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Tv Show In Film | Sibling Relationship
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Best Original Score | 1999 | Randy
Best Supporting Actress | 1999 | Joan
Top Ten Films of the Year | 1999
Most Promising Producer in Theatrical Motion Pictures | 1999 | Gary
Best Actress in a Supporting Role in a Motion Picture Comedy or Musical | 1999 | Joan
Best Screenplay Original | 1999 | Gary
Best Music Adapted Song | 1999 | Paul
Breakthrough Performance Female | 1999 | Reese
Best Supporting Actress | 1999 | Joan
Best Performance by a Younger ActorActress | 1999 | Tobey
Best Supporting Actress | 1999 | Joan
Best Supporting Actor For and | 1998 | William H.
Best Supporting Actor | 1998 | William H.
Best Supporting Actress | 1998 | Joan
Best Supporting Actress | 1999 | Joan
Excellence in Costume Design for Film | 1999 | Judianna
Best Supporting Actress | 1999 | Joan
Best Art DirectionSet Decoration | 1999 | Jeannine
Best Costume Design | 1999 | Judianna
Best Music Original Dramatic Score | 1999 | Randy
Best Foreign Film | 2000
Best Visual Effects | 1999 | Corinne
Best Makeup and Hairstyling | 1999 | Susan A.
Best ComedyMusical Picture | 1999 | Gary
Best Cinematography | 1999 | John
Best Music Original ComedyMusical Score | 1999 | Randy
Best First Feature | 1999 | Gary
Best ComedyMusical Actress | 1999 | Joan
Best Supporting Actress | 1999 | Joan
Best Cinematography | 1999 | John
Best Original Score | 1999 | Randy
Best Costume Design | 1999 | Judianna
Best Art Direction | 1999 | Jeannine
Best Film Editing | 1999 | William
Best Director | 1999 | Gary
Best Actor in a Supporting Role in a Motion Picture Comedy or Musical | 1999 | Jeff
Best Motion Picture Comedy or Musical | 1999 | Bob
Best Picture | 1999
Funniest Supporting Actor in a Motion Picture | 1999 | William H.
Feature Film | 1999 | Dianne
Best Casting for Feature Film Drama | 1999 | Debra
Best Supporting Actress | 1999 | Joan
Best Dramatic Presentation | 1999 | Gary
Best Picture | 1999
Best Achievement in Art Direction | 1998 | Jay
Best Actress in a Supporting Role | 1998 | Joan
Best Cinematography | 1998 | John
Best Costume Design | 1998 | Judianna
Best Visual Effects | 1998
Best Original Score | 1998 | Randy
Best Cast Ensemble | 1998
Best Original Score for a Drama Film | 1998 | Randy
Best Cinematography | 1998 | John
Budget 60,000,000 USD
Box Office Collection 49,805,462 USD
At one point, when Jennifer tries to use a bathroom there aren't any toilets. This is a clever reference to an FCC ruling during the 1950's, which stated that toilets (or any reference to their use, such as the sound of flushing) could not be presented on television. While this continued on broadcast television well in to the late seventies, the barrier in movies fell in 1960 (two years after the Pleasantville scenario) when Alfred Hitchcock persuaded the film censors to allow the flushing of a toilet in Psycho (1960) because it was integral to the iconic shower scene.
Since every scene from the middle of the movie on had to be in some way digitally changed to have black and white characters interact with characters who are in color, technically this film had the most digital effects shots until Star Wars: Episode I - The Phantom Menace (1999).
Writer and director Gary Ross acknowledges these cinematographic homages: The scene of J.T. Walsh in front of the bowling alley scorecard recalls Patton's speech in front of the American flag in Patton (1970), and the courtroom segregated into black-and-white characters downstairs and "colored" characters upstairs recalls To Kill a Mockingbird (1962).
For the sequence where Bud is applying the gray make-up to his mother, the color of the make-up was actually green. When they had to "black-and-white" the scene, the green tones were utilized in the same way a green screen is, except it created a mask for applying desaturation rather than replacing the area with an image. Conversely, when Betty first visits the soda shop, she is in full gray make-up, which meant that Joan Allen was shot wearing full green make-up, that is subsequently removed by Bill Johnson (Jeff Daniels).
The Native American in the test pattern behind Don Knotts changes from having no expression to angry and then sad as the movie progresses.
"David: David: [panicked] David: Fire! Fire! Fire! [gets to the fire station] David: Fire! Fire! Fire! [finds the firemen] David: Fire! [nobody moves] David: Fire! [they look weirdly at him] David: FIRE! [still no movement] David: Cat...? [everybody gets on their feet]"
"George Parker: Where's my dinner?"
