Movie |
Tech Noir | Artificial Intelligence
Blade Runner 2049 is a science fiction film, which follows LAPD officer K, tasked with finding and retiring outdated replicants, as he uncovers a secret that could shake the foundations of our society. The cast has Harrison Ford and Ryan Gosling in lead roles, and the film is known for its great soundtrack.
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Blade Runner 2049 is a science fiction film, which follows LAPD officer K, tasked with finding and retiring outdated replicants, as he uncovers a secret that could shake the foundations of our society. The cast has Harrison Ford and Ryan Gosling in lead roles, and the film is known for its great soundtrack.
Blade Runner 2049 is a neo-noir science fiction movie that is set set thirty years after the events of the 1982 film Blade Runner and follows K, a replicant Blade Runner as he uncovers a long-buried secret that has the potential to plunge society into chaos. His search leads him to Rick Deckard, a former Blade Runner who has been missing and out of action for decades. The movie is known for the incredible depth of acting put in by lead actors Ryan Gosling and Harrison Ford. Further to that, director Dennis Velleneuve has done a brilliant job in creating a convincing visual spectacle of a universe in which it is based. The themes of identity and memory explored in the film are well-written. Overall, Blade Runner 2049 is a worthy successor to the original film, and Villeneuve's direction, coupled with the stunning visuals and thought-provoking themes, make it a must-watch for sci-fi fans of all ages.
Best Achievement in Visual Effects | 2018 | John
Best Achievement in Cinematography | 2018 | Roger
Best Achievement in Special Visual Effects | 2018 | Richard R.
Best Cinematography | 2018 | Roger
Fantasy Film | 2018
Best Cinematography | 2018 | Roger
Best Cinematography | 2018 | Roger
Best Cinematography | 2018 | Roger
Best Cinematography | 2018 | Roger
Favorite Actor | 2018 | Ryan
Best Production Design | 2018 | Alessandra
Best Film | 2018
Best Director | 2018 | Denis
Best Art Direction | 2018 | Alessandra
Best Cinematography | 2018 | Roger
Best Visual Effects | 2018
Best Sci-Fi/Horror Film | 2018
Best Cinematography | 2018 | Roger
Best Production Design | 2018 | Dennis
Best Sound Editing | 2018 | Theo
Best Visual Effects | 2018 | Richard R.
Technical Achievement of the Year | 2018 | Dennis
Outstanding Achievement in Sound Editing - Sound Effects and Foley for Feature Film | 2018 | Andy
Best Cinematography | 2018 | Roger
Best Cinematography | 2018 | Roger
Best Cinematography | 2018 | Roger
Best Cinematography | 2018 | Roger
Best Production Design | 2018 | Alessandra
Best Visual Effects | 2018 | Richard R.
Best Visual Presentation | 2018 | Denis
Outstanding Created Environment in a Photoreal Feature | 2018
Outstanding Model in a Photoreal or Animated Project | 2018
Best Cinematography | 2017 | Roger
Best Production Design | 2017 | Alessandra
Best Visual Effects | 2017 | Richard R.
Best Cinematography | 2017 | Roger
Best Cinematography | 2017 | Roger
Best Production Design International Studio Feature Film - Fantasy | 2017 | Paul
Best Cinematography in a Theatrical Feature Film | 2017 | Roger
2017 | Alessandra
Best Cinematography | 2017 | Roger
Best Cinematography | 2017 | Roger
Best Score | 2017 | Hans
Best Cinematography | 2017 | Roger
Best Art Direction/Production Design | 2017 | Alessandra
Best Visual Effects | 2017
Best Teaser | 2017
Producer of the Year | 2017 | Cynthia
Cinematographer of the Year | 2017 | Roger
Production Designer of the Year | 2017 | Dennis
Best Cinematography | 2017 | Roger
Best Costume Design | 2017 | Renée
Best Art Direction | 2017 | Alessandra
Best Visual Effects | 2017
Best Production Design | 2017 | Dennis
Best Cinematography | 2017 | Roger
Best Picture | 2017
Best Supporting Actor | 2017 | Harrison
Best Cinematography | 2017 | Roger
Best Production Design | 2017 | Dennis
Best Cinematography | 2017 | Roger
Best Cinematography | 2017 | Roger
Best Cinematography | 2017 | Roger
Best Cinematography | 2017 | Roger
Best Cinematography | 2017 | Roger
Best Production Design | 2017 | Alessandra
Best Cinematography | 2017 | Roger
Best Original Score | 2017 | Benjamin
Best Cinematography for Feature Film | 2019 | Roger
Best Science Fiction Film | 2018
Best Cinematography | 2018 | Roger
Outstanding Achievement in Cinematography in Theatrical Releases | 2018 | Roger
Best Achievement in Sound Mixing | 2018 | Doug
Best Achievement in Production Design | 2018 | Dennis
Best Achievement in Sound Editing | 2018 | Theo
Best Editing | 2018 | Joe
Best Sound | 2018 | Mark A.
