Movie |
Based On Novel Or Book | Film In Film
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
Best Adapted Screenplay | 2007 | Frank Cottrell
Best Foreign Film | 2006 | Michael
British Producer of the Year | 2006 | Andrew
Best Adapted Screenplay | 2007 | Frank Cottrell
Best Screenplay | 2006 | Frank Cottrell
2006 | Andrew
2005 | Michael
Best British Independent Film | 2005
Best Supporting ActorActress | 2005 | Rob
Best Director | 2005 | Michael
Best Screenplay | 2005
Best Technical Achievement | 2005 | Peter
The credited writer Martin Hardy is actually a pseudonym for the writer Frank Cottrell Boyce, who had his name taken off the film after a falling-out with longtime collaborator Michael Winterbottom.
The film features several pieces of music by Nino Rota from the Federico Fellini film 8½ (1963), which is also about frustrated efforts to make a movie.
The film also features several pieces of music used by Stanley Kubrick in similar situations in Barry Lyndon (namely the Sarabande by Georg Fridrich Händel and traditional British Grenadiers), a film set in about the same location and period.
All of the armed soldiers (those with working guns) in the battle scenes, plus some other extras were members of the Sealed Knot Society, which tours the UK, performing historical re-enactments of the English Civil War.
Stephen Rodrick was on set to interview Michael Winterbottom for the New York Times magazine (published on 3 July 2005) when he was roped in to appear in the film.
"Rob Brydon: The thing is, I can't act... Steve Coogan: I know that. Rob Brydon: ...with Gillian Anderson. I have a sexual thing for Gillian Anderson."
"Tony Wilson: Why "Tristram Shandy"? This is the book that many people said is unfilmable. Steve Coogan: I think that's the attraction. "Tristram Shandy" was a post-modern classic written before there was any modernism to be post about. So it was way ahead of its time and, in fact, for those who haven't heard of it, it was actually listed as number eight on the Observer's top 100 books of all time. Tony Wilson: That was a *chronological* list."
