Movie |
Kennedy Family | Assassination
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Best Costume Design | 2017 | Madeline
Best Original Score | 2017 | Mica
Best Original Score | 2017 | Mica
Best Actress | 2017 | Natalie
Best Actress | 2017 | Natalie
2017 | Natalie
Best Costume Design | 2017 | Madeline
Best Time Capsule | 2017
Best Actress in a Leading Role | 2016 | Natalie
Best Original Score | 2016 | Mica
Best Original Score | 2016 | Mica
Best Actress | 2016 | Natalie
Best Actress | 2016 | Natalie
Best Costume Design | 2016 | Madeline
Best Hair Makeup | 2016
Best Actress | 2016 | Natalie
Best Actress | 2016 | Natalie
Producer | 2016 | Darren
Actress of the Year | 2016 | Natalie
Best Musical Score | 2016 | Mica
Best Original Score or Soundtrack | 2016 | Mica
Best Actress | 2016 | Natalie
Best Actress | 2016 | Natalie
Best Actress | 2016 | Natalie
Best Actress | 2016 | Natalie
Best Original Score | 2016 | Mica
Best Actress | 2016 | Natalie
Best Editing | 2016 | Sebastián
2016 | Pablo
Best Screenplay | 2016 | Noah
Best Actress | 2016 | Natalie
Best Portrayal of Washington DC | 2016
Top Films of the Year | 2016
Best Actress | 2017 | Natalie
Best Actress | 2017 | Natalie
Best Actress | 2017 | Natalie
Best Actress | 2017 | Natalie
Best Performance by an Actress in a Leading Role | 2017 | Natalie
Best Achievement in Costume Design | 2017 | Madeline
Best Achievement in Music Written for Motion Pictures (Original Score) | 2017 | Mica
Best Performance by an Actress in a Motion Picture Drama | 2017 | Natalie
Best Film | 2016 | Pablo
Best Actress in a Foreign Film Millor actriu en pellcula estrangera | 2018 | Natalie
Best Picture | 2016
Outstanding Performance by a Female Actor in a Leading Role | 2017 | Natalie
Best Lead Actress | 2017 | Natalie
Best Actress | 2017 | Natalie
Period Film | 2017 | Véronique
Best Lead Actress Mejor Actriz | 2017 | Natalie
Best Film | 2017 | Pablo
Outstanding Achievement in Casting Studio or Independent Feature Drama | 2017 | Jessica
Excellence in Period Film | 2017 | Madeline
Best Actress | 2017 | Natalie
Best Feature | 2017 | Mickey
Best Director | 2017 | Pablo
Best Female Lead | 2017 | Natalie
Best Editing | 2017 | Sebastián
Lead Actress | 2017 | Natalie
Director | 2017 | Pablo
Cinematography | 2017 | Stéphane
Best Voice Over TV Spot | 2017
Best Actress | 2017 | Natalie
Best Picture | 2017
Best Cinematography | 2017 | Stéphane
Best Original Score | 2017 | Mica
Best Poster Design | 2017
Best Art Direction | 2017
Best Period andor Character Hair Styling FeatureLength Motion Picture | 2017
Best Actress | 2017 | Natalie
Best Cinematography | 2017 | Stéphane
Best Editing | 2017 | Sebastián
Best Picture | 2017
Best Actress | 2017 | Natalie
Best Cinematography | 2017 | Stéphane
Best Costume Design | 2017 | Madeline
Best Film Editing | 2017 | Sebastián
Best Makeup and Hairstyling | 2017
Best Actress | 2017 | Natalie
Best Supporting Actress | 2017 | Greta
Best Original Score | 2017 | Mica
Best International Actress | 2017 | Natalie
Technical Achievement of the Year | 2017 | Mica
Best Actress | 2017 | Natalie
Best Picture | 2017 | Juan de Dios
Best Writing Screenplay Written Directly for the Screen | 2017 | Noah
Best Music Original Score | 2017 | Mica
Best Production Design | 2017 | Véronique
2017 | Pablo
Best Actress in a Motion Picture | 2017 | Natalie
Best Motion Picture | 2017
Best Director | 2017 | Pablo
Best Art Direction Production Design | 2017 | Jean
Best Actress | 2017 | Natalie
Best Picture | 2017
Best Cinematography | 2017 | Stéphane
Best Costume Design | 2017 | Madeline
Best Original Score | 2017 | Mica
Film Composer of the Year For | 2017 | Mica
Film Composer of the Year | 2017 | Mica
Best Movie for Grownups | 2017
Best Picture | 2017
Best Director | 2017 | Pablo
Best Original Screenplay | 2017 | Noah
Best Editing | 2017 | Sebastián
Best Film | 2017
Best Picture | 2017
Best Director | 2017 | Pablo
Best Original Screenplay | 2017 | Noah
Best Cinematography | 2017 | Stéphane
Film of the Year | 2017
Director of the Year | 2017 | Pablo
Film Performance of the Year Actress | 2017 | Natalie
Visually Striking Film of the Year | 2017
Best Foreign Film | 2017
Best Motion Picture | 2016 | Mickey
Best Director | 2016 | Pablo
Best Original Screenplay | 2016 | Noah
Best Cinematography | 2016 | Stéphane
Best Actress | 2016 | Natalie
