Movie |
1960s | Fire
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Outstanding Motion Picture | 2018 | Kathryn
Outstanding Actor Motion Picture | 2018 | Algee
Outstanding Ensemble | 2018 | Victoria
Outstanding Score | 2018 | James Newton
Best Woman Director | 2018 | Kathryn
Outstanding Achievement in Casting Big Budget Feature Drama | 2018 | Victoria
Outstanding Achievement in Sound Editing Dialogue and ADR for Feature Film | 2018 | Paul N.J.
Best Movie | 2018
Best Original Song | 2018
Outstanding Writing in a Motion Picture | 2018 | Mark
Outstanding Actor in a Motion Picture | 2018 | Algee
Outstanding Motion Picture | 2018
Best Foreign Film Meilleur film tranger | 2018 | Kathryn
Best Original Song | 2017 | Ahmir-Khalib
Best Movie by a Woman | 2017
Best Female Director | 2017 | Kathryn
Best Supporting Actor | 2017 | Will
Best Picture | 2017
Best Support Actor | 2017 | Will
Best Villain | 2017 | Will
2017 | Kathryn
Budget 34,000,000 USD
Box Office Collection 23,400,000 USD
Using a style she first adopted with The Hurt Locker (2008), director Kathryn Bigelow deployed three or four cameras at a time, keeping them in constant motion around the actors. Bigelow preferred to light the entire set to give the performers more flexibility to move around. She didn't block a scene for the camera by plotting out a series of close-ups and wide shots, instead filming everything in a few takes to keep the emotions as raw as possible. "After two or three takes, I have it," she said.
For filming in Brockton, Massachusetts, a set depicting 1967 Detroit was built at the site of the Liberty Tree, a sycamore planted in 1763 which marked a stop on the Underground Railroad. During the Civil War, slaves on their way north to freedom were hidden in Edward Bennett's stables during the day so they could travel under the cover of darkness.
Survivor Julie Ann Hysell was on set as a consultant throughout most of the shoot. Vietnam vet Robert Greene was still alive, but the producers couldn't reach him.
The exterior of the Algiers Motel, including the neon sign and poolside scenes, were shot in Malden, MA. The pool was installed in a parking lot specifically for the movie. The pool was removed when the shooting ended and the parking lot was restored.
The majority of the film, and all of the Algiers sequences, were shot in chronological order.
"Carl: When you're black, it's almost like having a gun pointing right at your face."
"Dismukes: [to Lee] I need you to survive the night."
