Movie |
Africa | Biography
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Outstanding Cinematography for a Nonfiction Program | 2018 | Hugo van Lawick
Outstanding Directing for a DocumentaryNonfiction Program | 2018 | Brett Morgen
Best Original Score Documentary | 2017 | Philip Glass
Outstanding Achievement in Original Music Score | 2018 | Philip Glass
The Unforgettables | 2018 | Jane Goodall
Outstanding Achievement in Sound Mixing for Motion Pictures Documentary | 2018 | Ryan Maguire
Outstanding Achievement in Sound Editing Sound Effects Foley Dialogue and ADR for Documentary Feature Film | 2018 | Joshua Paul Johnson
Outstanding Producer of Documentary Theatrical Motion Pictures | 2018 | Tim Pastore
Best Edited Documentary Feature | 2018 | Will Znidaric
Best Film | 2018 | Brett Morgen
2017 | Brett Morgen
Documentary Screenplay | 2018 | Brett Morgen
2018 | Brett Morgen
Best Documentary | 2018 | Brett Morgen
Best Original Score for a Documentary Film | 2018 | Philip Glass
Best Documentary Picture | 2018 | Tony Gerber
Exceptional Merit in Documentary Filmmaking | 2018 | Tim Pastore
Outstanding Writing for a Nonfiction Program | 2018 | Brett Morgen
Outstanding Picture Editing for Nonfiction Programming | 2018 | Will Znidaric
Documentary Film | 2017 | Brett Morgen
Documentary Feature | 2018 | Brett Morgen
Best Story | 2018 | Brett Morgen
2017 | Brett Morgen
Best Documentary Feature | 2017 | Brett Morgen
Best Documentary | 2018 | Brett Morgen
Outstanding Achievement in Editing | 2018 | Joe Beshenkovsky
Box Office Collection 1,723,379 USD
In a 2018 interview on Build (2014), Brett Morgen spoke about one of the life choices Jane Goodall made that interested him in making the film: "When Jane was coming up, and even today, when a woman and a man decide to have a child, it's often the woman who has to give up her career. That's just the way people expect it. Now imagine what it was like in 1968?? It was absolutely expected that Jane would give up her career to have a child. Well guess what? Jane does NOT give up her career to have a child, and it's one of, I think, the most powerful moments in the film for audience members, particularly of a certain age and of a certain generation and a certain gender, where it's actually a heroic thing. I've found that one of the biggest challenges in being an artist is trying to be a great artist and a great parent. It's impossible. You can be one or the other. You have to pick. Because they both TAKE TIME, and there's only so many hours in the day. So that narrative, to me, was very intriguing."
"Jane Goodall: It was probably mostly frustrating because they kept running away. And while chimpanzees are running away from you, you can't really get down to the details of their behavior and in the back of my mind it was always the fear if I don't find out something exciting, the money will run out cause all my earlier observations were either chimps close up running away or sitting on the peak or some other spot and watching them through binoculars."
"Jane Goodall: The more I learned, the more I realized how like us they were in so many ways."