Best Make Up/Hair | 2018 | Donald
Best Production Design | 2018 | Dennis
Original Music | 2018 | Hans
Best Score Soundtrack for Visual Media | 2019 | Benjamin
Best Supporting Actress (Mejor Actriz de reparto) | 2018 | Ana de
Cinematography of the Decade | 2020 | Roger
Production Design of the Decade | 2020 | Alessandra
Visual Effects of the Decade | 2020 | Richard R.
Motion Picture | 2018 | Bud
Adapted Screenplay | 2018 | Michael
Costume Design | 2018 | Renée
Film Editing | 2018 | Joe
Production Design | 2018 | Alessandra
Original Score | 2018 | Hans
Sound | 2018 | Theo
2018 | Denis
Best Director | 2018 | Denis
Best Writing | 2018 | Michael
Best Actor | 2018 | Ryan
Best Supporting Actor | 2018 | Harrison
Best Supporting Actress | 2018 | Ana de
Best Production Design | 2018 | Dennis
Best Make-Up | 2018 | Donald
Best Special Effects | 2018 | Gerd
Best Edited Feature Film - Dramatic | 2018 | Joe
Excellence in Sound for a Feature Film | 2018 | Ron
Best American Film (Bedste amerikanske film) | 2018 | Denis
Best Foreign-Language Film (Melhor Filme Estrangeiro) | 2018 | Denis
Best Original Music - International Competition | 2018 | Hans
Excellence in Sci-Fi/Fantasy Film | 2018 | Renée
Best Sci-Fi/Horror Movie | 2018
Best Costume Design | 2018 | Renée
Best Visual Effects | 2018
Best Production Design | 2018 | Alessandra
Best Score | 2018 | Hans
Best Editing | 2018 | Joe
Best American Film (Årets amerikanske film) | 2018 | Denis
Best Original Score | 2018 | Hans
Best Science-Fiction/Horror Film | 2018
Best Visual Effects | 2018
Best Use of Music | 2017
Best Science Fiction or Fantasy Movie | 2018 | Michael
Best Sci-Fi/Fantasy | 2018
Best Motion Picture of the Year | 2018
Best Achievement in Directing | 2018 | Denis
Best Production Design | 2018 | Alessandra
Best Visual And Sound Effects | 2018
Visually Striking Film of the Year | 2018
Best Adapted Screenplay | 2018 | Michael
Best Makeup | 2018 | Donald
Best Editing | 2018 | Joe
Best Original Score | 2018 | Hans
Best Period and/or Character Makeup - Feature-Length Motion Picture | 2018
Best Period and/or Character Hair Styling - Feature-Length Motion Picture | 2018
Best Dramatic Presentation - Long Form | 2018 | Denis
Outstanding Achievement in Sound Editing - Music Score for Feature Film | 2018 | Del
Outstanding Achievement in Sound Editing - Dialogue and ADR for Feature Film | 2018 | Michael
Best Special Effects | 2018
Best Film | 2018
Best Picture | 2018 | Cynthia
Best Music, Original Score | 2018 | Benjamin
Best Film Editing | 2018 | Joe
Best Costume Design | 2018 | Renée
Best Sound Mixing | 2018
Best Movie Trailer | 2018
Best Foreign Film (Millor pel·lícula estrangera) | 2018 | Denis
Outstanding Visual Effects in a Photoreal Feature | 2018 | Gerd
Outstanding Animated Character in a Photoreal Feature | 2018
Outstanding Created Environment in a Photoreal Feature | 2018
Outstanding Compositing in a Photoreal Feature | 2018
Best Motion Picture | 2017 | Cynthia
Best Director | 2017 | Denis
Best Achievement in Sound | 2017 | Theo
Best Film Editing | 2017 | Joe
Best Original Score | 2017 | Benjamin
Best Stunt Ensemble | 2017