Best Cinematography | 2016 | Stéphane
Best Production Design | 2016 | Véronique
Best Actress | 2016 | Natalie
Best Film | 2016 | Pablo
Best Actress | 2016 | Natalie
Best Cinematography | 2016 | Stéphane
Best Art DirectionProduction Design | 2016 | Véronique
Best Score | 2016 | Mica
Best Actress of the Year | 2016 | Natalie
Best Actress | 2016 | Natalie
Best Original Score Feature Film | 2016 | Mica
Best Movie Actress | 2016 | Natalie
Best Art Direction | 2016 | Véronique
Best Costume Design | 2016 | Madeline
Best Score | 2016 | Mica
Best Picture | 2016
Best Music | 2016 | Mica
Best Score | 2016 | Mica
Best Actress in a Leading Role | 2016 | Natalie
Best Original Score | 2016 | Mica
Best Production Design | 2016 | Jean
Best Costume Design | 2016 | Madeline
Best Actress | 2016 | Natalie
Best Production Design | 2016 | Jean
Best Costume Design | 2016 | Madeline
Best Use of Music in a Film | 2016
Best Actress | 2016 | Natalie
Best Cinematography | 2016 | Stéphane
Best Production Design | 2016 | Jean
Best Actress | 2016 | Natalie
Best Art Direction | 2016 | Véronique
Best Score | 2016 | Mica
Best Actress | 2016 | Natalie
Best Actress | 2016 | Natalie
Best Actress | 2016 | Natalie
Best Cinematography | 2016 | Stéphane
Best Editing | 2016 | Sebastián
Best Original Score | 2016 | Mica
Best Picture | 2016
Best Director | 2016 | Pablo
Best Original Screenplay | 2016 | Noah
Best Art DirectionProduction Design | 2016 | Jean
Best Film | 2016
Best Film | 2016
Best Director | 2016 | Pablo
Best Lead Actress | 2016 | Natalie
Best Screenplay | 2016 | Noah
Best Picture | 2016
Best Film | 2016
Best Actress | 2016 | Natalie
Best Cinematography | 2016 | Stéphane
Best Score | 2016 | Mica
Budget 9,000,000 USD
Box Office Collection 13,960,394 USD
One challenge that loomed for Natalie Portman as she prepared was Jacqueline Kennedy's highly distinctive dialect, impeccable diction, and whispery voice. "She had such an amazing voice", Portman mused. "It was truly from another era. She had a finishing school sort of way of presenting yourself, very demure, where you bat your eyelashes and speak in a breathy voice. Her accent was posh, but also mixed with a real New York accent, and also a little British. Her dialect is an unusual combination of sounds that were completely unique to her. The first time I did it on set, I think Pablo Larraín was terrified", Portman recalled.
Director Pablo Larraín estimates that a third of the shots in this movie were the first take.
Billy Crudup's character, billed as "The Journalist" in the credits, was meant to be Theodore H. White of LIFE Magazine, who conducted a real-life interview with Jacqueline Kennedy.
After Natalie Portman was cast, to Pablo Larraín's wishes, he asked screenwriter Noah Oppenheim to tear out any pages of the script that didn't contain scenes with Jackie Kennedy, as he wanted this movie to be entirely about her and her experiences. The 120-page script was trimmed to one hundred pages, all containing Jackie.
Natalie Portman's skill took Billy Crudup aback. "The proficiency of her artistry is very unusual", he said. "When somebody is so possessed by their character, and their work is so refined, that you are literally transported and taken away by it, that is something unusual. As deep as I was in character in the scenes with her, I couldn't help but also have a part of me watching her with the deepest admiration."
"The Priest: There comes a time in man's search for meaning when he realises that there are no answers. And when you come to the horrible and unavoidable realization, you accept it or you kill yourself. Or you simply stop searching."
"The Priest: There comes a time in man's search for meaning when one realises that there are no answers. And when you come to that horrible, unavoidable realization, you accept it or you kill yourself. Or you simply stop searching... I have lived a blessed life. And yet every night, when I climb into bed, turn off the lights, and stare in to the dark, I wonder... Is this all there is? Jackie Kennedy: You wonder? The Priest: Every soul on this planet does. But then, when morning comes, we all wake up and make a pot of coffee. Jackie Kennedy: Why do we bother? The Priest: Because we do. You did this morning, you will again tomorrow. But God, in his infinite wisdom, has made sure it is just enough for us."
