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Transistor Radio | Minnesota
A Serious Man is the story of an ordinary man's search for clarity in a universe where Jefferson Airplane is on the radio and F-Troop is on TV. It is 1967, and Larry Gopnik, a physics professor at a quiet Midwestern university, has just been informed by his wife Judith that she is leaving him. She has fallen in love with one of his more pompous acquaintances Sy Ableman.
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A Serious Man is the story of an ordinary man's search for clarity in a universe where Jefferson Airplane is on the radio and F-Troop is on TV. It is 1967, and Larry Gopnik, a physics professor at a quiet Midwestern university, has just been informed by his wife Judith that she is leaving him. She has fallen in love with one of his more pompous acquaintances Sy Ableman.
7/10
IMDbBest Screenplay | 2010 | Joel
Movie of the Year | 2010
Best Screenplay | 2009 | Ethan
Best Screenplay | 2009 | Ethan
Best Cinematography | 2009 | Roger
Best Actor in a Motion Picture Comedy or Musical | 2009 | Michael
Top Films of the Year | 2009
Best Cinematography | 2010 | Roger
2010 | Michael
Best Motion Picture of the Year | 2010 | Ethan
Best Writing Original Screenplay | 2010 | Ethan
Best Performance by an Actor in a Motion Picture Comedy or Musical | 2010 | Michael
Best Screenplay Original | 2010 | Ethan
Period Film | 2010 | Nancy
Best Foreign Film | 2011 | Ethan
Best Screenwriter | 2010 | Ethan
Best Edited Feature Film Comedy or Musical | 2010 | Ethan
Best Film | 2010 | Joel
Outstanding Achievement in Casting Feature Studio or Independent Drama | 2010 | Rachel
Best American Film rets amerikanske film | 2010 | Ethan
Best American Film (rets amerikanske film) | 2010 | Joel
Best Foreign Film Miglior Film Straniero | 2010 | Ethan
Best Foreign Film (Miglior Film Straniero) | 2010 | Joel
Best Director | 2010 | Joel
Original Screenplay | 2010 | Joel
Best Leading Voice Actor | 2010
Best Supporting Voice Actor | 2010
Best Dubbing Direction | 2010
Best Original Screenplay Miglior sceneggiatura originale | 2010 | Joel
Best Original Screenplay (Miglior sceneggiatura originale) | 2010 | Ethan
Best Sound Editing Dialogue and ADR in a Feature Film | 2010 | James
Best Writing Screenplay Written Directly for the Screen | 2010 | Ethan
Soundtrack Composer of the Year For and | 2010 | Carter
Soundtrack Composer of the Year | 2010 | Carter
Best Original Screenplay | 2010 | Ethan
Best Picture | 2010
Best Director | 2010 | Joel
Best Original Screenplay | 2010 | Joel
Best Cinematography | 2010 | Roger
Best Comedy | 2010
Best Film | 2010
Best Picture | 2010
Best Foreign Film | 2010
Best Writing Original Screenplay | 2009 | Ethan
Best Original Screenplay | 2009 | Joel
Best Cinematographer | 2009 | Roger
Best Screenplay | 2009 | Ethan
Best Screenplay Original | 2009 | Ethan
Best Picture | 2009
Best Actor | 2009 | Michael
Best Director | 2009 | Joel
Best Screenplay Original | 2009 | Joel
Best Film | 2009
Best Film Editing | 2009 | Joel
Best Cinematography | 2009 | Roger
Best Ensemble Cast | 2009 | George
Best Motion Picture Comedy or Musical | 2009
Best Screenplay Original | 2009 | Ethan
Best Cinematography | 2009 | Roger
Best Film | 2009
Best Film | 2009
Honorable Mentions | 2009
Best Picture | 2009
Best Film | 2009
Budget 7,000,000 USD
Box Office Collection 31,400,000 USD
The Coen Brothers stated that the opening scene was nothing more than a little short that they made up to get the audience in the proper mood, and that there is no meaning behind it.
The names of the characters who ride the school bus with Danny Gopnik are the names of children that the Coen brothers grew up with.
Sy Ableman says mathematics is "the art of the possible", a paraphrase of a quote by Otto von Bismarck, who called politics "the art of the possible".
While flipping through 'the mentaculus' one page has a doodle with the words 'Higgs Boson' written backwards
A law firm called Tuckman Marsh is mentioned at one point. It was also mentioned in the Coens' previous film Burn After Reading (2008).
