Movie |
Death | Universal Monsters
The film follows Cecilia, who receives the news of her abusive ex-boyfriend’s suicide. She begins to re-build her life for the better. However, her sense of reality is put into question when she begins to suspect her deceased lover is not actually dead.
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The film follows Cecilia, who receives the news of her abusive ex-boyfriend’s suicide. She begins to re-build her life for the better. However, her sense of reality is put into question when she begins to suspect her deceased lover is not actually dead.
Best Lead Actress | 2020 | Elisabeth Moss
Best Motion CaptureSpecial Effects Performance | 2021 | Elisabeth Moss
Best Actress | 2020 | Elisabeth Moss
Best Adapted Screenplay | 2020 | Leigh Whannell
Best Visual Effects | 2021 | Jonathan Dearing
Best Lead Performance | 2021 | Elisabeth Moss
Best Director | 2021 | Leigh Whannell
Best Screenplay | 2021 | Leigh Whannell
2021 | Elisabeth Moss
Best Actress | 2021 | Elisabeth Moss
Best Actress in a Horror Movie | 2021 | Elisabeth Moss
Screenplay | 2020 | Leigh Whannell
Best Villain | 2021 | Oliver Jackson-Cohen
Best Original Score Horror Film | 2021 | Benjamin Wallfisch
Best Sound | 2020 | Paul 'Salty' Brincat
Best Visual Effects | 2020 | Jonathan Dearing
Best Sound | 2020 | Paul 'Salty' Brincat
Best Cinematography | 2020 | Stefan Duscio
Best Editing | 2020 | Andy Canny
Best Editing in a Feature Film | 2020 | Andy Canny
Best Editing | 2021 | Andy Canny
Best Editing | 2021 | Andy Canny
Best Visual Effects | 2021 | Jonathan Dearing
Best Visual Effects | 2021 | Jonathan Dearing
Best Visual Effects | 2021 | Jonathan Dearing
Best Actress | 2021 | Elisabeth Moss
Best Actress | 2021 | Elisabeth Moss
Actor of the Year (for an exemplary body of work) | 2021 | Elisabeth Moss
Actor of the Year for an exemplary body of work For | 2021 | Elisabeth Moss
Best Female Lead | 2021 | Elisabeth Moss
Best Actress | 2021 | Elisabeth Moss
Best Adapted Screenplay | 2021 | Leigh Whannell
Best Motion CaptureSpecial Effects Performance | 2021 | Oliver Jackson-Cohen
Best Lead Actress | 2020 | Elisabeth Moss
Best Direction | 2020 | Leigh Whannell
Best Screenplay | 2020 | Leigh Whannell
Best Film | 2020 | Kylie du Fresne
Best Production Design | 2020 | Alex Holmes
Best Visual Effects or Animation | 2020 | Jonathan Dearing
Best Actress | 2021 | Elisabeth Moss
Most Frightened Performance | 2021 | Elisabeth Moss
Best Actress | 2021 | Elisabeth Moss
Best Actress | 2021 | Elisabeth Moss
Favorite Drama Movie Star | 2020 | Elisabeth Moss
Favorite Female Movie Star | 2020 | Elisabeth Moss
Best Actress | 2021 | Elisabeth Moss
Best Actress International Competition | 2021 | Elisabeth Moss
Best Actress | 2021 | Elisabeth Moss
Best Screenplay | 2021 | Leigh Whannell
Best Music | 2021 | Benjamin Wallfisch
Best Picture | 2021 | Kylie du Fresne
Best Cinematography | 2021 | Stefan Duscio
Best Lead Performer in a Movie | 2020 | Elisabeth Moss
Best Actress | 2020 | Elisabeth Moss
Best Director | 2020 | Leigh Whannell
Best Screenplay | 2020 | Leigh Whannell
Best Cinematography | 2020 | Stefan Duscio
Best Editing | 2020 | Andy Canny
2021 | Elisabeth Moss
Best Actress | 2021 | Elisabeth Moss
Women Saving Themselves | 2021 | Elisabeth Moss
Bravest Performance | 2021 | Elisabeth Moss
Best Actress | 2021 | Elisabeth Moss
Best Male Director | 2020 | Leigh Whannell
Best Editing | 2021 | Andy Canny
Best Director | 2021 | Leigh Whannell
Best Director | 2021 | Leigh Whannell
Film Composer of the Year For | 2020 | Benjamin Wallfisch
Film Composer of the Year | 2020 | Benjamin Wallfisch
Best Original Score for a FantasyScience FictionHorror Film | 2021 | Benjamin Wallfisch
Best Original Score | 2021 | Benjamin Wallfisch
Best Sound Editing | 2021 | P.K. Hooker
Outstanding Achievement in Sound Editing Feature Underscore | 2021 | Brett Pierce
Best Editing | 2021 | Andy Canny
Best Editing | 2020 | Andy Canny
Visual Effects | 2021 | Jonathan Dearing
Budget 7,000,000 USD
Box Office Collection 144,492,724 USD
Leigh Whannell chose not to have an opening establishing Cecilia's predicament with Adrian "because I wanted to just drop the audience into Cecilia's situation without any back story and make them feel everything through her, and luckily I had Elisabeth Moss who is very good at communicating a lot to the audience without saying anything."
Leigh Whannell had told cinematographer Stefan Duscio that this horror movie would feature plenty of light as an invisible man doesn't need to hide in the darkness, "and he kind of groaned with pain" because cinematographers love darkness. The attic scene is a "little gift" that he gave to Duscio, and they lit it with just the torch.
As a fan of opening title sequences Leigh Whannell wanted this film to feature titles that are simple yet still speak volumes about the film itself. The one here - waves crashing against the rocks briefly showing the titles before they drip away - came to him on-set, and he soon discovered that water is the most difficult thing to get right with CG.
Whannell and his crew used a combination of old-school techniques and state-of-the-art CGI wizardry to bring the Invisible Man to life, with some scenes requiring a fully-green-suited actor that could be painted out later and others achieved with nothing more than a simple bit of string. "Well with, say, the fight scenes, that was a real mixture of things," Whannell said. "We had Lizzie being pulled around in wires. We had a stunt person in a green suit, who then had to be removed digitally. But then also in those scenes we would also use really old school practical effects like pulling doors closed with a piece of string. Some props guy would be hidden in a cabinet, and he would pull this piece of string and a door would close or a cabinet would open. It made you realise that how you do a visual effect doesn't matter - it's only the end result that matters."
The character of Adrian's brother, Tom (Michael Dorman), is meant to feel as if nothing about him fits, and that's made literal in his costume. His suits are a couple of sizes too small to complete that subtle image, and Dorman loved it.
"Cecilia Kass: He said that wherever I went, he would find me, walk right up to me, and I wouldn't be able to see him."
"Cecilia Kass: [to Tom] You're just the jellyfish version of him. Everything but the spine."
![The Invisible Man - Official Trailer [HD]](https://img.youtube.com/vi/dSBsNeYqh-k/mqdefault.jpg)
