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Space Western | Space Exploration
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The Mandalorian is definitely a wonderful way to bring back the essence of Star Wars. The series holds so much potential and has amazingly captured tiny details that make it stand out. The way baby Yoda is portrayed is absolutely heart-warming. The pacing of the show, along with all the characters deserves appreciation. The jokes are on another level and the series is full of entertainment. The series has a different approach to the main Star Wars franchise, making it great, unique, and refreshing. Even though the take is a little different it doesn't shift too far away from what the actual concept is and that is what was required from the series. Pedro Pascal has managed to make his from the background as well and his performance phenomenal. For anyone looking to watch a good series with a fantastic storyline, The Mandalorian is definitely a good option to watch.
2021 | Jon Favreau
Best Science Fiction or Fantasy TV Series | 2020 | Jon Favreau
Best Guest Actress in a Drama Series | 2021 | Rosario Dawson
Outstanding Music Composition for a Series Original Dramatic Score | 2020 | Ludwig Göransson
Outstanding Stunt Performance | 2021 | Lateef Crowder
Outstanding Sound Editing for a Comedy or Drama Series HalfHour and Animation | 2020 | Richard Gould
Outstanding Special Visual Effects in a Season or a Movie | 2021 | John Rosengrant
Outstanding Cinematography for a SingleCamera Series HalfHour | 2020 | Barry Idoine
Outstanding Sound Mixing for a Comedy or Drama Series One Hour | 2021 | Stephen Urata
Outstanding Sound Mixing for a Comedy or Drama Series HalfHour and Animation | 2020 | Shawn Holden
Outstanding Production Design for a Narrative Program HalfHour | 2020 | Jeffrey Wisniewski
Outstanding Prosthetic Makeup | 2021 | Carlton Coleman
Outstanding Special Visual Effects | 2020 | John Rosengrant
BMI Streaming Series Award | 2021 | Ludwig Göransson
One Hour Period or Fantasy SingleCamera Television Series | 2021 | Bradley Rubin
Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series | 2021 | Talin Chat
Outstanding Achievement in Sound Editing Sound Effects and Foley for Episodic Short Form Broadcast Media | 2020 | Richard Gould
Outstanding Achievement in Sound Editing Episodic Short Form Effects and Foley | 2021 | Richard Gould
Outstanding Achievement in Sound Editing Episodic Short Form Dialogue and ADR | 2021 | David Acord
Outstanding Achievement in Sound Mixing for Television Series Half Hour | 2021 | Stephen Urata
Outstanding Model in a Photoreal or Animated Project | 2020 | John Goodson
Outstanding Visual Effects in a Photoreal Episode | 2020 | Richard Bluff
Outstanding Animated Character in an Episode or RealTime Project | 2021 | John Rosengrant
Outstanding Achievement in Cinematography in Episode of a HalfHour Television Series | 2021 | Barry Idoine
Best Special Makeup Effects Television Series Limited Series or Miniseries or New Media Series | 2021 | Scott Stoddard
Television | 2020 | Gregg Brilliant
Outstanding Achievement for Character Animation in a Live Action Production | 2021 | Chris Rogers
Best Score Soundtrack for Visual Media | 2022 | Ludwig Göransson
Best Actor in a Streaming Series Drama | 2021 | Pedro Pascal
Best Supporting Actor in a Streaming Series Drama | 2021 | Giancarlo Esposito
Best Guest Actor in a Drama Series | 2023 | Giancarlo Esposito
Best Supporting Actress in a Streaming Series Drama | 2021 | Ming-Na Wen
Best Duo | 2021 | Pedro Pascal
Best Hero | 2021 | Pedro Pascal
Best Villain | 2021 | Giancarlo Esposito
Best Actor in a Science FictionFantasy Series | 2021 | Pedro Pascal
Best Actor in a Drama Series | 2020 | Pedro Pascal
Outstanding Drama Series | 2020 | Colin Wilson
Outstanding Directing for a Drama Series | 2021 | Jon Favreau
Outstanding Writing for a Drama Series | 2021 | Dave Filoni
Outstanding Guest Actor in a Drama Series | 2021 | Carl Weathers
Outstanding Supporting Actor in a Drama Series | 2021 | Giancarlo Esposito
Outstanding Character VoiceOver Performance | 2020 | Taika Waititi
Outstanding Cinematography for a Series (HalfHour) | 2023 | Dean Cundey
Outstanding Production Design for a Narrative Period or Fantasy Program One Hour or More | 2021 | Andrew L. Jones
