Movie |
Stag Night | California
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Best Writing Adapted Screenplay | 2005 | Alexander
Best Screenplay Motion Picture | 2005 | Alexander
Best Screenplay Adapted | 2005 | Alexander
Adapted Screenplay | 2005 | Alexander
Best Foreign Actor (Mejor Actor Extranjero) | 2006 | Paul
Best Foreign Actor Mejor Actor Extranjero For and | 2006 | Paul
Best Adapted Screenplay | 2005 | Alexander
Best Supporting Actor | 2005 | Thomas Haden
Best Breakthrough Performance Male | 2005 | Thomas Haden
Best Actor | 2005 | Paul
2005 | Alexander
Best Actor in a Supporting Role Comedy or Musical | 2005 | Thomas Haden
Best Adapted Screenplay | 2005 | Alexander
Best Adapted Screenplay | 2004 | Alexander
Best Feature | 2004 | Alexander
Best Supporting Actor | 2004 | Thomas Haden
2004 | Alexander
Best Supporting Actor | 2004 | Thomas Haden
Best Performance by an Actor in a Supporting Role | 2004 | Thomas Haden
Best Screenplay Adapted | 2004 | Alexander
Best Supporting Actress | 2004 | Virginia
Best Director ComedyMusical | 2004 | Alexander
Best Screenplay Adapted | 2004 | Alexander
Best Actor | 2004 | Paul
Best Foreign Film Not in the Spanish Language Mejor Pelcula Extranjera | 2006 | Alexander
Outstanding Performance by a Cast in a Motion Picture | 2005 | Thomas Haden
2005 | Rolfe
Best Feature Film Casting Comedy | 2005 | John
Best American Film rets amerikanske film | 2006 | Alexander
Best Supporting Performance | 2005 | Thomas Haden
Best Supporting Actress | 2005 | Virginia
Best Actor | 2005 | Paul
Best Feature | 2005 | Michael
Best Performance by an Actor in a Supporting Role | 2005
Best Motion Picture of the Year | 2005 | Michael
Best Performance by an Actress in a Supporting Role | 2005
Best Achievement in Directing | 2005
Best Performance by an Actor in a Motion Picture Comedy or Musical | 2005 | Paul
Best Original Score Motion Picture | 2005
Best Performance by an Actor in a Supporting Role in a Motion Picture | 2005
Best Performance by an Actress in a Supporting Role in a Motion Picture | 2005
Best Director Motion Picture | 2005
Adapted Screenplay of the Decade | 2010
Motion Picture | 2005 | Michael
Director | 2005
Supporting Actor | 2005
Supporting Actress | 2005
Ensemble Cast | 2005
Best Film of the Decade | 2009
Best American Film Bedste amerikanske film | 2006 | Alexander
Best Foreign Language Film Nejleps zahranicn film | 2006 | Alexander
Best Overall DVD New Movie | 2006
Outstanding Performance by a Male Actor in a Leading Role | 2005 | Paul
Outstanding Performance by a Male Actor in a Supporting Role | 2005
Outstanding Performance by a Female Actor in a Supporting Role | 2005
Best Edited Feature Film Comedy or Musical | 2005 | Kevin
Outstanding Directorial Achievement in Motion Pictures | 2005 | Alexander
Best Overall Dubbing | 2005
Best Supporting Actor | 2005 | Thomas Haden
Best Supporting Actress | 2005
Best Ensemble Cast | 2005
Actor of the Year | 2005 | Paul
Director of the Year | 2005
Screenwriter of the Year | 2005
Best Picture | 2005 | Michael
Best Actor | 2005
Best Supporting Actor | 2005
Best Supporting Actress | 2005
Best Casting | 2005
Best Director | 2005
Outstanding Producer of Theatrical Motion Pictures | 2005 | Michael
Best Actor in a Motion Picture Comedy or Musical | 2005 | Paul
Best Actress in a Supporting Role Comedy or Musical | 2005
Best Director | 2005
Best Screenplay Adapted | 2005
Best Movie for Grownups | 2005
Best Picture | 2005
Best Picture | 2005
Best Foreign Film | 2005
Best Actor in a Leading Role | 2004 | Paul
Best Actor in a Supporting Role | 2004
Best Actress in a Supporting Role | 2004
Best Director | 2004
Best Supporting Actor of the Year | 2004 | Thomas Haden
Best Supporting Actress of the Year | 2004
Best Original Score for a Comedy Film | 2004 | Rolfe
Best Supporting Actor | 2004 | Thomas Haden
Best Actor | 2004 | Paul
Best Supporting Actor | 2004 | Thomas Haden
Best Supporting Actress | 2004
Best Screenplay | 2004
Best Picture | 2004
Budget 16,000,000 USD
Box Office Collection 109,502,303 USD
Paul Giamatti admitted to faking every bit of wine knowledge, and not understanding why anybody would care about it. He also claims he was shocked that he was cast in a lead role and initially thought it was a practical joke.
During his audition, Thomas Haden Church stripped naked because that was what the scene called for. He later learned that he was the only actor to do that.
The food that Miles, Jack, and Miles' mother consume during the dinner at Miles' mother's house gave the three actors food poisoning.
During an emotional scene in the film, Miles talks with great passion about Pinot Noir. After the release of this movie, sales of Pinot Noir wines rose by more than 20 percent over the 2004-05 Christmas/New Year period, compared to the same period the previous year. A similar phenomenon was experienced in British wine outlets. Miles is deeply disparaging, in a different scene, about Merlot, and sales dropped after the film came out. Ironically, Miles's prized bottle of wine, a 1961 Château Cheval Blanc, is a blend of Merlot and Cabernet Franc, another grape Miles disparaged.
An entire street was blocked off by the police for the filming of the scene in which M.C. Gainey runs naked down the street. Moreover, the people who lived in houses on said street were paid by the crew to stay inside their homes during the shooting of this particular scene.
"Jack: If they want to drink Merlot, we're drinking Merlot. Miles Raymond: No, if anyone orders Merlot, I'm leaving. I am NOT drinking any fucking Merlot!"
"Miles Raymond: What about you? Maya: What about me? Miles Raymond: I don't know. Why are you into wine? Maya: Oh I... I think I... I originally got in to wine through my ex-husband. Miles Raymond: Ah. Maya: You know, he had this big, sort of show-off cellar, you know. Miles Raymond: Right. Maya: But then I discovered that I had a really sharp palate. Miles Raymond: Uh-huh. Maya: And the more I drank, the more I liked what it made me think about. Miles Raymond: Like what? Maya: Like what a fraud he was. [Miles laughs softly] Maya: No, I- I like to think about the life of wine. Miles Raymond: Yeah. Maya: How it's a living thing. I like to think about what was going on the year the grapes were growing; how the sun was shining; if it rained. I like to think about all the people who tended and picked the grapes. And if it's an old wine, how many of them must be dead by now. I like how wine continues to evolve, like if I opened a bottle of wine today it would taste different than if I'd opened it on any other day, because a bottle of wine is actually alive. And it's constantly evolving and gaining complexity. That is, until it peaks, like your '61. And then it begins its steady, inevitable decline. Miles Raymond: Hmm. Maya: And it tastes so fucking good."
