Movie |
Based On Novel Or Book | Movie Business
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Best Performance by an Actor in a Motion Picture Comedy or Musical | 1993 | Tim
Best Motion Picture Comedy or Musical | 1993
Best Feature | 1993 | Michael
Best Director | 1993 | Robert
Screenplay | 1993 | Michael
Best Film | 1992
Top Ten Films | 1992
Best Director | 1992 | Robert
1992 | Tim
1992 | Robert
Best Motion Picture | 1993 | Michael
Best Screenplay Based on Material Previously Produced or Published | 1993 | Michael
Best Adapted Screenplay | 2013 | Michael
Best Foreign Director Regista del Miglior Film Straniero | 1993 | Robert
Best NonEuropean Film Bedste ikkeeuropiske film | 1993 | Robert
Best Director | 1993 | Robert
Best Writing Screenplay Based on Material Previously Produced or Published | 1993 | Michael
Best Film Editing | 1993 | Geraldine
Best Screenplay Motion Picture | 1993 | Michael
Best Director Motion Picture | 1993 | Robert
Best Film Editing | 2013 | Geraldine
Best Picture | 2013
Best Director | 2013 | Robert
Best Actor | 2013 | Tim
Best Picture | 1993
Best Foreign Film | 1993
1993 | Michael
Best Picture | 1993
Best Edited Feature Film | 1993 | Geraldine
Funniest Supporting Actress in a Motion Picture | 1993 | Whoopi
1993 | Nick
Best Foreign Film Meilleur film tranger | 1993 | Robert
Outstanding Directorial Achievement in Motion Pictures | 1993 | Robert
Best Supporting Actor For and | 1992 | Sydney
Best Director | 1992 | Robert
Best Picture | 1992
Best Supporting Actor | 1992 | Sydney
Best Screenplay | 1992 | Michael
Budget 8,000,000 USD
Box Office Collection 21,706,101 USD
The writer pitching The Graduate: Part II to Griffin Mill is a cameo by Buck Henry (as himself). Buck Henry co-wrote the screenplay for The Graduate (1967).
The celebrity cameos were not written in the script. Robert Altman added them all in. No scripted dialogue was given to any celebrity with a cameo.
In the scene where Tim Robbins (as Griffin) stops to say hello to Burt Reynolds in the restaurant, Reynolds improvised the scene, not knowing anything about Griffin, but manages to know he's an "asshole".
Screenwriter Michael Tolkin had a film company ring him up and try to option Habeus Corpus, the blatantly ludicrous film that is pitched within the movie.
According to a contemporary article in the New York Times, director Altman convinced the celebrities who provided cameos for the film to donate their union-scale salary for one day of work to the Motion Picture and Television Country House and Hospital for retired filmmakers.
"Griffin Mill: It lacked certain elements that we need to market a film successfully. June: What elements? Griffin Mill: Suspense, laughter, violence. Hope, heart, nudity, sex. Happy endings. Mainly happy endings. June: What about reality?"
"Griffin Mill: I was just thinking what an interesting concept it is to eliminate the writer from the artistic process. If we could just get rid of these actors and directors, maybe we've got something here."
