Movie |
Based On Novel Or Book | Car Race
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Ford Vs Ferrari, happened to be based on a true series of incidents as how Carroll Shelby, an automotive designer, partnered up with Ken Miles, a race car driver to build a full-throttle engine with the true motive of competing against the fast Ferrari race cars. Fans loved the plot of the film and the cast members' performances. The lead actor who happens to be one of the top-rated Hollywood actors, Christian Bale did a great job at playing the actual character of Ken Miles and his unsung narrative of how Ford was able to develop the perfect racing machine to counter Ferrari's perfect winning run on the 24 hour Le Man's circuit, which has been known by very few people until now. The viewers will enjoy and love the film's cinematography and visual style. The racing action is brilliantly directed. Visually, the film is oozing with the soul and mood of the racing era.
Best Achievement in Film Editing | 2020 | Andrew Buckland
Best Achievement in Sound Editing | 2020 | Donald Sylvester
Best Editing | 2020 | Andrew Buckland
Best Actor in a Motion Picture Drama | 2019 | Christian Bale
Best Director | 2019 | James Mangold
Best Sound Editing Mixing | 2019 | Donald Sylvester
Best Film Editing | 2019 | Andrew Buckland
Director of the Year | 2019 | James Mangold
Sound of the Year | 2019 | Donald Sylvester
Editor of the Year | 2019 | Andrew Buckland
2019 | Jason Keller
Outstanding Achievement in Sound Editing Sound Effects and Foley for Feature Film | 2020 | Donald Sylvester
Outstanding Achievement in Sound Mixing for Motion Pictures Live Action | 2020 | David Betancourt
Best Original Score Feature Film | 2019 | Buck Sanders
Best Film Editing | 2019 | Andrew Buckland
Best Film Editing | 2019 | Andrew Buckland
Best Editing | 2019 | Andrew Buckland
Best Editing | 2019 | Dirk Westervelt
Best Editing | 2019 | Dirk Westervelt
Best Motion Picture of the Year | 2020 | Peter Chernin
Best Achievement in Sound Mixing | 2020 | David Giammarco
Best Performance by an Actor in a Motion Picture Drama | 2020 | Christian Bale
Best Sound | 2020 | Donald Sylvester
Best Cinematography | 2020 | Phedon Papamichael
Outstanding Performance by a Male Actor in a Leading Role | 2020 | Christian Bale
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture | 2020 | Sibi Bale
Best Foreign Actor For | 2020 | Christian Bale
Best Foreign Actor | 2020 | Christian Bale
Best Global Actor in a Motion Picture | 2020 | Christian Bale
Best Lead Actor | 2020 | Christian Bale
Favorite Actor | 2020 | Christian Bale
Young BritishIrish Performer of the Year | 2020 | Noah Jupe
Young BritishIrish Performer of the Year For | 2020 | Noah Jupe
Best Foreign Film Meilleur Film tranger | 2020 | James Mangold
Outstanding Producer of Theatrical Motion Pictures | 2020 | Peter Chernin
Outstanding Creative Achievement Film Sound Production | 2020 | James Mangold
2020 | Jason Keller
Best Picture | 2020 | Peter Chernin
Best Stunt Coordination | 2020 | Samuel Hubinette
Best Sound Mixing | 2020 | David Giammarco
Best Film Editing | 2020 | Andrew Buckland
Best Sound Effects Editing | 2020 | Donald Sylvester
Best Screenplay Original | 2019 | Jason Keller
Best Original Score | 2019 | Buck Sanders
Best Cinematography | 2019 | Phedon Papamichael
Best Art Direction Production Design | 2019 | Peter Lando
Best Visual Effects | 2019 | Mark R. Byers
Period Film | 2020 | Lori West
Best Sound | 2020 | Donald Sylvester
Best Cinematography | 2020 | Phedon Papamichael
Best Editing | 2020 | Michael McCusker
Excellence in Sound for a Feature Film | 2020 | Polly McKinnon
Feature Film | 2020 | David Luckenbach
Feature Film | 2019 | David Luckenbach
Operators Award Features | 2019 | David Luckenbach
Main Competition | 2019 | Phedon Papamichael
Best Cinematography | 2020 | Phedon Papamichael
Best Editing | 2020 | Andrew Buckland
Best Cinematography | 2019 | Phedon Papamichael
Outstanding Achievement in Cinematography in Theatrical Releases | 2020 | Phedon Papamichael
Best Cinematography | 2019 | Phedon Papamichael
Best Music Supervision for Film Budgeted Over Million Dollars | 2020 | Ted Caplan
Best Edited Feature Film Dramatic | 2020 | Andrew Buckland
Best Editing | 2020 | Andrew Buckland
Outstanding Editing Theatrical Feature | 2020 | Andrew Buckland
Best Editing | 2020 | Andrew Buckland
Best Film Editing | 2019 | Dirk Westervelt
Best Film Editing | 2020 | Andrew Buckland
Best Editing | 2019 | Andrew Buckland
Best Editing | 2020 | Michael McCusker
Outstanding Achievement in Sound Editing Dialogue and ADR for Feature Film | 2020 | Polly McKinnon
Outstanding Supporting Visual Effects in a Photoreal Feature | 2020 | Malte Sarnes
Best Visual Effects or Animation | 2020 | Malte Sarnes
Budget 97,600,000 USD
Box Office Collection 225,508,210 USD
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In preparation for his role, Christian Bale took race driving lessons at the Bondurant High Performance Driving School. As it happened, the founder of the school had been a friend of Ken Miles. So in addition to the driving, Bale also got to hear stories of the 1960s racing scene. Bale's instructor and the film's stunt coordinator, Robert Nagle later stated; "he's hands down the best actor I've ever trained."
Matt Damon said that the number one reason he wanted to do the movie was to work with Christian Bale.
In order to recreate the Le Mans circuit as it existed in the 1960s the scenes taking place on the race track had to be shot in five different locations. This proved a challenge in terms of continuity as not only the cars had to be correctly placed for each shot but the weather had to be consistent as well. VFX was critical in fixing a variety of continuity issues, some of which were as simple as adjusting clocks to the right time.
According to Matt Damon, Christian Bale had to lose seventy pounds before filming began. Bale had previously gained a lot of weight for his role in Vice (2018) and had about seven months to lose it all and then some to play the lean race car driver, Ken Miles. Damon inquired of Bale how he managed to lose all the weight, to which Bale replied that he simply didn't eat. Damon said he was impressed by Bale's monk-like discipline.
Marketed as "Ford v Ferrari" in North America. In most other countries around the world it is titled "Le Mans 66".
"Carroll Shelby: [narration] There's a point at 7,000 RPM... where everything fades. The machine becomes weightless. Just disappears. And all that's left is a body moving through space and time. 7,000 RPM. That's where you meet it. You feel it coming. It creeps up on you, close in your ear. Asks you a question. The only question that matters. Who are you?"
"Carroll Shelby: We're lighter, we're faster, and if that don't work, we're nastier."
