Movie |
Sibling Relationship | Rebel
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Best Special Visual Effects | 1984 | Ken Ralston
Best Actor | 1984 | Mark Hamill
Best MakeUp | 1984 | Stuart Freeborn
Best Special Effects | 1984 | Ken Ralston
Best Costumes | 1984 | Nilo Rodis-Jamero
Biggest opening weekend ever for a rereleased film | 1997 | George Lucas
Biggest opening weekend ever for a rereleased film For and | 1997 | George Lucas
Highest boxoffice gross for a screenwriter | 2015 | George Lucas
Best Dramatic Presentation | 1984 | Richard Marquand
1984 | Ken Ralston
Best Composer | 2004 | John Williams
Best Composer For and | 2004 | John Williams
Best International Film | 1983 | Richard Marquand
Best Menu Design | 2005 | Van Ling
Best Menu Design For and | 2005 | Van Ling
Best Overall DVD Classic Film | 2005 | Jim Ward
Best Overall DVD Classic Film For and | 2005 | Jim Ward
Best Music Original Score | 1984 | John Williams
Best Effects Sound Effects Editing | 1984 | Ben Burtt
Best Sound | 1984 | Gary Summers
Best Art DirectionSet Decoration | 1984 | James L. Schoppe
Best Make Up Artist | 1984 | Stuart Freeborn
Best Sound | 1984 | Gary Summers
Best Production DesignArt Direction | 1984 | Norman Reynolds
Best Pop Instrumental Performance For and | 1992 | John Williams
Best Album of Original Score Written for a Motion Picture or Television Special | 1984 | John Williams
Best Pop Instrumental Performance | 1992 | John Williams
Best Actress | 1984 | Carrie Fisher
Best Writing | 1984 | Lawrence Kasdan
Best Supporting Actor | 1984 | Billy Dee Williams
Best Music | 1984 | John Williams
Best Director | 1984 | Richard Marquand
Budget 32,350,000 USD
Box Office Collection 572,700,000 USD
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It took six people to work the full-sized animatronic of Jabba the Hutt. The puppet fit three men inside -- two to operate the arms, head and tongue and another to move the tail. A man lying below the puppet pulled strings to move Jabba's mouth and make his sides heave. And two radio operators controlled the slimy goon's eyes, including pupil dilation, direction and wideness of eyelids. A final crew member was responsible for rubbing gel on the puppet to give Jabba his slimy look
The Emperor's chair was mechanized so that it could rotate when the scene called for it. However, the mechanism never worked properly, so Ian McDiarmid had to make it move by shuffling his feet. A piece of tape on the floor told him when to stop so it would not be visible to the camera.
Carrie Fisher really cared about Warwick Davis' well-being during filming, as he had to spend it in a hot Ewok costume. She also provided him with cookies and chocolate milk between takes. Davis later commented "She was everything an eleven-year-old Ewok could possibly wish for."
Nien Nunb, Lando's co-pilot, speaks a Kenyan dialect called Haya. According to sound designer Ben Burtt, the lines were delivered by Kipsang Rotich, a Kenyan student living in the U.S., and are actually correct Hayan translations of the English text. Audiences in Kenya were reportedly very thrilled to hear their language spoken in proper context.
According to Ian McDiarmid, George Lucas originally cast him simply as the physical performance of the Emperor (similar to David Prowse as Darth Vader). This became evident to him when a producer told him that if he was able to get his voice close enough to Clive Revill's (who portrayed the Emperor's voice in Star Wars: Episode V - The Empire Strikes Back (1980)) Lucas would let him use his on-camera vocals in the final cut of the movie. However, McDiarmid felt he could conduct a stronger, more wicked and demonic voice for the Emperor as opposed to Revill's more aristocratic Emperor. Lucas, and even Steven Spielberg, were so impressed with his take that it ended up becoming a signature trait of the character.
"Luke Skywalker: I'll not leave you here. I've got to save you. Anakin Skywalker: You already have, Luke."
"Darth Vader: Luke... help me take this mask off. Luke: But you'll die. Darth Vader: Nothing... can stop that now. Just for once... let me... look on you with my *own* eyes. [Luke takes off Darth Vader's mask one piece at a time. Underneath, Luke sees the face of a pale, scarred, bald-headed, old man - his father, Anakin. Anakin sadly looks at Luke but then gives a tired smile] Anakin: Now... go, my son. Leave me. Luke: No. You're coming with me. I'll not leave you here, I've got to save you. Anakin: You already... have, Luke. You were right. You were right about me. Tell your sister... you were right. [Anakin smiles and his eyes begin to droop slumps down in death while giving one last dying breath] Luke: Father... I won't leave you."
