept of inverted entropy, which added to the confusion for many viewers. The fast-paced dialogue and quick-cut editing only made matters worse. However, those who stuck it out until the final hour found that the action sequences were good and the storyline started to make sense. Despite its interesting visuals in the beginning, the final act of the film looked like it was playing in reverse. Overall, 'Tenet' is not a movie that can be easily recommended. While it may appeal to fans of Christopher Nolan's previous works, it may not be suitable for those who prefer simpler and easier to understand action movies.
Best Achievement in Visual Effects | 2021 | Andrew
Best Achievement in Special Visual Effects | 2021 | Andrew
Fantasy Film | 2021
Most Egregious Age Difference Between the Leading Man and the Love Interest | 2021 | Elizabeth
Top Ten Foreign Language Film | 2021
Commendable Imported Film | 2021 | Emma
Best Cinematography | 2021 | Hoyte van
Theatrical Film Award | 2021 | Ludwig
Best Visual Effects | 2021
Best Visual Effects | 2021
Favorite Actor | 2021 | Robert
Visual Effects | 2021 | Andrew
Best Cinematography | 2021 | Hoyte van
Best Visual Effects | 2021
Best Stunts | 2021
Best SciFi Film | 2021
Best Stunt Coordination | 2021
Best Original Score SciFiFantasy | 2021 | Ludwig
Best Global Motion Picture | 2021 | Christopher
Best Stunt Design | 2021
Outstanding Locations in a Contemporary Film | 2021
Outstanding Achievement in Sound Editing Feature Underscore | 2021 | Nicholas
Best Score | 2021 | Ludwig
Best Special Effects | 2021
Best Cinematography | 2021 | Hoyte van
Most Disappointing Film | 2021
Best Stunt Coordination | 2021
Best Visual Effects | 2021
Best Visual Effects | 2021
Best Visual Effects | 2021
Best Visual Effects | 2021 | Scott R.
Best Achievement in DecorDesign of a Fantasy or Science Fiction Feature Film | 2021 | Nathan
Best Editing | 2021 | Jennifer
Best Production Design International Studio Feature Film Fantasy | 2020 | Anna
Most Popular US Film in China | 2020 | Christopher
Best Foreign Language Film | 2020 | Christopher
Best SciFiFantasy Movie | 2020
Best Musical Score | 2020 | Ludwig
Best Score | 2020 | Ludwig
Best Actor | 2021 | John David
Best Achievement in Production Design | 2021 | Kathy
Best Original Score Motion Picture | 2021 | Ludwig
Best Cinematography | 2020 | Hoyte van
Best Science Fiction Film | 2021
Best Supporting Actor | 2021 | Robert
Best Director | 2021 | Christopher
Best Writing | 2021 | Christopher
Best Editing | 2021 | Jennifer
Best Production Design | 2021 | Nathan
Best Music | 2021 | Ludwig
Best Special Effects | 2021 | Mike
Best Cinematography | 2021 | Hoyte van
Best Score | 2021 | Ludwig
Best Film Editing | 2021 | Jennifer
Best Motion CaptureSpecial Effects Performance | 2021 | Andrew
Best Stunts | 2021
Best Foreign Language Film | 2021
Outstanding Cinematography | 2021 | Hoyte van
Outstanding Production Design | 2021 | Nathan
Best Editing | 2021 | Jennifer
Best Original Score | 2021 | Ludwig
Best Visual Effects | 2021 | Scott R.
Best Cinematography | 2021 | Hoyte van
Best Production Design | 2021 | Nathan
Best Editing International Competition | 2021 | Jennifer
Best Original Music International Competition | 2021 | Ludwig
Best SoundSound Efects International Competition | 2021
Best Special Effects Sound or Visual International Competition | 2021 | Andrew
Best Sequence International Competition | 2021
Best Trailer International Competition | 2021
Best Cinematography | 2021 | Hoyte van
Best Cinematography | 2021 | Hoyte van
Best Production Design | 2021 | Kathy
Best Editing | 2021 | Jennifer
Best Score | 2021 | Ludwig
Best ScienceFictionHorror Film | 2021
Best Original Score | 2021 | Ludwig
Best Use of Music | 2021
Best Motion Picture | 2021
Best Cinematography | 2021 | Hoyte van
Best Original Score | 2021 | Ludwig
Best Production Design | 2021 | Nathan
Best Sound | 2021
Best Original Song | 2021 | Ludwig
Best Science Fiction or Fantasy Movie | 2021 | Christopher
Best Visual And Sound Effects | 2021
Best Cinematography | 2021 | Hoyte van
Best Production Design | 2021
Best Original Score | 2021 | Ludwig
Cinematography | 2021 | Hoyte van
Film Editing | 2021 | Jennifer
Production Design | 2021 | Nathan
Original Score | 2021 | Ludwig
Sound | 2021 | Gary
Best Art Direction | 2021
Best Editing | 2021 | Jennifer
Best Cinematography | 2021 | Hoyte van
Best Original Score | 2021 | Ludwig
Best Cinematography | 2021 | Hoyte van
Best Action Film | 2021
Best Blockbuster Film | 2021
Best Stunt Work | 2021
Best Visual Effects | 2021 | Andrew
Best Original Song Feature Film | 2021 | Ludwig
Best Global Director for a Motion Picture | 2021 | Christopher
Best Dramatic Presentation Long Form | 2021 | Christopher
Best Sound Design | 2021 | Gary
Best Original Score for an ActionAdventureThriller Film | 2021 | Ludwig
Best Sound Mixing | 2021 | Gary
Best Sound Editing | 2021 | Richard
Best Visual Effects | 2021
Outstanding Film Commission | 2021
Technical Achievement of the Year | 2021 | Jennifer
Best Special Effects | 2021
Outstanding Achievement in Sound Editing Feature Effects and Foley | 2021 | John T.
