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![Dunkirk - Trailer 1 [HD]](https://img.youtube.com/vi/F-eMt3SrfFU/mqdefault.jpg)
![DUNKIRK - OFFICIAL MAIN TRAILER [HD]](https://img.youtube.com/vi/T7O7BtBnsG4/mqdefault.jpg)
![Dunkirk - Announcement [HD]](https://img.youtube.com/vi/yM9BWtppzko/mqdefault.jpg)
Dunkirk is an epic war film that tells the untold story of the evacuation of Allied soldiers from the beaches of Dunkirk during World War II. The movie's direction and cinematography are exceptional, with a visually stunning and immersive style that captures the intensity and chaos of the war. Christopher Nolan's top-nothc direction brings about a sense of tension and urgency that keeps viewers on the edge of their seats. The ensemble cast, including Tom Hardy, Kenneth Branagh, and Harry Styles, deliver powerful and nuanced performances that add depth and emotion to the characters' experiences. The film's themes of sacrifice, courage, and survival highlight the human cost of war. The movie's use of practical effects creates a more authentic and realistic war experience, and the film's score by Hans Zimmer adds to the overall experience. Overall, Dunkirk is a well-made and emotionally powerful film that offers a fresh and unique take on the war genre.
Best Achievement in Film Editing | 2018 | Lee Smith
Best Achievement in Sound Mixing | 2018 | Mark Weingarten
Best Achievement in Sound Editing | 2018 | Alex Gibson
Best Sound | 2018 | Mark Weingarten
Best European Film Millor Pellcula Europea | 2018 | Christopher Nolan
2017 | Christopher Nolan
Best Foreign Film Miglior Film Straniero | 2018 | Christopher Nolan
Best Director | 2017 | Christopher Nolan
Best Director | 2017 | Christopher Nolan
Best Director | 2017 | Christopher Nolan
Best Foreign Film Mejor Pelcula Extranjera | 2018 | Christopher Nolan
Best Director | 2017 | Christopher Nolan
Best Direction | 2018 | Christopher Nolan
Best Director | 2017 | Christopher Nolan
Breakthrough Artist | 2017 | Barry Keoghan
Breakthrough Artist For | 2017 | Barry Keoghan
Best Director | 2017 | Christopher Nolan
Best Original Score | 2017 | Hans Zimmer
Best Film Editing | 2017 | Lee Smith
Best Achievement in Sound | 2017 | Mark Weingarten
Best Original Score | 2018 | Hans Zimmer
Outstanding Achievement in Casting Big Budget Feature Drama | 2018 | John Papsidera
Outstanding Achievement in Sound Mixing for Motion Pictures Live Action | 2018 | Mark Weingarten
Best Cinematography | 2017 | Hoyte van Hoytema
Best Cinematography | 2017 | Hoyte van Hoytema
Best Cinematography | 2017 | Hoyte van Hoytema
Best Film Editing | 2017 | Lee Smith
Outstanding Editing Feature Film | 2017 | Lee Smith
Best Film Editing | 2018 | Lee Smith
Best Editing | 2018 | Lee Smith
Best Edited Feature Film Dramatic | 2018 | Lee Smith
Best Editing | 2017 | Lee Smith
Best Film Editing | 2018 | Lee Smith
Best Editing | 2017 | Lee Smith
Best Editing | 2018 | Lee Smith
Best Specialty Stunt | 2018 | Craig Hosking
Best Sound Mixing | 2018 | Mark Weingarten
Outstanding Supporting Visual Effects in a Photoreal Feature | 2018 | Andrew Lockley
Outstanding Locations in a Period Film | 2018 | Arnaud Kaiser
Best Achievement in Directing | 2018 | Christopher Nolan
