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Business Trip | Suitcase
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Best Screenplay Motion Picture | 2010 | Sheldon
Best Screenplay Adapted | 2010 | Sheldon
Best Writing Screenplay Based on Material from Another Medium | 2010 | Sheldon
2010 | Jason
2010 | Anna
Screenplay | 2010 | Sheldon
2010 | Vera
Best Adapted Screenplay | 2010 | Sheldon
Actor of the Year | 2010 | George
Best Picture | 2010
Best Actor | 2010 | George
Actor of the Year For and | 2010
Best Director | 2010 | Jason
Best Adapted Screenplay | 2010 | Sheldon
Best Writing Adapted Screenplay | 2009 | Sheldon
Best Adapted Screenplay | 2009 | Sheldon
Best Screenplay Adapted | 2009 | Sheldon
Best Picture | 2009
Best Actor | 2009 | George
Best Director | 2009 | Jason
Best Screenplay | 2009 | Sheldon
Best Actor | 2009 | George
Best Supporting Actress | 2009 | Anna
Best Screenplay | 2009 | Sheldon
Best Screenplay | 2009 | Sheldon
Best Film | 2009
Best Actor | 2009 | George
Best Supporting Actress | 2009 | Anna
Best Adapted Screenplay | 2009 | Sheldon
Top Films of the Year | 2009
Best Performance by an Actor in a Lead Role | 2009 | George
Best Screenplay Adapted from Another Medium | 2009 | Sheldon
Best Original Score | 2009 | Rolfe
Hall of Shame | 2009
Film Music | 2010 | Rolfe
Best Screenplay Adapted | 2010 | Sheldon
Best Adapted Screenplay | 2010 | Sheldon
Adapted Screenplay | 2010 | Sheldon
Movie of the Year | 2010
Best Supporting Actress | 2010 | Vera
Best Ensemble Cast | 2010
Best Picture | 2010
Best Breakout Star | 2010 | Anna
Best Performance by an Actress in a Supporting Role | 2010 | Anna
Best Motion Picture of the Year | 2010 | Daniel
Best Performance by an Actor in a Leading Role | 2010 | George
Best Achievement in Directing | 2010 | Jason
Best Writing Adapted Screenplay | 2010 | Sheldon
Best Performance by an Actress in a Supporting Role in a Motion Picture | 2010 | Vera
Best Performance by an Actor in a Motion Picture Drama | 2010 | George
Best Motion Picture Drama | 2010
Best Director Motion Picture | 2010 | Jason
Best Editing | 2010 | Dana E.
Best Supporting Actress | 2010 | Vera
Best Leading Actor | 2010 | George
Best Film | 2010 | Ivan
Best American Film rets amerikanske film | 2011 | Jason
Outstanding Performance by a Male Actor in a Leading Role | 2010 | George
Outstanding Performance by a Female Actor in a Supporting Role | 2010 | Anna
Best Movie for Grownups | 2010
Best Edited Feature Film Dramatic | 2010 | Dana E.
Contemporary Film | 2010 | Linda Lee
Outstanding Achievement in Casting Feature Studio or Independent Drama | 2010
Best Ensemble | 2010 | Sam
Most Valuable Film of the Year | 2010 | Jason
Cinema for Peace Award for the Most Valuable Film of the Year | 2010 | Jason
Excellence in Contemporary Film | 2010 | Danny
Best Picture | 2010
Best Actor | 2010 | George
Best Supporting Actress | 2010 | Anna
Best Director | 2010 | Jason
Best Editing | 2010 | Dana E.
Best Acting Ensemble | 2010
Best Foreign Film Miglior Film Straniero | 2010 | Jason
Best Picture | 2010
Best Director | 2009 | Jason
Best Actor | 2009 | George
Best Supporting Actress | 2009 | Anna
Best Acting Ensemble | 2010 | Melanie
Best Film | 2009
Breakthrough Artist | 2009 | Anna
Outstanding Directorial Achievement in Motion Pictures | 2010 | Jason
Best Actor | 2010 | George
Lead Actor | 2010 | George
Supporting Actress | 2010 | Anna
Motion Picture | 2010 | Jason
Director | 2010 | Jason
Ensemble Cast | 2010 | Danny
Film Editing | 2010 | Dana E.
Adapted Screenplay of the Decade | 2010 | Sheldon
Lead Actor of the Decade | 2010 | George
Best Picture | 2010
Best Actor | 2010 | George
Best Supporting Actress | 2010 | Anna
Best Adapted Screenplay | 2010 | Sheldon
Best Film Editing | 2010 | Dana E.
Best Ensemble Cast | 2010
Best Actor in a Leading Role | 2010 | George
Best International Actress | 2010 | Anna
Best NonEuropean Director Regista del Miglior Film NonEuropeo | 2010 | Jason
Best Actor Miglior attore protagonista | 2010 | George
Best Supporting Actress Miglior attrice non protagonista | 2010 | Vera
Film of the Year | 2010
Actor of the Year | 2010 | George
Actress of the Year | 2010 | Vera
Director of the Year | 2010 | Jason
Best Supporting Actress | 2010 | Anna
Best Picture | 2010 | Jason
Best Actor | 2010 | George
Best Supporting Actress | 2010 | Anna
Best Breakthrough Performance Female | 2010 | Anna
Best Ensemble | 2010
Best Casting | 2010 | Mindy
Best Director | 2010 | Jason
Best Titles Sequence | 2010
Best Picture | 2010
Best Actor | 2010 | George
Best Supporting Actress | 2010 | Anna
Best Adapted Screenplay | 2010 | Sheldon
Outstanding Producer of Theatrical Motion Pictures | 2010 | Daniel
Choice Movie Female Scene Stealer For | 2010
Choice Movie Female Scene Stealer | 2010 | Anna
Best Foreign Film | 2010
Best Director | 2010 | Jason
Best Supporting Actress | 2010 | Anna
Best Actor | 2010 | George
Best Picture | 2009
Best Actor | 2009 | George
Best Supporting Actress | 2009 | Anna
Best Picture | 2009 | Jason
Best Director | 2009 | Jason
Best Film Editing | 2009 | Dana E.