Best Cinematography | 2021 | Hoyte van
Best Editing | 2021 | Jennifer
Best Song | 2021 | Ludwig
Best Cinematography | 2021 | Hoyte van
Best Editing | 2021 | Jennifer
Best Original Score | 2021 | Ludwig
Best Original Score | 2021 | Ludwig
Best Film Editing | 2021 | Jennifer
Best Cinematography | 2021 | Hoyte van
Best Production Design | 2021 | Nathan
Best Sound | 2021
Best Sound Effects | 2021
Best Visual Effects | 2021
Best Movie Trailer | 2021
Best Editing | 2021 | Jennifer
Best Cinematography | 2021 | Hoyte van
Best Original Score | 2021 | Ludwig
Best Science Fiction Film | 2021
Best Cinematography | 2021 | Hoyte van
Best Score | 2021 | Ludwig
Best International Film Melhor Filme Internacional | 2021 | Christopher
Best Editing | 2021 | Jennifer
Best Cinematography | 2021 | Hoyte van
Best Production Design | 2021 | Nathan
Best Cinematography | 2021 | Hoyte van
Best Production Design | 2021 | Kathy
Best Film Editing | 2021 | Jennifer
Best Motion Picture Drama | 2021
Best Original Score | 2021 | Ludwig
Best Cinematography | 2021 | Hoyte van
Best Sound Editing Mixing | 2021 | Gary
Best Original Score | 2021 | Ludwig
Best Production Design | 2021 | Kathy
Best Film Editing | 2021 | Jennifer
Outstanding Original Score for a Studio Film | 2021 | Ludwig
Best Score | 2021 | Ludwig
Social Television Film | 2021
Outstanding Visual Effects in a Photoreal Feature | 2021 | Scott R.
Best Production Design | 2021 | Kathy
Best Cinematography | 2021 | Hoyte van
Best Original Score | 2021 | Ludwig
Best Original Score | 2020 | Ludwig
Best Use of Visual Effects | 2020
Best Editing | 2020 | Jennifer
Best Cinematography | 2020 | Hoyte van
Best Visual Effects | 2020 | Andrew
Best Score | 2020 | Ludwig
Best Cinematography | 2020 | Hoyte van
Best Foreign Film | 2020 | Christopher
Budget 205,000,000 USD
Box Office Collection 365,304,105 USD
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The production team purchased and then crashed a real 747 airplane into a hangar. The stunt was all practical effects, with no visual effects or CGI. Director Christopher Nolan had originally planned to use miniatures and set-piece builds. However, while scouting for locations in Victorville, California, the team discovered a massive array of old planes, and it became apparent that it would actually be more efficient to buy a real plane of the real size and to perform the sequence for real on camera.
There was much secrecy surrounding the project before its release. Actor Robert Pattinson said that he was only allowed to read the script in a locked office at Warner Bros. studios. His co-star Michael Caine wasn't even allowed to read the entire screenplay. He was given his scenes only to read before shooting. Prior to the movie's release, Caine told press that he had no idea what the film was about, despite being a very close friend and a frequent collaborator of director Christopher Nolan.
In addition to performing stunts backwards, the main cast actually learned how to speak in reverse for their roles. Sir Kenneth Branagh not only learned how to speak backwards, but also had to do it with his character's Russian accent.
When the coronavirus pandemic hit the United States in spring 2020, the film's score was roughly eighty-percent finished. The only thing it really affected was an orchestral session that was scheduled for April. As a result, part of the soundtrack was completed by putting together individual recordings of the musicians in their homes.
Actor Kenneth Branagh revealed that he read the screenplay for the film more times than anything he had ever worked on. He compared navigating through the script to doing the 'Times' crossword puzzle every single day.
The production team purchased and then crashed a real 747 airplane into a hangar. The stunt was all practical effects, with no visual effects or CGI. Director Christopher Nolan had originally planned to use miniatures and set-piece builds. However, while scouting for locations in Victorville, California, the team discovered a massive array of old planes, and it became apparent that it would actually be more efficient to buy a real plane of the real size and to perform the sequence for real on camera.
There was much secrecy surrounding the project before its release. Actor Robert Pattinson said that he was only allowed to read the script in a locked office at Warner Bros. studios. His co-star Michael Caine wasn't even allowed to read the entire screenplay. He was given his scenes only to read before shooting. Prior to the movie's release, Caine told press that he had no idea what the film was about, despite being a very close friend and a frequent collaborator of director Christopher Nolan.
In addition to performing stunts backwards, the main cast actually learned how to speak in reverse for their roles. Sir Kenneth Branagh not only learned how to speak backwards, but also had to do it with his character's Russian accent.
When the coronavirus pandemic hit the United States in spring 2020, the film's score was roughly eighty-percent finished. The only thing it really affected was an orchestral session that was scheduled for April. As a result, part of the soundtrack was completed by putting together individual recordings of the musicians in their homes.
Actor Kenneth Branagh revealed that he read the screenplay for the film more times than anything he had ever worked on. He compared navigating through the script to doing the 'Times' crossword puzzle every single day.
"The Protagonist: You wanna crash a plane? Neil: Well, not from the air. Don't be so dramatic. The Protagonist: ...well, how big a plane? Neil: That part is a little dramatic."
"Neil: What the hell happened here? The Protagonist: Hasn't happened yet."
