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Best Motion Picture | 1976 | Lorenzo Semple
Best Sound Editing Sound Effects | 1976
Best Actor Mejor Actor | 1976 | Max von
Best Foreign Film | 1977
1976 | Sydney
Best Supporting Actor | 1975 | Max von
Best Film Editing | 1976
Best Actress in a Motion Picture Drama | 1976 | Faye
Best Album of Original Score Written for a Motion Picture or Television Special | 1977 | Dave
Best Film Mejor Pelcula | 1976 | Sydney
Budget 7,800,000 USD
Box Office Collection 41,509,797 USD
Former CIA director Richard Helms acted as a personal consultant to Robert Redford for his role as The Condor.
This is the only feature film ever to be filmed inside the World Trade Center.
In her biography "Looking for Gatsby", Faye Dunaway says of this film: "Now I'm sorry but the idea of being kidnapped and ravaged by Robert Redford was anything but frightening. [At one point, after Redford temporarily left the set and director Pollack took over his role for Dunaway's reaction shots] the cameras were rolling, I was in position, and suddenly Sydney lunged at me, growling 'I AM GOING TO GET YOU!'. I'm tied up at this point, unable to get away or move much at all, but Sydney kept moving toward me, his eyes glaring at me as he went on detailing all the horrible things he was going to do to me, and let me tell you, Sydney has an inventive mind. He is also a great actor, and he scared the hell out of me. Sydney kept the camera rolling and he was relentless".
Sydney Pollack sued Danish TV after they aired a pan-and-scan version of the film in 1991. The court ruled that the pan-and-scan version was a 'mutilation' of the film, and a violation of Pollack's 'Droit Moral', his legal right as an artist to maintain his reputation by protecting the integrity of his work. However, the court ruled in favor of the defendant on a technicality.
The place where Turner goes to pick up lunch for everyone -- The Lexington Candy Shop (1226 Lexington Avenue between 82nd and 83rd Streets) -- is still there, still looks the same, and has a steady clientele.
"[after Joubert unexpectedly kills someone] Joe Turner: Why? Joubert: I don't interest myself in "why". I think more often in terms of "when", sometimes "where"; always "how much"."
"Joe Turner: I'd like to go back to New York. Joubert: You have not much future there. It will happen this way. You may be walking. Maybe the first sunny day of the spring. And a car will slow beside you, and a door will open, and someone you know, maybe even trust, will get out of the car. And he will smile, a becoming smile. But he will leave open the door of the car and offer to give you a lift."
