Movie |
New Love | Venice, Italy
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Best Performance by an Actor in a Supporting Role | 2000 | Jude
Best Score | 2000 | Gabriel
Best Writing Screenplay Based on Material from Another Medium | 2000 | Anthony
Best Director | 1999 | Anthony
Best Supporting Actor For | 1999
Top Ten Films | 1999
Best Supporting Actor | 1999 | Philip Seymour
Favorite Supporting Actor Suspense | 2000 | Jude
Best Writing Screenplay Based on Material Previously Produced or Published | 2000 | Anthony
Best Art DirectionSet Decoration | 2000 | Bruno
Best Costume Design | 2000 | Gary
Best Music Original Score | 2000 | Gabriel
Best Actor in a Supporting Role | 2000 | Jude
Best Performance by an Actor in a Supporting Role in a Motion Picture | 2000 | Jude
Best Original Score Motion Picture | 2000 | Gabriel
Best Performance by an Actor in a Motion Picture Drama | 2000 | Matt
Best Director Motion Picture | 2000 | Anthony
Best Motion Picture Drama | 2000
Best Cinematography | 2000 | John
Best Performance by an Actress in a Supporting Role | 2000 | Cate
Best Screenplay Adapted | 2000 | Anthony
Best Film | 2000 | Tom
Best Music | 1999 | Gabriel
2000 | Gabriel
2000 | Anthony
Best Edited Feature Film Dramatic | 2000 | Walter
2000 | Anthony
Favorite Actress Suspense | 2000 | Gwyneth
Favorite Actor Suspense | 2000 | Matt
Favorite Supporting Actress Suspense | 2000 | Cate
Best Casting for Feature Film Drama | 2000 | David
Best Cinematography | 2000 | John
Excellence in PeriodFantasy Film | 2000 | Ann
Best Picture | 2000
Best Motion Picture | 2000 | Anthony
Best Overall BluRay | 2014
Best British Actor | 2001 | Jude
British Supporting Actor of the Year | 2001 | Jude
British Screenwriter of the Year | 2001 | Anthony
Best Movie | 2000
Best Supporting Actor Migliore Attore Non Protagonista | 2000 | Sergio
Best Production Design Migliore Scenografia | 2000 | Bruno
Best Picture | 2000
Best Actor | 2000 | Matt
Best Screenplay Adapted | 2000 | Anthony
Best Cinematography | 2000 | John
Best Score | 2000 | Gabriel
Best Director | 2000 | Anthony
Best Sound Editing Music Foreign Domestic | 2000
Best Picture | 2000 | Tom
Best Actor | 2000 | Matt
Best Supporting Actor | 2000 | Jude
Best Ensemble | 2000
Best Casting | 2000 | David
Best Director | 2000 | Anthony
Best Music Original Score | 2000 | Gabriel
Best Music Adapted Song | 2000 | Matt
Best Film Editing | 2000 | Walter
Best Cinematography | 2000 | John
Best Production Design | 2000 | Bruno
Best Costume Design | 2000 | Ann
Best Titles Sequence | 2000
Best Cinematic Moment | 2000
Best Adapted Screenplay | 2000 | Anthony
Best Performance by an Actor in a Supporting Role Drama | 2000 | Jude
Best Motion Picture Drama | 2000
Best Director | 2000 | Anthony
Best Screenplay Adapted | 2000 | Anthony
Best Cinematography | 2000 | John
Best Film Editing | 2000 | Walter
Film Choice Actor | 2000 | Matt
Film Choice Drama | 2000
Film Choice Liar | 2000 | Matt
Film Choice Breakout Performance | 2000 | Jude
Best Screenplay Based on Material Previously Produced or Published | 2000 | Anthony
Best Actor in a Supporting Role | 1999 | Jude
Best Adapted Screenplay | 1999 | Anthony
Best Costume Design | 1999 | Ann
Best Film | 1999
Best Actor | 1999 | Matt
Best Director | 1999 | Anthony
Best Cinematography | 1999 | John
Budget 40,000,000 USD
Box Office Collection 128,798,265 USD
This is Matt Damon's favorite film of those he has made.
Jude Law learned to play the saxophone and Matt Damon learned to play the piano for this film. However while Damon's training enabled him to recreate the proper keyboard fingering, the music heard in the film is played by Sally Heath (the Bach) and Gabriel Yared (the Vivaldi).
Matt Damon actually sang the song "My Funny Valentine."
Is based on a novel of the same name by Patricia Highsmith. There are also four novels which follow "The Talented Mr. Ripley" named: "Ripley Underground," "Ripley's Game," "The Boy Who Followed Ripley," and finally "Ripley Under Water." The first two of these have also been adapted into films.
Matt Damon lost 30 pounds for his role in the movie.
"Tom Ripley: I always thought it would be better to be a fake somebody than a real nobody."
"Tom Ripley: Don't you just take the past and put it in a room in a basement and lock the door and never go in there? That's what I do. And then you meet someone special and all you want to do is to toss them the key and say, "Open up, step inside," but you can't because it's dark. There's demons, and if anybody saw how ugly it is... I keep wanting to do that: fling the door open, just let light in and clean everything out."
