Show |
Homeless Man | Abusive Mother
A young woman named Nadia goes on a journey as the guest of honor at a seemingly inescapable party one night in New York City.
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![Russian Doll: Season 1 | Date Announcement [HD] | Netflix](https://img.youtube.com/vi/1t0hQbULda0/mqdefault.jpg)
![Russian Doll: Season 1 | Official Trailer [HD] | Netflix](https://img.youtube.com/vi/YHcKoAMGGvY/mqdefault.jpg)
A young woman named Nadia goes on a journey as the guest of honor at a seemingly inescapable party one night in New York City.
Half Hour SingleCamera Television Series | 2020 | Michael
Outstanding Achievement in Casting Television Pilot and First Season Comedy | 2020
Outstanding Contemporary Costumes | 2019
Outstanding Cinematography for a SingleCamera Series HalfHour | 2019 | Chris
Outstanding Production Design for a Narrative Program HalfHour | 2019
Outstanding New Program | 2019
IMDbPro Top Most Popular TV Titles | 2022
Best Performance by an Actress in a Television Series Musical or Comedy | 2020 | Natasha
Outstanding Achievement in Cinematography in Episode of a HalfHour Television Series | 2023 | Urszula
Outstanding Achievement in Music Editing Broadcast Short Form | 2023 | Georgiana
Outstanding Cinematography for a SingleCamera Series HalfHour | 2022 | Urszula
Outstanding Comedy Series | 2019 | Ryan
Outstanding Lead Actress in a Comedy Series | 2019 | Natasha
Outstanding Writing for a Comedy Series | 2019
Outstanding Stunt Coordination for a Comedy Series or a Variety Program | 2019 | Christopher
Outstanding SingleCamera Picture Editing for a Comedy Series | 2019
Outstanding Sound Mixing for a Comedy or Drama Series HalfHour and Animation | 2019 | Tom
Outstanding Casting for a Comedy Series | 2019 | Christine
Outstanding Music Supervision | 2019
Outstanding Sound Editing For a Comedy or Drama Series HalfHour and Animation | 2019 | Wen Hsuan
Best Streaming Fantasy Series | 2022
Best Streaming Science Fiction Action Fantasy Series | 2019
Best Actress in Streaming Presentation | 2019 | Natasha
Best TV Performance | 2022 | Natasha
Best Unsung TV Show | 2022
TV Comedy of the Year | 2020
TV Performance of the Year Actress | 2020 | Natasha
Best Actress in a Comedy Series | 2019 | Natasha
Best Direction in a Comedy Series | 2019
Best Writing in a Comedy Series | 2019
Best Sound in a Series | 2019
Best Achievement in DecorDesign of a HalfHour Single Camera Series | 2022 | Diane
Best Edited Comedy Series for NonCommercial Television | 2020
Outstanding Achievement in Sound Mixing for Television Series Half Hour | 2020 | Wen Hsuan
Excellence in Contemporary Television | 2020 | Jen
Best Music Supervision for Television Comedy or Musical | 2020
Best Contemporary Makeup Television and New Media Series | 2020
Best Dramatic Presentation Long Form | 2020 | Jamie
Outstanding Dramatic Presentation | 2020 | Leslye
Breakthrough Series Shortform | 2019 | Allison
Best Streaming Movie or TV Series | 2019
Outstanding Editing Episodic or NonTheatrical Feature Minutes and Under | 2019
Best New Series | 2019
Best Writing for a Comedy Series | 2019 | Natasha
Best Directing for a Comedy Series | 2019 | Natasha
Best Actress in a Comedy Series | 2019 | Natasha
Best Comedy Series | 2019
Best Supporting Actor in a Comedy Series | 2019 | Charlie
Program of the Year | 2019
Best Television Series Comedy or Musical | 2019
Best Actress in a Series Comedy or Musical | 2019 | Natasha
Individual Achievement in Comedy | 2019 | Natasha
Outstanding Achievement in Comedy | 2019
Program of the Year | 2019
Co-created by Leslye Headland, Natasha Lyonne, and Amy Poehler. According to Lyonne, they pitched it to Netflix as a three-season series.
Like her character, Natasha Lyonne is the granddaughter of Holocaust survivors.
In Elizabeth Ashley character's home there's a picture of her and real life second ex-husband George Peppard on the mantle.
The show was brought to life using an all-female team of creators, writers, and directors.
The song that plays in the beginning and when Nadia resets is "Gotta Get Up" by American singer Harry Nilsson from his 1971 album Nilsson Schmilsson.
