American Me

American Me

Movie |

Prison | Juvenile Prison

  • :
  • Genre(s): Crime, Drama, Romance
  • Language(s): English
  • Director(s): Edward James Olmos, Cassandra Barrere, Brian Whitley, Richard Espinoza
  • Cast(s): Edward James Olmos, William Forsythe, Pepe Serna, Panchito Gómez, Steve Wilcox See all Cast & Crew
  • Duration: 2h 5min
  • Music: Dawn Soler,Jack Woods,Dennis Jones,James Bolt,Mark Gordon
  • Award(s): Tokyo Grand Prix 1992 (Nominated) Awards List
  • Similar To: Locked Down, If Beale Street Could Talk
  • Story:
    Edward J. Olmos made his directorial bow with the powerhouse crime saga American Me. Olmos stars as street-gang leader Santana, who during his 18 years in Folsom Prison rules over all the drug-and-murder activities behind bars. Upon his release, Santana goes back to his old neighborhood, intending to lead a peaceful, crime-free life. But his old gang buddies force him back into his old habits. The
    Full Story
7.1/10
IMDb

American Me - Where to Stream?

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Videos: Trailers, Teasers, Featurettes

American Me - Cast

American Me - Crew

American Me - IMAGE GALLERY

STORY AND RATINGS

Story
Edward J. Olmos made his directorial bow with the powerhouse crime saga American Me. Olmos stars as street-gang leader Santana, who during his 18 years in Folsom Prison rules over all the drug-and-murder activities behind bars. Upon his release, Santana goes back to his old neighborhood, intending to lead a peaceful, crime-free life. But his old gang buddies force him back into his old habits. The
Ratings

7.1/10

IMDb

AWARDS

Nominations
Tokyo Grand Prix Award

1992 | Edward James

BOX OFFICE

Budget 16,000,000 USD

Box Office Collection 13,100,000 USD

TRIVIA AND POPULAR DIALOGUES

Trivia

Two of the most dangerous street gangs of East L.A., Il Grande Hazard and MC Forceros, called a truce to allow director Edward James Olmos to shoot the movie on their turfs.

Danny Trejo had affiliation with the Mexican Mafia, However he never joined the gang, he grew up with the guys who were members of the Mexican Mafia & he said that his uncle Gilbert was what kept him away from the gang.

Danny Trejo warned Edward James Olmos not to film the movie due to the death threats he was getting from the Mexican Mafia.

According to 60 Minutes (1968), three people who acted as consultants on this film were later murdered because of the depiction of a homosexual rape scene that reportedly deeply offended the Mexican Mafia's machismo. The victims were: Charles Manriquez (known as Charlie Brown), a Mexican Mafia member and unofficial consultant to the film, killed on early 1992; actress Ana Lizarraga, a community youth counselor and official consultant to the director who was shot in her driveway in front of her son and her boyfriend; and Manuel Luna (known as Rocky), a former gang member who also worked as consultant, killed a year after the film's release.

Edward James Olmos was issued a permit to carry a concealed weapon by the Los Angeles Police Dept. because of the many death threats he received from Mexican Mafia members. Before filming began, they were under the impression that the movie was to be a favorable portrait of their organization, and were angered when the film emphasized their criminal activities.

Popular Dialogues

"Montoya Santana: I hear Little Puppet's name is on a piece of paper, ese. J.D.: I want you to cosign it. Montoya Santana: I'm taking it off, ese. J.D.: That punk got you kicked back in the hole, set us all back. Now he's running around talking loud shit about how he wants out of La Eme. His number's up, homes. Montoya Santana: I said I'm taking it off, ese. J.D.: What's gonna happen is gonna happen. Don't try to stop it. You understand me? I'm asking you, carnal. Montoya Santana: Is that where it's gotten to, ese? J.D.: Brothers are talking about you. Montoya Santana: What are they saying, ese? J.D.: They're saying that you're not showing them anything. Montoya Santana: You know, a long time ago, two best homeboys, two kids, were thrown into juvie. They were scared, and they thought they had to do something to prove themselves. And they did what they had to do. They thought they were doing it to gain respect for their people, to show the world that no one could take their class from them. No one had to take it from us, ese. Whatever we had... we gave it away. Take care of yourself, carnal."

"Montoya Santana: I'm sorry to hear about Neto. Julie: I don't know what to say to you. Montoya Santana: Whatever, you know. Julie: You're like two people. One is like a kid. Doesn't know how to dance, doesn't know how to make love. That's the one I cared about. But the other one, the other one I hate. The one who knows, the one who has this wrapdown, who knows how to run drugs, who kills people! Montoya Santana: I don't have to listen to this shit, alright? If you were a man, I'd... Julie: You'd kill me! Oh no. No, you'd fuck me in the ass, right? Right? Montoya Santana: I guess we got nothing to say to eachother. Julie: You know when I met you, I was impressed. Yeah, you talked about La Raza and education and the revolution, but you know what man? You really don't care about any revolution, do you? You're nothing but a fucking dope dealer. Montoya Santana: Just a road to where we're going, esa. Julie: Bullshit. Montoya Santana: Sabes que? I don't do drugs, I don't even like them, but they're there, and it's a reality. And if I don't take care of that business, somebody else will. Julie: Yeah, well, your business kills kids, man! It kills kids! Like Neto and Pablito and, and Miko, my son, who look up to you! Man, they idolize the ground you walk on! Montoya Santana: What the fuck do you want from me? Do you want me to start over, esa? Get a job? How about become a citizen? Julie: There's no fucking hope... for our kids, for our barrios... with people like you around."

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