Movie |
Dead Child | Killer Shark
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
8.1/10
IMDb97%
Rotten TomatoesBest Music Original Dramatic Score | 1976 | John Williams
Best Sound | 1976 | Roger Heman Jr.
Best Original Score Motion Picture | 1976 | John Williams
First summer blockbuster film | 2005 | Steven Spielberg
For | 1976 | John Williams
Album of Best Original Score Written for a Motion Picture or a Television Special | 1976 | John Williams
Score | 2021 | John Williams
Best Picture | 1976 | David Brown
Best Director Motion Picture | 1976 | Steven Spielberg
Best Screenplay Motion Picture | 1976 | Peter Benchley
Best Direction | 1976 | Steven Spielberg
Best Actor | 1976 | Richard Dreyfuss
Best Screenplay | 1976 | Peter Benchley
Best Sound Track | 1976 | Robert L. Hoyt
Outstanding Directorial Achievement in Motion Pictures | 1976 | Steven Spielberg
Best Film | 1975 | Steven Spielberg
Best Drama Adapted from Another Medium | 1976 | Peter Benchley
Best Edition of an Existing Score | 2015 | John Williams
Best Archival Release of an Existing Score ReRelease | 2016 | Michael Matessino
Budget 7,000,000 USD
Box Office Collection 470,653,000 USD
Apple Music
Jio Saavn
Spotify
Youtube Music
Several decades after the film's release, Lee Fierro, who played Mrs. Kintner, walked into a seafood restaurant and noticed that the menu had an "Alex Kintner Sandwich." She commented that she had played his mother so many years ago; the owner of the restaurant ran out to meet her, and he was none other than Jeffrey Voorhees, who had played her son. They had not seen each other since the original movie shoot.
When composer John Williams originally played the score for director Steven Spielberg, Spielberg laughed and said, "That's funny, John, really; but what did you really have in mind for the theme of Jaws?" Spielberg later stated that without Williams's score, the movie would only have been half as successful and according to Williams, it jump-started his career.
According to director Steven Spielberg, the prop arm looked too fake in the scene where Chrissie's remains are discovered, so instead, they buried a female crew member in the sand with only her arm exposed.
According to writer Carl Gottlieb, the line "You're gonna need a bigger boat" was not scripted, but was ad-libbed by Roy Scheider.
Robert Shaw and Richard Dreyfuss could not stand each other and the two argued all the time, which resulted in some good tension between Hooper and Quint.
"[the three men are comparing their scars] Brody: What's that one? Quint: What? Brody: That one, there, on your arm. Quint: Oh, uh, that's a tattoo, I got that removed. Hooper: Don't tell me, don't tell me..."Mother." [he roars with laughter] Hooper: What is it... [Quint solemnly clamps a hand on Hooper's arm] Quint: Mr. Hooper, that's the USS Indianapolis. [Hooper immediately stops laughing] Hooper: You were on the Indianapolis? Brody: What happened? Quint: Japanese submarine slammed two torpedoes into our side, Chief. We was comin' back from the island of Tinian to Leyte, just delivered the bomb. The Hiroshima bomb. Eleven hundred men went into the water. Vessel went down in twelve minutes. Didn't see the first shark for about a half an hour. Tiger. Thirteen-footer. You know how you know that when you're in the water, Chief? You tell by lookin' from the dorsal to the tail. What we didn't know... was our bomb mission had been so secret, no distress signal had been sent. Heh. [he pauses and takes a drink] Quint: They didn't even list us overdue for a week. Very first light, Chief, sharks come cruisin'. So we formed ourselves into tight groups. Y'know, it's... kinda like ol' squares in a battle like, uh, you see in a calendar, like the Battle of Waterloo, and the idea was, shark comes to the nearest man and that man, he'd start poundin' and hollerin' and screamin', and sometimes the shark'd go away... sometimes he wouldn't go away. Sometimes that shark, he looks right into ya. Right into your eyes. Y'know the thing about a shark, he's got... lifeless eyes, black eyes, like a doll's eyes. When he comes at ya, doesn't seem to be livin'... until he bites ya. And those black eyes roll over white, and then... oh, then you hear that terrible high-pitch screamin', the ocean turns red, and spite of all the poundin' and the hollerin', they all come in and they... rip you to pieces. [he pauses] Quint: Y'know, by the end of that first dawn... lost a hundred men. I dunno how many sharks. Maybe a thousand. I dunno how many men, they averaged six an hour. On Thursday mornin', Chief, I bumped into a friend of mine, Herbie Robinson from Cleveland- baseball player, boatswain's mate. I thought he was asleep, reached over to wake him up... bobbed up and down in the water just like a kinda top. Upended. Well... he'd been bitten in half below the waist. Noon the fifth day, Mr. Hooper, a Lockheed Ventura saw us, he swung in low and he saw us. Young pilot, a lot younger than Mr. Hooper. Anyway, he saw us and come in low and three hours later, a big fat PBY comes down and start to pick us up. Y'know, that was the time I was most frightened, waitin' for my turn. I'll never put on a life jacket again. So, eleven hundred men went into the water, three hundred sixteen men come out, and the sharks took the rest, June the 29th, 1945. [he pauses, smiles, and raises his glass] Quint: Anyway... we delivered the bomb."
"Brody: Smile, you son of a BITCH! [shoots at the air tank; the shark explodes]"