Best Motion Picture of the Year | 2018 | Emma Thomas
Best Achievement in Music Written for Motion Pictures Original Score | 2018 | Hans Zimmer
Best Achievement in Production Design | 2018 | Gary Fettis
Best Achievement in Cinematography | 2018 | Hoyte van Hoytema
Best Director Motion Picture | 2018 | Christopher Nolan
Best Original Score Motion Picture | 2018 | Hans Zimmer
Best Film | 2018 | Emma Thomas
Original Music | 2018 | Hans Zimmer
Best Production Design | 2018 | Gary Fettis
Best Cinematography | 2018 | Hoyte van Hoytema
Best Editing | 2018 | Lee Smith
Best Achievement in Special Visual Effects | 2018 | Andrew Jackson
Best Score Soundtrack for Visual Media | 2018 | Hans Zimmer
Best Newcomer | 2018 | Harry Styles
Breakthrough Performance | 2018 | Harry Styles
Best Supporting Actor | 2018 | Tom Hardy
Best Screenplay | 2018 | Christopher Nolan
Best Performance by an Actor in a Supporting Role | 2018 | Tom Hardy
Best Production Design | 2018 | Gary Fettis
Best Cinematography | 2018 | Hoyte van Hoytema
Best NonAmerican Film rets ikkeamerikanske film | 2018 | Christopher Nolan
Best Original Screenplay | 2017 | Christopher Nolan
Best Director | 2017 | Christopher Nolan
Best Production Design | 2017 | Nathan Crowley
Best Editing | 2017 | Lee Smith
Most Valuable Film of the Year | 2018 | Christopher Nolan
Cinema for Peace Award for the Most Valuable Film of the Year | 2018 | Christopher Nolan
Best Male Director | 2017 | Christopher Nolan
Best Score | 2017 | Hans Zimmer
Best Cinematography | 2017 | Hoyte van Hoytema
Best Editing | 2017 | Lee Smith
Best Screenplay | 2017 | Christopher Nolan
Best Cinematography | 2017 | Hoyte van Hoytema
Best Director | 2018 | Christopher Nolan
Best Screenplay Original | 2018 | Christopher Nolan
Best Original Score | 2018 | Hans Zimmer
Best Actor in a Supporting Role | 2018 | Mark Rylance
Best Cinematography | 2018 | Hoyte van Hoytema
Best Film Editing | 2018 | Lee Smith
Best Costume Design | 2018 | Jeffrey Kurland
Best Director | 2018 | Christopher Nolan
Best Score | 2018 | Hans Zimmer
Best Production Design | 2018 | Gary Fettis
Best Cinematography | 2018 | Hoyte van Hoytema
Best Foreign Film | 2018 | Christopher Nolan
Best Director | 2017 | Christopher Nolan
Best Original Score | 2017 | Hans Zimmer
Best Production Design | 2017 | Nathan Crowley
Best Cinematography | 2017 | Hoyte van Hoytema
Best Director of the Year | 2017 | Christopher Nolan
Best Director | 2017 | Christopher Nolan
Best Director | 2018 | Christopher Nolan
Best Original Score | 2018 | Hans Zimmer
Best Art Direction | 2018 | Gary Fettis
Best Cinematography | 2018 | Hoyte van Hoytema
Best Foreign Film Mejor Pelcula Extranjera | 2018 | Christopher Nolan
Best Picture | 2018 | Emma Thomas
Best Director | 2018 | Christopher Nolan
Best Music Original Score | 2018 | Hans Zimmer
Best Production Design | 2018 | Gary Fettis
Best Cinematography | 2018 | Hoyte van Hoytema
Best Film Editing | 2018 | Lee Smith
Best Visual Effects | 2018 | Andrew Lockley
Best Sound Effects Editing | 2018 | Alex Gibson
Best Stunt Coordination | 2018 | Mark Rayner
2018 | Christopher Nolan
Best Director | 2017 | Christopher Nolan
Best Motion Picture | 2017 | Emma Thomas
