Distant Voices  Still Lives

Distant Voices, Still Lives

Movie |

Liverpool, England | Singer

  • :
  • Genre(s): Drama, Musical
  • Language(s): English
  • Director(s): Terence Davies
  • Cast(s): Freda Dowie, Pete Postlethwaite, Angela Walsh, Lorraine Ashbourne, Michael Starke See all Cast & Crew
  • Duration: 1h 24min
  • Award(s): Golden Leopard 1988 (Won)
    European Film 1988 (Nominated) Awards List
  • Similar To: Songs from the Hole, Blue Moon
  • Story:
    The second film in Terence Davies's autobiographical series (along with "Trilogy" and "The Long Day Closes") is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies's own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
    Full Story
7.4/10
IMDb

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Distant Voices, Still Lives - Cast

Distant Voices, Still Lives - Crew

Distant Voices, Still Lives - IMAGE GALLERY

STORY AND RATINGS

Story
The second film in Terence Davies's autobiographical series (along with "Trilogy" and "The Long Day Closes") is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies's own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
Ratings

7.4/10

IMDb

AWARDS

Show more
Won
Golden Leopard Award

1988 | Terence

Golden Spike Award

Best Film | 1988 | Terence

ALFS Award

Director of the Year | 1990 | Terence

Film of the Year | 1990

Amanda Award

Best Foreign Feature Film rets utenlandske spillefilm | 1990 | Terence

FIPRESCI Prize Award

1988 | Terence

LAFCA Award

Best Foreign Film | 1989 | Terence

Evening Standard British Film Award

Best TechnicalArtistic Achievement | 1989 | Patrick

Nominations
European Film Award

Best Film | 1988 | Jennifer

Special Aspect | 1988 | Terence

Best Screenwriter | 1988 | Terence

Best Director | 1988 | Terence

Best Supporting Actress | 1988 | Freda

Independent Spirit Award

Best Foreign Film | 1990 | Terence

César Award

Best Film of the European Community Meilleur film de lEurope communautaire | 1989 | Terence

TRIVIA AND POPULAR DIALOGUES

Trivia

The film was a 'labour of love' for director, cast and crew. Due to the very low budget, it had to be shot intermittently over a period of two years.

The photograph of a man, standing with a pony, on the wall of the living room, is a genuine photo of Terence Davies' father, on whom Pete Postlethwaite's character is based.

Pete Postlethwaite found it hard to believe that Terence Davies' father (on whom his character was based) could have been so violent and cruel to his family. It wasn't until Davies asked his sister to tell him about being beaten in the cellar with a broomstick by their father (which is depicted in the film) that Postlethwaite accepted it was true.

After an initial meeting, Terence Davies felt Pete Postlethwaite was not impressed with him as director nor the set up of the production and was sure he was going to say no to the film. However, his producer told him not to worry and when they showed Postlethwaite the trilogy of earlier films Davies had made, he agreed to star.

By far, the single most expensive scene in the film was the workmen falling through the glass ceiling. As Terence Davies and his crew had no experience in shooting such a sequence, Arthur Wooster, BSC, the Director and Cinematographer of the 'James Bond' 2nd unit was hired. It was shot in one take at Pinewood studios at a cost of £10,000.

Popular Dialogues

"Micky: When they're not using their big stick, they're farting. Aren't men horrible?"

"Micky: If I'd played me cards right I'd be in America now... Remember that Yank I went out with, Mrs. D? He thought I had lovely eyes. Hated the rest of me, but thought I had lovely eyes!... And I end up by falling for a dwarf."