Show |
Distant Planet
Pulled to the far side of the galaxy, where the Federation is 75 years away at maximum warp speed, a Starfleet ship must cooperate with Maquis rebels to find a way home.
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Pulled to the far side of the galaxy, where the Federation is 75 years away at maximum warp speed, a Starfleet ship must cooperate with Maquis rebels to find a way home.
Most successful TV scifi franchise For and | 2016 | Gene
Most successful TV scifi franchise | 2016 | Gene
For and | 2005
Outstanding Music Composition for a Series Dramatic Underscore | 2001 | Jay
Outstanding Special Visual Effects for a Series | 1999
Outstanding Hairstyling for a Series | 1997
Outstanding Makeup for a Series | 1996
Outstanding Individual Achievement Special Visual Effects | 1995
Outstanding Individual Achievement in Main Title Theme Music | 1995 | Jerry
Best Supporting Actress on Television | 2001 | Jeri
Best Genre TV Actress | 1998 | Kate
Top TV Series | 1999 | Jay
Best Innovative Hair Styling Television For a Single Episode of a Regular Series Sitcom Drama or Daytime | 2001 | Viviane
Best Character Hair Styling Television for a Single Episode of a Regular Series Sitcom Drama or Daytime | 2000
Best Innovative Hair Styling Television for a Single Episode of a Regular Series Sitcom Drama or Daytime | 2000
Best Music in a Series | 2001
Best Costume Design in a Series | 2001
Best Sound in a Series | 2001
Best Visual Effects in a Series | 2000
Best Guest Actress in a Drama Series | 1998 | Jennifer
Film Originated Television Series Electronic Visual Effects | 1999
Film Originated Television Series Best Electronic Special Effects | 1996
Best Actress in a Series Drama | 1998 | Kate
Best Performance in a TV Drama Series Supporting Young Actress | 1999 | Scarlett
Outstanding Actor in a Television Series | 1997 | Robert
Outstanding Makeup for a Series | 2000 | Jeff
Outstanding Costumes for a Series | 2000
Outstanding Hairstyling for a Series | 1996
Outstanding Music Composition for a Series Dramatic Underscore | 2000 | Jay
Outstanding Sound Editing for a Series | 2000
Outstanding Special Visual Effects for a Series | 1998
Outstanding Costume Design for a Series | 1997 | Robert
Outstanding Sound Mixing for a Drama Series | 1997
Outstanding Individual Achievement in Cinematography for a Series | 1995 | Marvin V.
Outstanding Individual Achievement in Costume Design for a Series | 1995 | Robert
Outstanding Individual Achievement in Graphic Design and Title Sequences | 1995
Outstanding Individual Achievement in Hairstyling for a Series | 1995
Outstanding Individual Achievement in Makeup for a Series | 1995 | Bill
Outstanding Individual Achievement in Music Composition for a Series Dramatic Underscore | 1995 | Dennis
Best DVD Television Programming | 2005
Best Network Television Series | 2001
Best Actress on Television | 2001 | Kate
Best Genre TV Actress | 1998 | Jeri
Best Genre TV Supporting Actor | 2000 | Robert
Best Genre TV Supporting Actress | 2000 | Jeri
Best Genre Network Series | 1998
Best Special Makeup Effects Television For a Single Episode of a Regular Series Sitcom Drama or Daytime | 2002 | Michael
Best Period Makeup Television For a Single Episode of a Regular Series Sitcom Drama or Daytime | 2001 | Natalie
Best Special Effects Makeup Television for a Single Episode of a Regular Series Sitcom Drama or Daytime | 2000 | Ellis Burman
SingleCamera Television Series | 2001
Television Series | 1998
Outstanding Achievement in Sound Mixing for Television Series | 1998
Best Actress in a Drama Series | 1998 | Kate
Best Direction in a Drama Series | 2001
Best Lighting in a Series | 2000
Best Production Design in a Series | 1997
Best MakeupHairstyling in a Series | 1997
Best Episode of a Drama Series | 2001
Best Music in a Series | 2000
Best Sound in a Series | 1997
Best Costume Design in a Series | 1997
Best Visual Effects in a Series | 1997
Best Supporting Actress in a Drama Series | 1998 | Jeri
Outstanding Actress in a Drama Series | 1998 | Roxann
Outstanding Individual Performance in a Television Series in a Crossover Role | 1998 | Robert
Best Primetime TV Series | 1998
Outstanding Actress in a Drama Series | 1996 | Roxann
Outstanding Television Series Actor in a Crossover Role | 1996 | Robert
When auditioning for the part of the holographic doctor, Robert Picardo was asked to say the line "Somebody forgot to turn off my program." He did so, then ad-libbed "I'm a doctor, not a light bulb" and got the part.
The character of Ensign Samantha Wildman was named after a little girl who died tragically in an accident. The girl's organs were donated to save the life of the wife of episode writer Jimmy Diggs. The real Samantha loved animals, so Ensign Wildman was written as the head of Voyager's Xenobiology Department.
Jeri Ryan has stated that she would become sick with anxiety at the thought of performing scenes with Kate Mulgrew. Most cast members have affirmed that their working relationship was quite strained during the first years of their cooperation. Mulgrew later admitted that she wanted to de-sexualize Star Trek in general and her Janeway character in particular (e.g. resisting attempts to have her engage in a relationship with a male crew member), so she disapproved when an obviously sexualized character like Seven was made the new center of attention. Mulgrew did later comment that Ryan "did a marvelous job in a very difficult role."
While Robert Beltran, in later years, reminisced fondly about the show, during production it was a poorly kept secret that he hated it. He reportedly asked for increasingly higher salaries, hoping they would be deemed unreasonable and his character would be killed off. However, Beltran was given every raise he asked for and he remained on the show for its full run.
Many images seen on monitors on the wall in the Astrometrics Lab are actual images taken by the Hubble Space Telescope. The Cat's Eye Nebula and the famous "Pillars of Creation" from the Eagle Nebula can be seen in several episodes.
"B'Elanna Torres: The Borg wouldn't know fun if they assimilated an amusement park."
"Seven of Nine: Fun will now commence."
