Movie |
Witness | Upper Class
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
7.1/10
IMDb96%
Rotten TomatoesBest Performance by an Actor in a Motion Picture Comedy or Musical | 1995 | Hugh
Best Actor | 1995 | Hugh
Best Actress in a Supporting Role | 1995 | Kristin Scott
Best Film | 1995 | Mike
Best Foreign Film Meilleur film tranger | 1995 | Mike
1995 | Mike
Best Screenplay Written Directly for the Screen | 1995 | Richard
British Producer of the Year | 1995 | Duncan
British Director of the Year | 1995 | Mike
British Screenwriter of the Year | 1995 | Richard
British Film of the Year | 1995
Honorable Mentions | 1994 | Mike
Best Comedy Film | 1994
1994
1994 | Duncan
Top Ten Films | 1994
Best Actress | 1995 | Kristin Scott
Best Screenplay | 1995 | Richard
Foreign Film Auslndischer Film | 1995 | Mike
Top Box Office Films | 1995 | Richard Rodney
1995 | Hugh
1995 | Hugh
Best Picture | 1995 | Duncan
Best Writing Screenplay Written Directly for the Screen | 1995 | Richard
Best Performance by an Actress in a Motion Picture Comedy or Musical | 1995 | Andie
Best Motion Picture Comedy or Musical | 1995
Best Screenplay Motion Picture | 1995 | Richard
Best Actor in a Supporting Role | 1995 | John
Best Actress in a Supporting Role | 1995 | Charlotte
Best Costume Design | 1995 | Lindy
Best Editing | 1995 | Jon
Best Screenplay Original | 1995 | Richard
Best Supporting Actress | 2015 | Kristin Scott
Best Original Screenplay | 2015 | Richard
Best Picture | 1995
Best Breakthrough Performance | 1995 | Hugh
Funniest Actor in a Motion Picture Leading Role | 1995 | Hugh
Funniest Supporting Actor in a Motion Picture | 1995 | Rowan
1995 | Richard Rodney
Outstanding Directorial Achievement in Motion Pictures | 1995 | Mike
Best Supporting Actress | 1995 | Kristin Scott
Best Picture | 1995
Best Foreign Actor Migliore Attore Straniero | 1995 | Hugh
Best Foreign Actress Migliore Attrice Straniera | 1995 | Andie
Best Original Screenplay | 1994 | Richard
1994 | Michael
Best Film | 1994 | Mike
Budget 4,400,000 USD
Box Office Collection 245,700,832 USD
Inspiration for this movie came when co-executive producer and writer Richard Curtis was flipping through some old diaries and realized that he had been to seventy-two weddings in ten years.
Andie MacDowell waived a fee for appearing in this movie, taking percentage points instead. This netted her an eventual $2 million, compared with Hugh Grant's salary of $100,000.
Backstories were given in a deleted scene. Charles (Hugh Grant), Matthew (John Hannah), and Fiona (Dame Kristin Scott Thomas) were at university together, and Gareth (Simon Callow) was a lecturer. Scarlett (Charlotte Coleman) was found under Charles' kitchen table after a party and has lived there ever since.
For several years after its release, this movie was the highest-grossing British movie in history, with worldwide box office in excess of $260 million.
For his audition, Hugh Grant played a tape of when he was best man at his brother's wedding.
"[at Gareth's funeral] Matthew: Gareth used to prefer funerals to weddings. He said it was easier to get enthusiastic about a ceremony one had an outside chance of eventually being involved in. In order to prepare this speech, I rang a few people, to get a general picture of how Gareth was regarded by those who met him: 'Fat' seems to have been a word people most connected with him. 'Terribly rude' also rang a lot of bells. So very 'fat' and very 'rude' seems to have been a stranger's viewpoint. On the other hand, some of you have been kind enough to ring me and let me know that you loved him, which I know he would have been thrilled to hear. You remember his fabulous hospitality, his strange experimental cooking: the recipe for "Duck à la Banana" fortunately goes with him to his grave. Most of all, you tell me of his enormous capacity for joy. When joyful, when joyful for highly vocal drunkenness. But I hope joyful is how you will remember him, not stuck in a box in a church. Pick your favourite of his waistcoats and remember him that way. The most splendid, replete, big-hearted, weak-hearted as it turned out, and jolly bugger most of us ever met. As for me, you may ask how I will remember him, what I thought of him. Unfortunately, there I run out of words. Perhaps you will forgive me if I turn from my own feelings to the words of another splendid bugger: W.H. Auden. This is actually what I want to say: "Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone. Silence the pianos and with muffled drum, Bring out the coffin, let the mourners come. Let the aeroplanes circle, moaning overhead, Scribbling on the sky the message 'He is Dead'. Put crepe bows 'round the white necks of the public doves, Let traffic policemen wear black cotton gloves. He was my North, my South, my East and West, My working week and my Sunday rest; My noon, my midnight, my talk, my song. I thought that love would last forever; I was wrong. The stars are not wanted now; put out every one, Pack up the moon and dismantle the sun; Pour away the ocean and sweep up the wood, For nothing now can ever come to any good.""
"[Charles comes running after Carrie] Charles: Ehm, look. Sorry, sorry. I just, ehm, well, this is a very stupid question and... , particularly in view of our recent shopping excursion, but I just wondered, by any chance, ehm, eh, I mean obviously not because I guess I've only slept with 9 people, but-but I-I just wondered... ehh. I really feel, ehh, in short, to recap it slightly in a clearer version, eh, the words of David Cassidy in fact, eh, while he was still with the Partridge family, eh, "I think I love you," and eh, I-I just wondered by any chance you wouldn't like to... Eh... Eh... No, no, no of course not... I'm an idiot, he's not... Excellent, excellent, fantastic, eh, I was gonna say lovely to see you, sorry to disturb... Better get on... Carrie: That was very romantic. Charles: Well, I thought it over a lot, you know, I wanted to get it just right."