Movie |
Race Car Driver | Based On Novel Or Book
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Ford Vs Ferrari, happened to be based on a true series of incidents as how Carroll Shelby, an automotive designer, partnered up with Ken Miles, a race car driver to build a full-throttle engine with the true motive of competing against the fast Ferrari race cars. Fans loved the plot of the film and the cast members' performances. The lead actor who happens to be one of the top-rated Hollywood actors, Christian Bale did a great job at playing the actual character of Ken Miles and his unsung narrative of how Ford was able to develop the perfect racing machine to counter Ferrari's perfect winning run on the 24 hour Le Man's circuit, which has been known by very few people until now. The viewers will enjoy and love the film's cinematography and visual style. The racing action is brilliantly directed. Visually, the film is oozing with the soul and mood of the racing era.
Best Achievement in Film Editing | 2020 | Andrew
Best Achievement in Sound Editing | 2020 | Donald
Best Editing | 2020 | Andrew
Outstanding Achievement in Sound Editing Sound Effects and Foley for Feature Film | 2020 | Anna
Best Work with a Vehicle | 2020
Best Sound Mixing | 2019
Editor of the Year | 2019 | Andrew
Sound of the Year | 2019 | Steven
Director of the Year | 2019 | James
Best Original Score Feature Film | 2019 | Buck
2019 | Jason
Top Ten Films | 2019
Best Editing | 2019 | Dirk
Best Editing | 2019 | Dirk
Best Film Editing | 2019 | Andrew
Best Actor in a Motion Picture Drama | 2019 | Christian
Best Motion Picture Drama | 2019
Best Director | 2019 | James
Best Film Editing | 2019 | Andrew
Best Sound Editing Mixing | 2019 | Steven
Best Editing | 2019 | Andrew
Best Picture | 2020
Outstanding Achievement in Sound Mixing for Motion Pictures Live Action | 2020
Best Sound | 2020
Best Achievement in Sound Mixing | 2020 | Steven
Best Motion Picture of the Year | 2020 | Jenno
Best Performance by an Actor in a Motion Picture Drama | 2020 | Christian
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture | 2020 | Nico
Outstanding Performance by a Male Actor in a Leading Role | 2020 | Christian
Best Foreign Language Film | 2021
Best Lead Actor | 2020 | Christian
Best Buddy Picture | 2020
Best Film Editing | 2020 | Andrew
Best Edited Feature Film Dramatic | 2020 | Andrew
Outstanding Achievement in Cinematography in Theatrical Releases | 2020 | Phedon
Period Film | 2020 | Peter
Excellence in Sound for a Feature Film | 2020 | Paul
Best Stunts | 2020
Best Visual Effects or Animation | 2020
Best Foreign Film Meilleur Film tranger | 2020 | James
Best Picture | 2020
Best Cinematography | 2020 | Phedon
Best Editing | 2020 | Michael
Best Visual Effects | 2020
Best Action Movie | 2020
Favorite Actor | 2020 | Christian
Best Picture | 2020
2020 | Jason
Best Music Supervision for Film Budgeted Over Million Dollars | 2020 | Ted
Best Editing | 2020 | Michael
Outstanding Editing Theatrical Feature | 2020 | Andrew
Best Global Actor in a Motion Picture | 2020 | Christian
Best Actress in a Supporting Role Film | 2020
Best Cinematography | 2020 | Phedon
Best Editing | 2020 | Michael
Best Sound | 2020 | Donald
Best Stunts | 2020
Young BritishIrish Performer of the Year For | 2020
Young BritishIrish Performer of the Year | 2020 | Noah
Outstanding Achievement in Sound Editing Dialogue and ADR for Feature Film | 2020 | Polly
Best Movie for Mature Audiences | 2020
Best Sound | 2020
Outstanding Creative Achievement Film Sound Production | 2020 | James
Best Film Editing | 2020 | Andrew
Best Sound Mixing | 2020 | Steven
Best Sound Effects Editing | 2020 | Donald
Best Stunt Coordination | 2020 | Brian
Best Picture | 2020 | James
Best Editing | 2020 | Michael
Outstanding Producer of Theatrical Motion Pictures | 2020 | James
Feature Film | 2020 | David
Outstanding Supporting Visual Effects in a Photoreal Feature | 2020 | Mark R.
Best Film | 2019
Operators Award Features | 2019 | David
Location Manager of the Year Studio Feature Film | 2019
Main Competition | 2019 | Phedon
Best Sound Editing | 2019
Best Editing | 2019 | Michael
Best Action Movie | 2019
Best Picture | 2019
Best Screenplay Original | 2019 | Jason
Best Original Score | 2019 | Buck
Best Cinematography | 2019 | Phedon
Best Visual Effects | 2019 | Kathy
Best Art Direction Production Design | 2019 | Peter
Best Picture | 2019
Feature Film | 2019 | David
Best Film Editing | 2019 | Dirk
Budget 97,600,000 USD
Box Office Collection 225,508,210 USD
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In preparation for his role, Christian Bale took race driving lessons at the Bondurant High Performance Driving School. As it happened, the founder of the school had been a friend of Ken Miles. So in addition to the driving, Bale also got to hear stories of the 1960s racing scene. Bale's instructor and the film's stunt coordinator, Robert Nagle later stated; "he's hands down the best actor I've ever trained."
Matt Damon said that the number one reason he wanted to do the movie was to work with Christian Bale.
In order to recreate the Le Mans circuit as it existed in the 1960s the scenes taking place on the race track had to be shot in five different locations. This proved a challenge in terms of continuity as not only the cars had to be correctly placed for each shot but the weather had to be consistent as well. VFX was critical in fixing a variety of continuity issues, some of which were as simple as adjusting clocks to the right time.
According to Matt Damon, Christian Bale had to lose seventy pounds before filming began. Bale had previously gained a lot of weight for his role in Vice (2018) and had about seven months to lose it all and then some to play the lean race car driver, Ken Miles. Damon inquired of Bale how he managed to lose all the weight, to which Bale replied that he simply didn't eat. Damon said he was impressed by Bale's monk-like discipline.
Marketed as "Ford v Ferrari" in North America. In most other countries around the world it is titled "Le Mans 66".
"Carroll Shelby: [narration] There's a point at 7,000 RPM... where everything fades. The machine becomes weightless. Just disappears. And all that's left is a body moving through space and time. 7,000 RPM. That's where you meet it. You feel it coming. It creeps up on you, close in your ear. Asks you a question. The only question that matters. Who are you?"
"Carroll Shelby: We're lighter, we're faster, and if that don't work, we're nastier."