"Rabbi Nachtner: You know Lee Sussman. Larry Gopnik: Doctor Sussman? I think I - yeah. Rabbi Nachtner: Did he ever tell you about the goy's teeth? Larry Gopnik: No... I- What goy? Rabbi Nachtner: So... Lee is at work one day; you know he has the orthodontic practice there at Great Bear. He's making a plaster mold - it's for corrective bridge work - in the mouth of one of his patients, Russell Kraus. The mold dries and Lee is examining it one day before fabricating an appliance. He notices something unusual. There appears to be something engraved on the inside of the patient's lower incisors. He vav shin yud ayin nun yud. "Hwshy 'ny". "Help me, save me". This in a goy's mouth, Larry. He calls the goy back on the pretense of needing additional measurements for the appliance. "How are you? Noticed any other problems with your teeth?" No. There it is. "Hwshy 'ny". "Help me". Son of a gun. Sussman goes home. Can Sussman eat? Sussman can't eat. Can Sussman sleep? Sussman can't sleep. Sussman looks at the molds of his other patients, goy and Jew alike, seeking other messages. He finds none. He looks in his own mouth. Nothing. He looks in his wife's mouth. Nothing. But Sussman is an educated man. Not the world's greatest sage, maybe, no Rabbi Marshak, but he knows a thing or two from the Zohar and the Caballah. He knows that every Hebrew letter has its numeric equivalent. 8-4-5-4-4-7-3. Seven digits... a phone number, maybe? "Hello? Do you know a goy named Kraus, Russell Kraus?" Who? "Where have I called? The Red Owl in Bloomington. Thanks so much." He goes. It's a Red Owl. Groceries; what have you. Sussman goes home. What does it mean? He has to find out if he is ever to sleep again. He goes to see... the Rabbi Nachtner. He comes in, he sits right where you're sitting right now. "What does it mean, Rabbi? Is it a sign from Hashem, 'Help me'? I, Sussman, should be doing something to help this goy? Doing what? The teeth don't say. Or maybe I'm supposed to help people generally, lead a more righteous life? Is the answer in Caballah? In Torah? Or is there even a question? Tell me, Rabbi, what can such a sign mean?" [pause as the Rabbi drinks his tea] Larry Gopnik: So what did you tell him? Rabbi Nachtner: Sussman? Larry Gopnik: Yes! Rabbi Nachtner: Is it... relevant? Larry Gopnik: Well, isn't that why you're telling me? Rabbi Nachtner: Okay. Nachtner says, look. The teeth, we don't know. A sign from Hashem? Don't know. Helping others... couldn't hurt. Larry Gopnik: No! No, but... who put it there? Was it for him, Sussman, or for whoever found it, or for just, for, for... Rabbi Nachtner: We can't know everything. Larry Gopnik: It sounds like you don't know anything! Why even tell me the story? Rabbi Nachtner: [chuckling] First I should tell you, then I shouldn't. Larry Gopnik: What happened to Sussman? Rabbi Nachtner: What would happen? Not much. He went back to work. For a while he checked every patient's teeth for new messages. He didn't find any. In time, he found he'd stopped checking. He returned to life. These questions that are bothering you, Larry - maybe they're like a toothache. We feel them for a while, then they go away. Larry Gopnik: I don't want it to just go away! I want an answer! Rabbi Nachtner: Sure! We all want the answer! But Hashem doesn't owe us the answer, Larry. Hashem doesn't owe us anything. The obligation runs the other way. Larry Gopnik: Why does he make us feel the questions if he's not gonna give us any answers? Rabbi Nachtner: He hasn't told me. [Larry puts his face in his hands in despair] Larry Gopnik: And... what happened to the goy? Rabbi Nachtner: The goy? Who cares?"
"Clive's Father: Culture clash. Culture clash. Larry Gopnik: With all respect, Mr. Park, I don't think it's that. Clive's Father: Yes. Larry Gopnik: No. It would be a culture clash if it were the custom in your land to bribe people for grades. Clive's Father: Yes. Larry Gopnik: So... you're saying it is the custom? Clive's Father: No, this is a defamation. Grounds for lawsuit. Larry Gopnik: Let me get this straight: you're threatening to sue me for defaming your son? Clive's Father: Yes. Larry Gopnik: But it would... Mr. Brandt: Is this man bothering you? Larry Gopnik: Is he bothering me? No. I, uh... [Larry stares awkwardly at Brandt until he leaves] Larry Gopnik: See... if it were defamation there would have to be someone I was defaming him to, or I... all right, I... let's keep it simple. I could pretend the money never appeared. That's not defaming anyone. Clive's Father: Yes. And a passing grade. Larry Gopnik: Passing grade. Clive's Father: Yes. Larry Gopnik: Or... you'll sue me. Clive's Father: For taking money. Larry Gopnik: So he *did* leave the money. Clive's Father: This is defamation! Larry Gopnik: It doesn't make sense. Either he left the money or he didn't. Clive's Father: Please. Accept the mystery. Larry Gopnik: You can't have it both ways! Clive's Father: Why not?"