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Based on Philip K. Dick's award-winning novel, The Man in the High Castle explores what it would be like if the Allied Powers had lost WWII, and Japan and Germany ruled the United States.
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Based on Philip K. Dick's award-winning novel, The Man in the High Castle explores what it would be like if the Allied Powers had lost WWII, and Japan and Germany ruled the United States.
7.9/10
IMDbBest Lead Performance by a Female in a Dramatic Series | 2020 | Chelah
Best Supporting Performance by a Female in a Dramatic Series | 2020 | Genea
Best Performance Recurring Teen Artist TV Series | 2020 | Genea
Outstanding Cinematography for a SingleCamera Series | 2016 | James
Outstanding Main Title Design | 2016
Young Actress in a TV Series Featured Role Age | 2016 | Jara
Best Recurring Young Actor Television Series | 2016 | Quinn
Outstanding Effects Simulations in an Episode Commercial or RealTime Project | 2019
Outstanding Model in a Photoreal or Animated Project | 2020
Outstanding Created Environment in an Episode Commercial or RealTime Project | 2017 | Lawson
Outstanding Supporting Visual Effects in a Photoreal Episode | 2017
Best Supporting Performance Female | 2020 | Gwynyth
Best Actress | 2017 | Chelah
Best Emerging Performer | 2016 | Mayumi
Outstanding Special Visual Effects | 2016
Outstanding Cinematography for a SingleCamera Series One Hour | 2017 | James
Outstanding Production Design for a Narrative Period or Fantasy Program One Hour or More | 2019
Outstanding Production Design for a Narrative Period Program One Hour or More | 2017
Outstanding Production Design for a Narrative Contemporary or Fantasy Program One Hour or More | 2016
Oustanding Performance Female | 2019 | Kaniehtiio
Outstanding Achievement in Cinematography in Episode of a Series for NonCommercial Television | 2018 | Gonzalo
Outstanding Achievement in Cinematography in Television MovieMiniSeriesPilot | 2016 | James
One Hour Period or Fantasy SingleCamera Television Series | 2017 | Jonathan
Excellence in Period Television | 2019 | Catherine
Outstanding Fantasy Television Series | 2017 | J.R.
Outstanding Color Grading Episodic or NonTheatrical Feature | 2019
Outstanding Visual Effects Episodic Under Episodes or NonTheatrical Feature | 2019
Outstanding Color Grading Television | 2017
Best Supporting Performance by a Female in a Dramatic Series | 2019 | Chelah
Best Stunt Coordination in a Dramatic Series | 2019
Best Guest Performance by a Male in a Dramatic Series | 2017 | Kurt
Outstanding Locations in a Period Television Series | 2017
Outstanding Achievement in Sound Editing Sound Effects and Foley for Episodic Long Form Broadcast Media | 2019 | Lindsay
Best Production Design in a Series | 2016
Best Visual Effects in a Series | 2016
Best Cinematography in a Series | 2016
Best Costume Design in a Series | 2016
Best Television Series Genre | 2017
Excellence in Crafts Building | 2019
Best New Media Television Series | 2016
Outstanding Achievement in Casting Television Pilot and First Season Drama | 2017 | Patti Carns
Television | 2016 | Philip K.
Best Made for Online Digital First | 2016
Best Young Actor in a TV Series Featured Role Age | 2016 | Luke
Best Performance in a TV Series Recurring Young Actor | 2016 | Quinn
Best New TV Series | 2015
Excellence in Title Design | 2015
Extensive research was done for the cultures, particularly areas such as costuming, technology, and music, to develop an alternate world which merges aspects of WWII Nazi and Imperial Japanese cultures with the cultural progress of mid-1950s America. Although the series is set in 1962, the use of the 1950s for many touchstones suggests the cultural stagnation that would have occurred under totalitarian occupation.
John Smith carries the rank of Obergruppenführer ("senior group leader"), while his superior Reinhard Heydrich has the similar-sounding rank of Oberst-Gruppenführer ("supreme group leader" or "colonel group leader"). During WWII, these were the two highest SS commissioned ranks, with Oberst-Gruppenführer reporting directly to the Reichsführer-SS, Heinrich Himmler. The rank of Obergruppenfuhrer is the equivalent in U.S. Army ranks to Lieutenant General, three stars.
SS Headquarters in New York appears to be in the same location as the real headquarters of the United Nations.
Inspector Kido is frequently addressed in English by his Japanese title, tai, as in Kido tai, i.e. Inspector Kido. This is a play on the Japanese word for riot police, kidotai.
The truck driven by Joe is from "Lariat Shipping & Moving". In the X Files, the rental cars driven by Mulder and Scully are always from the fictional "Lariat Rent-a-Car" company. Frank Spotnitz has been an executive producer of both shows.
"Joe Blake: [noticing ashes falling like snowflakes] What is that? Nazi Police Officer: Oh, that's the hospital. Joe Blake: The hospital? Nazi Police Officer: Yeah, Tuesdays, they burn cripples, the terminally ill. Drag on the state."
"Mark Sampson: I don't plan on dying, Frank. But you can't live your life in fear. I was back east at the end of the war, in Boston. Frank Frink: Oh, Jesus. Mark Sampson: Yeah. You had to see it to believe it, Frank. Overnight, lynch mobs were murdering Jews because suddenly we were less than human. Frank Frink: And what did you do? Mark Sampson: Well, those of us who came out in one piece. We buried service weapons underground, well wrapped in oil, and we vowed revenge. I got a life to lead, got kids to raise. And Hitler and the Nazis - I mean, I don't care how it looks. They won't last. One thing I realized about my people is we got a different sense of time. These may be dark years, but we'll survive. We always do."