Movie
The year is 2043. A military occupation controls disenfranchised cities in post-war North America. Children are property of the State. A desperate Cree woman joins an underground band of vigilantes to infiltrate a State children’s academy and get her daughter back. Night Raiders is a female-driven dystopian drama about resilience, courage and love. Directed by Danis Goulet. Starring Elle-Máijá Tailfeathers, Brooklyn Letexier-Hart, Alex Tarrant in prominent roles.
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The year is 2043. A military occupation controls disenfranchised cities in post-war North America. Children are property of the State. A desperate Cree woman joins an underground band of vigilantes to infiltrate a State children’s academy and get her daughter back. Night Raiders is a female-driven dystopian drama about resilience, courage and love. Directed by Danis Goulet. Starring Elle-Máijá Tailfeathers, Brooklyn Letexier-Hart, Alex Tarrant in prominent roles.
Achievement in MakeUp | 2022 | Traci Loader
Feature Film | 2021 | Danis Goulet
2021 | Danis Goulet
Best Costume Design in Film Contemporary | 2022 | Kendra Terpenning
Feature Film | 2022 | Danis Goulet
Best Canadian Film | 2022 | Danis Goulet
Achievement in Casting | 2022 | Rene Haynes
Outstanding Achievement in Picture Editing Feature Film | 2022 | Jorge Weisz
Best Cinematography in Theatrical Feature | 2022 | Daniel Grant
When Danis Goulet's "Night Raiders" opened across Canada in October it set a new record as the widest theatrical opening for an Indigenous film in the country with 80 locations.
Goulet has described the film as inspired in part by Alfonso Cuarón's 2006 film Children of Men, as well as by the military response to the Dakota Access Pipeline protests on the Standing Rock Indian Reservation in 2016.
The film as inspired in part by Alfonso Cuarón's 2006 film "Children of Men".
This film functions in part as an allegory for the Indian residential school system, a network of boarding schools for Indigenous peoples. Attendance was mandatory.
One theory that has been brought up to possibly explain the movie's box office failure was that it alienated both First Nations people and non-First Nations people, with First Nations people not wanting to see another story concerning them being victims, and non-First Nations people not wanting to be reminded that their ancestors inflicted many great injustices towards First Nations people.
