Movie |
Drug Dealer | Hitman
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Best Performance by an Actor in a Motion Picture Comedy or Musical | 2009 | Colin Farrell
Best Screenplay Original | 2009 | Martin McDonagh
Best Motion Picture Screenplay | 2009 | Martin McDonagh
Best Original Screenplay Miglior sceneggiatura originale | 2009 | Martin McDonagh
Best Screenplay | 2009 | Martin McDonagh
Best Original Screenplay | 2009 | Martin McDonagh
Best Screenplay Written Directly for the Screen | 2008 | Martin McDonagh
Breakout Behind the Camera | 2008 | Martin McDonagh
2008 | Martin McDonagh
Best New Filmmaker | 2008 | Martin McDonagh
Best Original Screenplay | 2009 | Martin McDonagh
Best Screenplay | 2008 | Martin McDonagh
Best Debut as Director | 2008 | Martin McDonagh
Best Script for Film | 2009 | Martin McDonagh
Best First Feature | 2009 | Martin McDonagh
Best First Screenplay | 2009 | Martin McDonagh
Best Newcomer | 2008 | Martin McDonagh
Best Writing Original Screenplay | 2009 | Martin McDonagh
Best Performance by an Actor in a Motion Picture Comedy or Musical | 2009 | Brendan Gleeson
Best Supporting Actor | 2009 | Ralph Fiennes
Best Actor | 2009 | Colin Farrell
Best Original Score | 2009 | Carter Burwell
Best Editing | 2009 | Jon Gregory
Best Supporting Actor | 2008 | Ralph Fiennes
Best Actor | 2008 | Brendan Gleeson
Best Technical Achievement | 2008 | Jon Gregory
Best Actor of the Year | 2008 | Colin Farrell
Best Screenplay of the Year | 2008 | Martin McDonagh
Best Actor in a Lead Role in a Film | 2009 | Brendan Gleeson
Best Director for Film | 2009 | Martin McDonagh
Best Actor | 2009 | Brendan Gleeson
Best Original Screenplay | 2009 | Martin McDonagh
Best Actor in a Motion Picture Comedy or Musical | 2008 | Brendan Gleeson
Best Original Screenplay | 2009 | Martin McDonagh
Best Breakthrough Filmmaker | 2009 | Martin McDonagh
2008 | Martin McDonagh
Screenwriter of the Year | 2009 | Martin McDonagh
Breakthrough British Filmmaker | 2009 | Martin McDonagh
Best Original Screenplay | 2008 | Martin McDonagh
Best Screenplay | 2008 | Martin McDonagh
Best Screenplay Original | 2008 | Martin McDonagh
Most Promising Filmmaker | 2008 | Martin McDonagh
Best Foreign Film English Language | 2009 | Martin McDonagh
Original Screenplay of the Decade | 2010 | Martin McDonagh
Original Screenplay | 2009 | Martin McDonagh
2008 | Martin McDonagh
2009 | Graham Broadbent
Best Film | 2008 | Martin McDonagh
Breakthrough Artist | 2008 | Martin McDonagh
Best Writing Screenplay Written Directly for the Screen | 2009 | Martin McDonagh
Best Sound Editing Sound Effects Foley Dialogue and ADR in a Foreign Feature Film | 2009 | Robert Brazier
Best Edited Feature Film Comedy or Musical | 2009 | Jon Gregory
Budget 15,000,000 USD
Box Office Collection 34,533,783 USD
In the original script, Ray and Ken are British, but when Colin Farrell and Brendan Gleeson came on board, the characters were changed to Irish as to suit their natural sensibilities.
In order to create the feeling of the holiday season, Christmas decorations were kept in some streets of Bruges until the end of March. The town council made an official communication to the people of Bruges explaining the reason why.
Except for the flashback, Ray wears a single outfit throughout the whole movie. While he does remove his jacket and unbutton his shirt, he has no other change of clothes. Ken, on the other hand, has several wardrobe changes.
When Pieter Lanchals was executed in 1488, Maximillian of Austria's punishment was that Bruges keep swans forever.
When Ray refers to the dwarf in Time Bandits (1981), he is thinking of actor David Rappaport, who committed suicide in 1990.
"Harry: [to Yuri] An Uzi? I'm not from South Central Los fucking Angeles. I didn't come here to shoot twenty black ten year olds in a drive-by. I want a normal gun for a normal person."
"Harry: [about Ray] So he's having a really nice time? Ken: Well, I'm having a really nice time. I'm not sure it's really his cup of tea. Harry: [after a long pause] What? Ken: You know, I'm not sure it's really his thing. Harry: What do you mean it's not really his thing? What's that supposed to mean? It's not really his thing. What the fuck is that supposed to mean? Ken: Nothing, Harry. Harry: It's a fairytale town, isn't it? How's a fairytale town not somebody's fucking thing?How can all those canals and bridges and cobbled streets and those churches, all that beautiful fucking fairytale stuff, how can that not be somebody's fucking thing, eh? Ken: What I think I meant to say was... Harry: [Interrupts] Is the swans still there? Ken: Yeah, there's swans... Harry: How can fucking swans not fucking be somebody's fucking thing, eh? How can that be?"