Outstanding Casting for a Drama Series | 2021 | Sarah Finn
Outstanding Stunt Performance | 2023 | Paul Darnell
Outstanding Sound Editing for a Comedy or Drama Series One Hour | 2021 | Richard Gould
Outstanding SingleCamera Picture Editing for a Drama Series | 2021 | Jeff Seibenick
Outstanding FantasySciFi Costumes | 2020 | Giovanna Ottobre-Melton
Outstanding Cinematography for a SingleCamera Series One Hour | 2021 | Barry Idoine
Outstanding Prosthetic Makeup for a Series Limited Series Movie or Special | 2020 | Michael Ornelaz
Outstanding Period andor Character Makeup (NonProsthetic) | 2023 | Alex Perrone
Outstanding Period andor Character Hairstyling | 2021 | Wendy Southard
Drama Series | 2021 | Rick Famuyiwa
Outstanding Dramatic Presentation | 2020 | Jon Favreau
Outstanding Producer of Episodic Television Drama | 2021 | Colin Wilson
TV Series Competition | 2021 | Barry Idoine
Best Dramatic Presentation Short Form | 2021 | Dave Filoni
Outstanding Directorial Achievement in Dramatic Series | 2021 | Jon Favreau
Best Dramatic Presentation | 2021 | Jon Favreau
Best Guest Performance in a Television Series | 2021 | Giancarlo Esposito
Best Guest Star in a Television Series | 2024 | Giancarlo Esposito
Best Supporting Actress in a Television Series | 2024 | Katee Sackhoff
Best Guest Performance in a Streaming Series | 2022 | Rosario Dawson
Outstanding Supporting Actor in a Drama Series | 2024 | Giancarlo Esposito
Outstanding Guest Performance in a Comedy or Drama Series | 2024 | Giancarlo Esposito
Best Guest Actor in a Drama Series | 2021 | Bill Burr
Best Supporting Actor in a Drama Series | 2021 | Giancarlo Esposito
Best Guest Actress in a Drama Series | 2021 | Katee Sackhoff
Best VoiceOver Performance in a Animated Program | 2020 | Taika Waititi
Outstanding Supporting Actor Drama Series | 2021 | Giancarlo Esposito
Outstanding Guest Performance in a Drama Series | 2023 | Giancarlo Esposito
Outstanding Guest Actress Drama Series | 2021 | Rosario Dawson
Outstanding Guest Actor Drama Series | 2021 | Carl Weathers
Outstanding Writing Drama Series | 2021 | Rick Famuyiwa
Outstanding Directing Drama Series | 2021 | Rick Famuyiwa
Drama Supporting Actor | 2021 | Giancarlo Esposito
Drama Guest Actor | 2021 | Mark Hamill
Best Guest Actor in a Drama Series | 2020 | Werner Herzog
Best Guest Actress in a Drama Series | 2021 | Rosario Dawson
Best Supporting Actress in a Streaming Drama Series | 2024 | Emily Swallow
Best Directing in a Streaming Drama Series | 2024 | Lee Isaac Chung
Outstanding Original Score for a Television or Streaming Production | 2021 | Ludwig Göransson
Best Tv Soundtracks | 2020 | Ludwig Göransson
Best Original Score for a Television Series | 2021 | Ludwig Göransson
Television Composer of the Year | 2021 | Ludwig Göransson
Outstanding Achievement in Casting Television Series Drama | 2022 | Sarah Finn
Outstanding Achievement in Casting Television Pilot and First Season Drama | 2021 | Jason B. Stamey
Outstanding Action Performance by a Stunt Ensemble in a Television Series | 2024 | Randy Haynie
Outstanding Model in a Photoreal or Animated Project | 2021 | John Goodson
Outstanding Animated Character in an Episode or RealTime Project | 2021 | Paul Kavanagh
Outstanding Virtual Cinematography in a CG Project | 2021 | Richard Bluff
Outstanding Visual Effects in a Photoreal Episode | 2024 | Grady Cofer
Outstanding Compositing in an Episode | 2021 | Simon Marinof
Outstanding Created Environment in an Episode Commercial or RealTime Project | 2021 | Aaron Barr
Best Edited Drama Series for NonCommercial Television | 2021 | Dana E. Glauberman
Outstanding Achievement in Cinematography in Episode of a HalfHour Television Series | 2021 | Matthew Jensen
Outstanding Achievement in Sound Mixing for Television Series Half Hour | 2024 | Tony Villaflor
Outstanding Visual Effects Episode or Series Season | 2023 | Grady Cofer
Outstanding Visual Effects Episodic Under Episodes or NonTheatrical Feature | 2021 | Richard Bluff
One Hour Fantasy SingleCamera Series | 2024 | Rudie Schaefer
One Hour Period or Fantasy SingleCamera Television Series | 2020 | David Chow
Best Achievement in DecorDesign of a One Hour Fantasy or Science Fiction Series | 2021 | Andrew L. Jones
