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Advocacy in Film | 2024 | Ellen Kuras
Best Production Design Feature Film Period | 2025 | Adam Squires
Best Production Design for an Independent Feature Film Period | 2025 | Adam Squires
Best Performance by a Female Actor in a Motion Picture Drama | 2025 | Kate Winslet
Best Performance by a Female Actor in a Motion Picture Drama | 2025 | Kate Winslet
Outstanding British Film of the Year | 2025 | Kate Solomon
Best Actor | 2024 | Kate Winslet
Best Lead Actress in Film | 2025 | Kate Winslet
Best Actress International Competition | 2025 | Kate Winslet
Best Ensemble International Competition | 2025 | Patrick Mille
BritishIrish Performer of the Year | 2025 | Josh O'Connor
Outstanding Achievement in Casting Studio or Independent Feature Drama | 2025 | Olivia Grant
Best Sound | 2024 | Csaba Major
Best Cinematography sponsored by Kodak Molinare | 2024 | Paweł Edelman
Best Effects | 2024 | Ingo Putze
Main Competition | 2023 | Ellen Kuras
Feature Fiction | 2024 | Ellen Kuras
Box Office Collection 23,508,220 USD
Marion Cotillard is a big fan of Kate Winslet and presented her with the Best Actress Oscar for The Reader (2008) at the 2009 Academy Awards and was visibly happy for her win. Cotillard had auditioned for the role of Hanna Schmitz in The Reader that ended up with Winslet and earned her an Oscar. A few years later, Cotillard stated that she always dreamed about making a movie with Winslet, and that she was upset when they didn't share any scenes in Contagion (2011). In 2012, Cotillard was featured on Winslet's book "The Golden Hat: Talking Back To Autism" (launched by Winslet's Golden Hat Foundation) with celebrity self-portraits to raise awareness and support for autism. In 2013, Cotillard wrote a review for Variety praising Winslet's performance in Labor Day (2013), and also said she has loved Winslet since the first time she saw her in Heavenly Creatures (1994). Winslet wrote Cotillard a letter asking her to play French Vogue editor (and Lee Miller's close friend) Solange d'Ayen in this film, making it the first time they shared scenes together in a film.
The production was granted full access to The Lee Miller Archives, with full cooperation and trust from Miller's family.
Based on "The Lives of Lee Miller," the only authorized biography of Lee Miller's life, written by her own son, Antony Penrose, and published in 1985.
Kate Winslet previously worked with Ellen Kuras on Eternal Sunshine of the Spotless Mind (2004) and A Little Chaos (2014), on which Kuras served as the cinematographer. Winslet and Kuras had talked about collaborating further, and the opportunity finally came about with this film. Kuras was at a bookstore in New York when she spotted a book about Lee Miller and noticed an uncanny resemblance between Miller and Winslet, she then sent Winslet a copy of the book and kept another copy for herself. Years later, Winslet bought an antique table that was owned by Miller; she then rediscovered the book on her shelf and talked with Kuras about it again. Winslet then started developing a movie project about Miller and asked Kuras whether she would like to direct it and Kuras accepted it.
Several of the stills that appear in the film are, in fact, photographs that Kate Winslet took on set.