Movie |
Apology | New York City
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7.4/10
IMDbBest Actress in a Supporting Role | 1983 | Jessica
Best Actor in a Motion Picture Comedy or Musical | 1983 | Dustin
Best Actress in a Supporting Role Motion Picture | 1983 | Jessica
Best Motion Picture Comedy or Musical | 1983
Best Supporting Actress | 1983 | Jessica
Best Screenplay | 1983 | Larry
Best Film | 1983
Best Actor | 1983 | Dustin
Best Comedy Written Directly for the Screen | 1983 | Murray
Best Screenplay | 1982 | Murray
Best Supporting Actress | 1982 | Jessica
Best Director | 1982 | Sydney
Top Ten Films | 1982
Best Screenplay | 1982 | Larry
Best Supporting Actress | 1982 | Jessica
Best NonEuropean Film Bedste ikkeeuropiske film | 1983 | Sydney
1984
Motion Picture | 2016
Best Writing Screenplay Written Directly for the Screen | 1983 | Murray
Best Sound | 1983
Best Cinematography | 1983 | Owen
Best Film Editing | 1983 | Fredric
Best Music Original Song | 1983 | Alan
Best Picture | 1983 | Dick
Best Actor in a Leading Role | 1983 | Dustin
Best Director | 1983 | Sydney
Best Actress in a Supporting Role | 1983 | Teri
Best Screenplay Motion Picture | 1983 | Larry
Best Director Motion Picture | 1983 | Sydney
Best Film | 1984 | Dick
Best Original Song | 1984 | Dave
Best Screenplay Adapted | 1984 | Larry
Best Actress | 1984 | Jessica
Best Costume Design | 1984 | Ruth
Best Direction | 1984 | Sydney
Best Supporting Actress | 1984 | Teri
Best Album of Original Score Written for a Motion Picture or Television Special | 1984 | Marilyn
Best Supporting Actress | 1983 | Teri
Best Actress For | 1983
Best Director | 1983 | Sydney
Best Actress | 1983 | Jessica
Best Foreign Actor Migliore Attore Straniero | 1983 | Dustin
Best Foreign Actress Migliore Attrice Straniera | 1983 | Jessica
Outstanding Directorial Achievement in Motion Pictures | 1983 | Sydney
Best Foreign Film Meilleur film tranger | 1984 | Sydney
Best Edited Feature Film | 1983 | Fredric
Budget 21,000,000 USD
Box Office Collection 177,200,000 USD
The character of Dorothy originally did not speak with a Southern accent, but in doing research, Dustin Hoffman discovered his voice fell more closely into the range of female pitch while doing the accent.
Dustin Hoffman tried out his role as Dorothy by passing himself off as his daughter's Aunt Dorothy at her parents' evening at school. His performance was so strong he actually convinced the teachers. They never suspected.
The crew would only give bad news to Dustin Hoffman if he was in drag. They said he was "much nicer as a woman".
Dorothy Michaels (Dustin Hoffman) tells April (Geena Davis) that she thinks of all the younger actresses as her daughters, and "What kind of mother would I be if I didn't give my girls...tips?" In a 2014 interview with Jimmy Kimmel, Geena Davis recalled that since this was her first movie and she was very young and inexperienced (she didn't even know that she didn't have to come to the set on days when she wasn't shooting any scenes), Dustin Hoffman similarly acted as a mentor to Davis. One piece of advice he gave her was: "I know you're going to move to Hollywood and be successful, and your co-stars are going to hit on you, and you should not sleep with your co-stars. It's a bad idea. So here's what to say. When they hit on you, say, 'I would love to', be very flattering, 'but I'm afraid it would ruin the (on-screen) sexual tension between us.'" Davis said that she later used that tactic when Jack Nicholson hit on her, and Nicholson's response was, "Oh my god, where'd you get THAT? What a line. Oh, man!"
Cinematographer Owen Roizman was initially opposed to Dorothy's character wearing glasses, as the reflective nature of their lenses tend to hamper lighting crews. After some tests, however, it was decided that glasses added a distinct, flattering dimension to Dorothy: Hoffman's prominent nose became less obtrusive and the glasses further feminized his personality, creating a more noticeable gender separation between the Dorothy and Michael characters. The glasses stayed, but a compromise was reached when Sydney Pollack suggested that the production try a special non-reflective coating developed by then Panavision head, Robert Gottschalk. The spray had been used to coat camera lenses, improving light transmission through the front elements. When the spray was used on Dorothy's glasses, it proved to be a godsend.
"Dorothy Michaels: Thank you, Gordon. Well, I cannot tell you all how deeply moved I am. I never in my wildest dreams imagined that I would be the object of so much genuine affection. It makes it all the more difficult for me to say what I'm now going to say. Yes. I do feel it's time to set the record straight. You see, I didn't come here just as an administrator, Dr. Brewster; I came to this hospital to settle an old score. Now you all know that my father was a brilliant man; he built this hospital. What you don't know is that to his family, he was an unmerciful tyrant - a absolute dodo bird. He drove my mother, his wife, to - to drink; in fact, she - uh, she she she went riding one time and lost all her teeth. The son Edward became a recluse, and the oldest daughter - the pretty one, the charming one - became pregnant when she was fifteen years old and was driven out of the house. In fact, she was so terrified that she would, uh, that, uh, that, that, that the baby daughter would bear the stigma of illegitimacy that she, she - she decided to change her name and she contracted a disfiguring disease... after moving to Tangiers, which is where she raised the, the, the little girl as her sister. But her one ambition in life - besides the child's happiness - was to become a nurse, so she returned to the States and joined the staff right here at Southwest General. Well, she worked here, she knew she had to speak out wherever she saw injustice and inhumanity. God save us, you do understand that, don't you, Dr. Brewster? John Van Horne: I never laid a hand on her. Dorothy Michaels: Yes, you did. And she was shunned by all you nurses, too... and by a, what do you call it, what do you call it, a - something like a pariah, to you doctors who found her idealistic and reckless. But she was deeply, deeply, deeply, deeply, deeply, deeply loved by her brother. It was this brother who, on the day of her death, swore to the good Lord above that he would follow in her footsteps, and, and, and, and, and, and, and, and, and, and, and, just, just, just, just, just, just, just, just, just, just owe it all up to her. But on her terms. As a woman. And just as proud to be a woman as she ever was. For I am not Emily Kimberly, the daughter of Dwayne and Alma Kimberly. No, I'm not. I'm Edward Kimberly, the recluse brother of my sister Anthea. Edward Kimberly, who has finally vindicated his sister's good name. I am Edward Kimberly. Edward Kimberly. And I'm not mentally ill, but proud, and lucky, and strong enough to be the woman that was the best part of my manhood. The best part of myself."
"Jeff: That is one *nutty* hospital."