Movie |
Love Triangle | Nurse
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Best Art DirectionSet Decoration Color | 1966
Best Writing Screenplay Based on Material from Another Medium | 1966 | Robert
Best Cinematography Color | 1966
Best Costume Design Color | 1966 | Phyllis
Best Music Score Substantially Original | 1966 | Maurice
Best Motion Picture Drama | 1966
Best Director | 1966 | David
Best Actor Drama | 1966 | Omar
Best Screenplay | 1966 | Robert
Best Original Score | 1966 | Maurice
Drama | 1966
1967
Favorite AllTime Motion Picture Song | 1988
Motion Picture | 2016
Best Foreign Production Migliore Produzione Straniera | 1967
Best Foreign Director Migliore Regista Straniero | 1967 | David
Best Foreign Actress Migliore Attrice Straniera | 1967 | Julie
Best Original Score Written for a Motion Picture or Television Show | 1967 | Maurice
Best Sound | 1966
Best Picture | 1966
Best Actor in a Supporting Role | 1966 | Tom
Best Film Editing | 1966
Best Director | 1966 | David
Most Promising Newcomer Female | 1966 | Geraldine
Best British Actress For | 1967 | Julie
Best British Actor | 1967
Best British Actor For and | 1967
Best Film from any Source | 1967 | David
Best British Actress | 1967 | Julie
Dramatic Performance Male | 1966 | Omar
Supporting Performance Male | 1966 | Tom
Best Director | 1965 | David
Budget 11,000,000 USD
Box Office Collection 111,858,363 USD
This movie wasn't shown in Russia until 1994.
This movie was shot in Spain during the regime of General Francisco Franco. One day, while filming the scene with the crowd chanting the Marxist theme (at 3:00 a.m.), police showed up on set thinking a real revolution was taking place and insisted on staying until the scene was finished. The secret police supposedly surveyed the crowd as the extras sang the Internationale for a protest scene, so many extras pretended they didn't know the words. (Of course, the extras had been rehearsed in singing the Internationale before the scene was shot.) Meanwhile, residents who lived nearby had awoken to the singing of the Internationale and mistakenly concluded that Franco had died (or been overthrown). Some residents even popped champagne bottles at the mistaken rumor.
Critics tore the film apart upon release. Newsweek commented about "hack-job sets" and "pallid photography". Director David Lean was so deeply affected that he swore he would never make another movie. Thanks in part to MGM's marketing campaign and strong word of mouth, this became the second highest-grossing movie of 1965, behind The Sound of Music (1965). It received ten Academy Award nominations (including Best Picture and Director) and won 5 awards, giving Lean the confidence to continue making movies. His next movie, Ryan's Daughter (1970), received a poisonous reception from critics and bombed at the box office. Lean made his next film, A Passage to India (1984), over 14 years later.
As of 2010, adjusted for inflation, this is the eighth-highest grossing movie of all time.
Omar Sharif had to have his eyes taped back daily and his hair straightened to disguise his Egyptian looks. He also had his hairline shaved up about two to three inches and his skin waxed, a process which had to be repeated every three days.
"Komarovski: Lara, I am determined to save you from a dreadful error. There are two kinds of men, and only two, and that young man is one kind. He is high-minded. He is pure. He is the kind of man that the world pretends to look up to and in fact despises. He is the kind of man who breeds unhappiness; particularly in women. Now, do you understand? Lara: No. Komarovski: I think you do. There's another kind. Not high-minded. Not pure. But alive. Now that your taste at this time should incline towards the juvenile is understandable. But for you to marry that boy would be a disaster. Because there's two kinds of women... [Lara covers her ears, he forces her arms down] Komarovski: There are two kinds of women and you - as we well know - are not the first kind. [Lara slaps him, he slaps her back] Komarovski: You, my dear, are a slut. Lara: I am not! Komarovski: We'll see."
"Lara: Wouldn't it have been lovely if we'd met before? Zhivago: Before we did? Yes. Lara: We'd have got married, had a house and children. If we'd had children, Yuri, would you like a boy or girl? Zhivago: I think we may go mad if we think about all that. Lara: I shall always think about it."