Best Picture | 2017
Best Cinematography | 2017 | Roger
Best Studio Film | 2017
Best Production Design | 2017 | Dennis
Best Visual Effects | 2017 | John
Best Cinematography | 2017 | Roger
Best Film | 2017
Best Director | 2017 | Denis
Best Actor | 2017 | Ryan
Best Screenplay | 2017 | Michael
Favorite Movie of the Year | 2017
Best Director of the Year | 2017 | Denis
Best Trailer of the Year | 2017
Best T&A of the Year | 2017 | Ana de
Best Music in a Movie | 2017
Best Special Effects of the Year | 2017
Trippiest Movie of the Year | 2017
Favorite Movie Poster of the Year | 2017
Best Original Score - Sci-Fi/Fantasy Film | 2017 | Hans
Best Picture | 2017
Best Adapted Screenplay | 2017 | Michael
Best Musical Score | 2017 | Benjamin
Best Cinematography | 2017 | Roger
Best Director | 2017 | Denis
Best Score | 2017 | Hans
Best Picture | 2017
Best Screenplay Adapted from Other Material | 2017 | Michael
Best Film Editing | 2017 | Joe
Best Production Design | 2017 | Dennis
Best Costume Design | 2017 | Renée
Best Original Score | 2017 | Benjamin
Best Visual Effects | 2017
Best Film | 2017 | Denis
Best Cinematography | 2017 | Roger
Best Production Design | 2017 | Dennis
Best Visual Effects | 2017
Best Production Design | 2017 | Dennis
Best Film Editing | 2017 | Joe
Best Original Score | 2017 | Benjamin
Best Picture | 2017
Best Director | 2017 | Denis
Best Costume Design | 2017 | Renée
Best Film Editing | 2017 | Joe
Best Original Score | 2017 | Hans
Best Visual Effects | 2017 | Gerd
Best Cinematography | 2017 | Roger
Best Director | 2017 | Denis
Best Production Design | 2017 | Dennis
Best Score | 2017 | Hans
Best Foreign Film | 2017
Best Original Score | 2017 | Benjamin
Budget 150,000,000 USD
Box Office Collection 259,239,658 USD
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David Bowie was director Denis Villeneuve's first choice for the role of Niander Wallace, but he died before the start of shooting.
To make Joi (Ana de Armas) appear more artificial, editor Joe Walker experimented by freezing her image for nine frames just before she responds to a question. That way it looked like her program paused for a split second, as if her processor was briefly occupied in coming up with an answer. However, it felt corny and it was decided that her artificiality was already convincingly communicated through her fast costume changes and transparency.
The first letter of the names of each of the wooden animals that Rick Deckard carved in this movie: Rhino, Antelope, Cat, Horse, Elephant, Lion, spell "RACHEL".
Production designer Dennis Gassner based the design of Niander Wallace's lair on one of the rooms in Kiyomizu-dera, the famous ancient temple in Kyoto, Japan. The floor type used for the lair is the uguisubari or the nightingale floor, where the noise created alerts a person to a possible intruder.
As seen in this movie, the baseline test that "K" must recite back ("A system of cells interlinked within / Cells interlinked within cells interlinked") was Ryan Gosling's idea. He employed an acting technique called "dropping in", which induced a trance-like and hypnotic effect on his performance.