Outstanding Achievement in Sound Editing Dialogue and ADR for Episodic Short Form Broadcast Media | 2020 | David Acord
Outstanding Achievement in Sound Editing Broadcast Short Form | 2024 | Trey Turner
Best Period andor Character Makeup Television Series Limited Series or Miniseries or New Media Series | 2021 | Carlton Coleman
Excellence in SciFiFantasy Television | 2021 | Shawna Trpcic
Television | 2021 | Simon Jayes
Television Drama | 2022 | Simon Jayes
According to Dave Filoni, there was one scene that required a large number of stormtroopers, but they didn't have enough costumes. He ended up drafting members of the 501st Legion fanclub, who specialize in making their own Storm/Clone trooper cosplays.
Although he signed on for mainly financial reasons, before coming on the set Werner Herzog had never seen a Star Wars movie. Werner Herzog, who plays the Client, went on to praise the show's world building and practical effects, saying "it's cinema at its best".
A December 2019 Vulture article drew attention to the question of how often the masked actor onscreen in full-body costume as the Mandalorian is Pedro Pascal instead of one of the credited Mandalorian doubles, Brendan Wayne and Lateef Crowder, with Pascal's voice performance dubbed in. Since the actors collaborate to keep movement consistent, the audience is unlikely to be able to tell without behind-the-scenes info. Notably, Pascal does not appear onscreen as the Mandalorian at all in season 1 The Mandalorian: Chapter 4: Sanctuary (2019).
This series makes use of StageCraft, a technology created by ILM. It was initially used in the recent Star Wars films to add realistic lighting in the cockpits during hyperspace sequences, but has since been modified to project virtual environments around the actors. According to Kathleen Kennedy, one day a Disney executive visited the set and, after taking a look around, turned to Jon Favreau and said "Jon, I thought you weren't going to build anything". What the executive didn't know was that she was actually standing within a virtual set.
The Mandalorian's phase-pulse blaster is based on Boba Fett's rifle from The Star Wars Holiday Special (1978).
According to Dave Filoni, there was one scene that required a large number of stormtroopers, but they didn't have enough costumes. He ended up drafting members of the 501st Legion fanclub, who specialize in making their own Storm/Clone trooper costumes.
Although he signed on for mainly financial reasons, before coming on the set Werner Herzog had never seen a Star Wars movie. Werner Herzog, who plays the Client, went on to praise the show's world building and practical effects, saying "it's cinema at its best".
A December 2019 Vulture article drew attention to the question of how often the masked actor onscreen in full-body costume as the Mandalorian is Pedro Pascal instead of one of the credited Mandalorian doubles, Brendan Wayne and Lateef Crowder, with Pascal's voice performance dubbed in. Since the actors collaborate to keep movement consistent, the audience is unlikely to be able to tell without behind-the-scenes info. Notably, Pascal does not appear onscreen as the Mandalorian at all in season 1 The Mandalorian: Chapter 4: Sanctuary (2019).
This series makes use of StageCraft, a technology created by ILM. It was initially used in the recent Star Wars films to add realistic lighting in the cockpits during hyperspace sequences, but has since been modified to project virtual environments around the actors. According to Kathleen Kennedy, one day a Disney executive visited the set and, after taking a look around, turned to Jon Favreau and said "Jon, I thought you weren't going to build anything". What the executive didn't know was that she was actually standing within a virtual set.
Critics didn't get a chance to watch the first episode until after it was released through Disney+, which is typically a sign of a lack of confidence from the studio. However, it should be noted that this was only done to prevent the First-Episode Twist from getting out, and not out of quality concerns, as the pilot was widely praised upon release. To subvert this altogether, Lucasfilm had a premiere screening of the pilot and the next two episodes (which were not released at the time) specifically for critics a few days after the first episode was released.