Best Breakthrough Performance | 2009 | Anna
Best Film | 2009
Best Actor in a Leading Role | 2009 | George
Best Director | 2009 | Jason
Best Motion Picture | 2009 | Jason
Best Actress in a Supporting Role | 2009 | Anna
Best Cast Ensemble | 2009
Best Film Editing | 2009 | Dana E.
Best Supporting Actress | 2009 | Anna
Best Picture | 2009
Best Actor | 2009 | George
Best Supporting Actress | 2009 | Anna
Best Director | 2009 | Jason
Best Supporting Actress | 2009 | Vera
Best Screenplay of the Year | 2009 | Sheldon
Best Actor of the Year | 2009 | George
Best Supporting Actress of the Year | 2009 | Anna
Best Supporting Actress | 2009 | Vera
Best Film | 2009
Best Supporting Actress | 2009 | Vera
Best Screenplay Adapted | 2009 | Sheldon
Best Actor | 2009 | George
Best Motion Picture Comedy or Musical | 2009
Best Actor in a Motion Picture Comedy or Musical | 2009 | George
Best Actress in a Supporting Role | 2009 | Anna
Best Screenplay Adapted | 2009 | Sheldon
Best Supporting Actress | 2009 | Anna
Best Director | 2009 | Jason
Best Screenplay | 2009 | Sheldon
2009 | Jason
Best Supporting Actress | 2009 | Anna
Best Supporting Actress | 2009 | Anna
Best Supporting Actress | 2009 | Anna
Best Breakthrough Performance | 2009 | Anna
Best Director | 2009 | Jason
Best Ensemble | 2009 | J.K.
Budget 25,000,000 USD
Box Office Collection 166,842,739 USD
A large number of the people we see fired in the film are not actors, but people who were recently laid off. The filmmakers put out ads in St. Louis and Detroit posing as a documentary crew looking to document the effect of the recession. When people showed up, they were instructed to treat the camera like the person who fired them and respond as they did, or use the opportunity to say what they wished they had. A way to discern who are the actors, and who are the real people, is that the real people do not have dialogue with George Clooney or Anna Kendrick, as they were shot separately. Jason Reitman did this intentionally, feeling that the real people would freak out Clooney and Kendrick.
When Bob shows Ryan a photo of his two children, it is a photo of J.K. Simmons's real children.
Ryan's card, which Alex is so impressed, with is the American Airlines invitation-only Concierge Key. Started in 2007, it helps members arrange for reservation changes, upgrades, and even airport meetings. After the film was completed, Jason Reitman was invited into the program. It is sent to selected customers, and since it is not advertised, some travellers consider it a rumor.
Vera Farmiga used a body double for her nude scene. In an interview she stated she has no problem being naked in a film, but she had recently given birth and "The breast milk running down would have been inappropriate."
Jason Reitman began writing the screenplay in 2002, when the economy was booming, and planned to make it as his first feature. The opportunity to make Thank You for Smoking (2005) and Juno (2007) presented themselves, and he put this off until 2009; meanwhile, America plummeted into an economic recession. He said the film's tone changed completely in response to the real world crisis and worked much better as a topical piece than it would have a decade previously. The delays in its realization were therefore fortuitous.
"Ryan Bingham: [on the docks in Miami] You know that moment when you look into somebody's eyes and you can feel them staring into your soul and the whole world goes quiet just for a second? Natalie Keener: Yes. Ryan Bingham: [shrugs] Right. Well, I don't. Natalie Keener: you're an asshole."
"Natalie Keener: [sitting across from Ryan and Alex in Miami] I thought I'd be engaged by now. I thought by 23, I'd be married, maybe have a kid, corner office by day, entertaining at night. I was supposed to be driving a Grand Cherokee by now. Alex Goran: Well, life can underwhelm you that way. Natalie Keener: Where did you think you'd be by err...? Alex Goran: It doesn't work that way. At a certain point, you stop with the dead lines. It can be a little counter productive. Natalie Keener: I don't want to say anything that is anti-feminist. I really appreciate everything that your generation did for me. Alex Goran: It was our pleasure. Ryan Bingham: Well done. Natalie Keener: Sometimes it feels like, no matter how much success I have, it's not gonna matter until I find the right guy. I could have made it work, he really fit the bill, you know. White collar, 6'1, college grad, loves dogs, likes funny movies, brown hair, kind eyes, works in finance but is outdoorsy. I always imagined he'd have a single syllable name like Matt or John or Dave. In a perfect world, he drives a 4 runner and the only thing he loves more than me is his golden lab. And a nice smile. What about you? Alex Goran: You know, honestly by the time you're 34, all the physical requirements just go out the window. You secretly pray that he'll be taller than you, not an asshole would be nice just someone who enjoys my company, comes from a good family. You don't think about that when you're younger. Someone who wants kids, likes kids. Healthy enough to play with his kids. Please let him earn more money than I do, you might not understand that now but believe me, you will one day otherwise that's a recipe for disaster. And hopefully, some hair on his head. I mean, that's not even a deal breaker these days. A nice smile. Yea, a nice smile just might do it. Natalie Keener: Wow. That was depressing."
