Movie |
Based On Novel Or Book | Marriage
Grace Caldwell, a young Pennsylvania newspaper heiress living with her widowed mother, has trouble restraining herself when it comes to the amorous attentions of young men. As word starts to spread about her behavior, Grace becomes a major source of heartache for her mother and a big source of concern to her brother. Direected by Walter Grauman. Starring Suzanne Pleshette, Bradford Dillman, Ben Gazzara in lead roles.
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Grace Caldwell, a young Pennsylvania newspaper heiress living with her widowed mother, has trouble restraining herself when it comes to the amorous attentions of young men. As word starts to spread about her behavior, Grace becomes a major source of heartache for her mother and a big source of concern to her brother. Direected by Walter Grauman. Starring Suzanne Pleshette, Bradford Dillman, Ben Gazzara in lead roles.
Best Costume Design BlackandWhite | 1966
According to pre-production publicity, Anne Bancroft was originally sought for role eventually played by Suzanne Pleshette.
Sue Lyon was named in fan magazines as having been hired for a part in this film, but it never came about.
The on-screen epilogue is taken from Alexander Pope's "Epistle II - To a Lady - Of the Characters of Women" (1735):: "Wise wretch! with Pleasures too refin'd to please; With too much spirit to be e'er at ease . . . You purchase pain with all that joy can give. And die of nothing but a Rage to live."
Walter Mirisch wanted his West Side Story (1961) "Maria", Natalie Wood, to play the lead.
Producer Walter Mirisch first announced this in 1959 with Elizabeth Taylor starring.
"Grace Caldwell: I thought I loved him, and then I found I could feel the same way about someone else, someone different. Brock Caldwell: Grace, that isn't love. Grace Caldwell: No. But it's being wanted and needed and held close. It's almost love. Brock Caldwell: "Almost love"? You don't have to settle for that. Grace Caldwell: I'm not settling. Brock Caldwell: I just don't get this. You talk like a girl who's got nothing else in her life, who nobody cares about ... Grace Caldwell: No ... Brock Caldwell: Well, that's the way it sounds -- Grace Caldwell: I don't care how it sounds. When I feel that way, I can't think of anything else. Doesn't matter who I am or what I'm supposed to be. Nothing matters. I can't help it."
"Grace Caldwell: All right, you win. You get your dull little story off your big manly chest, but you make it fast, huh? Roger Bannon: Right. [pause] Roger Bannon: From the first time I saw you -- and that was five years ago, when I worked for Lanigan and Doyle -- I haven't been able to stop looking. Not that I wanted to stop. Looking at you became one of the big pleasures of my life. Maybe the biggest. It got so I had you memorized. But I didn't realize that until I was overseas for a while. Then, all the other things began to get hazy. But I could close my eyes and see you just as clear. Not only your face -- everything. Even the way the back of your legs look when you walk away. And all that time, I've been wanting you. And I guess I'll probably go on wanting you until they shovel me into the ground. Here's your keys."
