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Schizophrenia | Hallucination
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![Mulholland Drive (2001) Official HD Trailer [1080p]](https://img.youtube.com/vi/XQ5Q0CHQ0EU/mqdefault.jpg)
Best Editing | 2002 | Mary
Outstanding Actress in a Motion Picture | 2002 | Laura
Best Original Screenplay | 2002 | David
Best Movie | 2002
Best Actress | 2002 | Naomi
Best Foreign Film Meilleur film tranger | 2002 | David
Best Foreign Film English Language | 2002
Best Cinematography | 2002 | Peter
Best Contemporary Makeup Feature | 2002 | Selina
Best Performance by an Actress in a Leading Role | 2002 | Naomi
Best Supporting Actress | 2002 | Naomi
Best Breakthrough Performance Female | 2002 | Naomi
Best Picture | 2002
Best Director | 2002 | David
Best Actress | 2002 | Naomi
Best Original Score | 2002 | Angelo
Best Breakthrough Performance | 2002 | Naomi
Top Ten Films of the Year | 2002
Best Film | 2001 | David
2001 | David
Best Film | 2001
Best Film | 2001
Best Director | 2001 | David
Best Screenplay Original | 2001 | David
Breakthrough Performance | 2001 | Naomi
Best Supporting Actress | 2001 | Naomi
Best Director | 2001 | David
Best Film | 2001
Best Director | 2001 | David
Best Performance | 2001 | Naomi
Best Original Screenplay | 2001 | David
Best Film of the Decade | 2009
Best Film of the Decade | 2009
Best American Film Bedste amerikanske film | 2003 | David
Best Foreign Film Mejor Pelcula Extranjera | 2003 | David
Best Film | 2010 | David
Best Director | 2002 | David
Best Motion Picture Drama | 2002
Best Director Motion Picture | 2002 | David
Best Screenplay Motion Picture | 2002 | David
Best Original Score Motion Picture | 2002 | Angelo
Best Director | 2002 | David
Best ActionAdventureThriller Film | 2002
Best Actress | 2002 | Naomi
Best Music | 2002 | Angelo
Motion Picture of the Decade | 2010
Director of the Decade | 2010 | David
Original Screenplay of the Decade | 2010 | David
Best Film of the Decade | 2009
Best Foreign Language Film Melhor Filme Estrangeiro | 2003
2002 | Angelo
Movie of the Year | 2002
Actor of the Year Female Movies | 2002 | Naomi
Director of the Year | 2002 | David
Composer of the Year | 2002 | Angelo
Best Casting for Feature Film Drama | 2002 | Johanna
Best Director | 2002 | David
Excellence in Contemporary Film | 2002 | Durinda
Best Picture | 2002
Best Motion Picture | 2002 | David
Best Character Makeup Feature | 2002 | Selina
Best Overall Dubbing | 2002
Best Foreign Director Regista del Miglior Film Straniero | 2002 | David
Best Actress | 2002 | Naomi
Best Director | 2002 | David
Best Music Original Score | 2002 | Angelo
Best Director | 2002 | David
Best Foreign Film | 2002 | David
Best Foreign Film | 2002
Best Actress in a Leading Role | 2001 | Naomi
Best Director | 2001 | David
Best Original Screenplay | 2001 | David
Best Motion Picture | 2001 | Mary
Best Actress | 2001 | Naomi
2001 | Peter
Trippiest Movie of the Year | 2001
Breakthrough Performance of the Year | 2001 | Naomi
Best TA of the Year | 2001 | Naomi
Best Actress | 2001 | Naomi
Best Director | 2001 | David
Best Cinematographer | 2001 | Peter
2001 | David
Best Picture | 2001
Best Picture | 2001
Budget 15,000,000 USD
Box Office Collection 20,300,000 USD
Rebekah Del Rio (the singer at Club Silencio) first met director David Lynch when a talent agent took her, on a whim, to a recording studio where Lynch happened to be and asked her to sing a song for him. She performed an impromptu version of "Llorando" which, also on a whim (and without her knowledge), was being taped by the audio engineer. Years later, Lynch decided to incorporate the song into this film. However, except for a few minor tweaks, this was the exact same recording used in the movie.
The set of reels that was distributed to the movie theaters included a computer-written, photocopied note from director David Lynch himself giving special instructions to the projectionists worldwide. Specifically, he did not want the film to be centered vertically on the screen, but rather to "allow more overhead" as the term in projectionist's slang, that is, to let the top part of the frame be more visible than the bottom part. This was because the film was originally made for TV, with an aspect ratio of 1.78:1 (or 16:9) in mind -- without the projectionists' manual correction, the aspect ratio of the theatrical release (1.85:1) would have resulted in heads being cut off at the top of the silver screen. Lynch also asked to raise the volume of the theater's sound system by three decibels when the film was playing. The note ended with the words, "Your friend, David Lynch."
Adam Kesher smashing the producer's car windshield in with a golf club is a reference to the famous 1994 incident where Jack Nicholson committed the same act. Nicholson's nickname is "Mulholland Man."
On a particularly bad day of auditioning in Hollywood before she landed the role, Naomi Watts was driving along Mulholland Drive and imagined herself turning the wheel and going over the edge to her death. After ten years of getting nowhere and largely being ignored by casting directors, Watts was shocked that not only did director David Lynch meet her in person but he asked her questions about herself and she immediately felt relaxed. She was so moved by their conversation, she almost burst into tears after leaving his office.
David Lynch originally wrote the basic idea for the story in the early 1990s, as a spin-off of Twin Peaks (1990). The character arc of Betty in the movie was written for Twin Peaks (1990) supporting character Audrey Horne, who would have been the central figure of the proposed spin-off.
"Dan: I just wanted to come here. Herb: To Winkie's? Dan: This Winkie's. Herb: Okay, why this Winkie's? Dan: It's kind of embarrassing. Herb: Go ahead. Dan: I had a dream about this place. Herb: [sighs] Oh, boy. Dan: See what I mean? Herb: Okay, so you had a dream about this place. Tell me. Dan: Well, it's the second one I've had, but they're both the same. They start out that I'm in here, but it's not day or night. It's kind of half-night, you know? But it looks just like this... except for the light. And... [shaking his head] Dan: I'm scared like I can't tell you. Of all people, you're standing right over there... by that counter. You're in both dreams and you're scared too. I get even more frightened when I see how afraid you are and then I realize what it is. There's a man... in back of this place. He's the one who's doing it. I can see him through the wall. I can see his face. I hope that I never see that face, ever, outside of a dream. [Dan looks down and shakes his head again, clearly terrified of the memory, and sniffs, as though close to tears. Herb cocks his head, waiting for more. The background music becomes increasingly ominous] Dan: That's it. Herb: So... you came here to see if he's really out there. Dan: [leans in] To get rid of this god-awful feeling. Herb: [nodding] Right, then. [Herb rises and goes to pay the bill at the counter. Dan turns and looks, and his terror increases as he sees Herb standing in the same location as in his nightmare. Dan turns back to his uneaten breakfast, then turns again to see Herb say silently, "C'mon." They exit to investigate the back of the Winkie's restaurant]"
"Cowboy: When you see the girl in the picture that was shown to you earlier today, you will say, "this is the girl". The rest of the cast can stay, that's up to you. But the choice for that lead girl is NOT up to you. Now... you will see me one more time, if you do good. You will see me... two more times, if you do bad. Good night."