Best Director | 2017 | Christopher Nolan
Best Production Design | 2017 | Gary Fettis
Best Cinematography | 2017 | Hoyte van Hoytema
Best Visual Effects | 2017 | Andrew Lockley
Best Director | 2017 | Christopher Nolan
Best Original Score | 2017 | Hans Zimmer
Best Production Design | 2017 | Nathan Crowley
Best Cinematography | 2017 | Hoyte van Hoytema
Best Film Editing | 2017 | Lee Smith
Best Director | 2018 | Christopher Nolan
Best Score | 2018 | Hans Zimmer
Best Cinematography | 2018 | Hoyte van Hoytema
Best Film Editing | 2018 | Lee Smith
Best Director | 2017 | Christopher Nolan
Motion Picture | 2018 | Emma Thomas
Director | 2018 | Christopher Nolan
Original Score | 2018 | Hans Zimmer
Production Design | 2018 | Gary Fettis
Cinematography | 2018 | Hoyte van Hoytema
Film Editing of the Decade | 2020 | Lee Smith
Visual Effects | 2018 | Andrew Lockley
Sound of the Decade | 2020 | Mark Weingarten
Best European Film (Cel mai bun film european) | 2018 | Christopher Nolan
Director of the Year | 2018 | Christopher Nolan
Technical Achievement of the Year | 2018 | Hans Zimmer
Young BritishIrish Performer of the Year | 2018 | Fionn Whitehead
Best Director | 2017 | Christopher Nolan
Best NonAmerican Film Bedste ikkeamerikanske film | 2018 | Christopher Nolan
Best Director | 2017 | Christopher Nolan
Best Supporting Actor | 2017 | Mark Rylance
Best Cinematography | 2017 | Hoyte van Hoytema
Outstanding Producer of Theatrical Motion Pictures | 2018 | Emma Thomas
Director of the Year | 2018 | Christopher Nolan
Outstanding Directorial Achievement in Feature Film | 2018 | Christopher Nolan
Best Foreign Film Meilleur film tranger | 2018 | Christopher Nolan
Best Director | 2017 | Christopher Nolan
Best ForeignLanguage Film Melhor Filme Estrangeiro | 2018 | Christopher Nolan
Best Foreign Film Meilleur film tranger | 2018 | Christopher Nolan
Best Director | 2017 | Christopher Nolan
Best Cinematography | 2017 | Hoyte van Hoytema
Best Editing | 2017 | Lee Smith
Best Director | 2018 | Christopher Nolan
Best Score | 2018 | Hans Zimmer
Best Cinematography | 2018 | Hoyte van Hoytema
Best Director | 2018 | Christopher Nolan
Best Director | 2018 | Christopher Nolan
Best Original Score | 2018 | Hans Zimmer
Best Sound Mixing | 2018 | Mark Weingarten
Best Sound Editing | 2018 | Alex Gibson
Best International Film | 2018 | Emma Thomas
Choice Summer Movie Star Male | 2017 | Harry Styles
Best Original Score | 2017 | Hans Zimmer
Best Production Design | 2017 | Gary Fettis
Best Cinematography | 2017 | Hoyte van Hoytema
Best Editing | 2017 | Lee Smith
Best Original Score | 2017 | Hans Zimmer
Best Production Design | 2017 | Gary Fettis
Best Cinematography | 2017 | Hoyte van Hoytema
Best Visual Effects | 2017 | Andrew Lockley
Best Score | 2017 | Hans Zimmer
Best Art DirectionProduction Design | 2017 | Gary Fettis
Best Cinematography | 2017 | Hoyte van Hoytema
Best Original Score | 2017 | Hans Zimmer
Best Cinematography | 2017 | Hoyte van Hoytema
Best Editing | 2017 | Lee Smith
Best Score | 2017 | Hans Zimmer
Best Production Design | 2017 | Nathan Crowley
Best Cinematography | 2017 | Hoyte van Hoytema
Best Editing | 2017 | Lee Smith
Best Score | 2017 | Hans Zimmer
Period Film | 2018 | Alice Leconte
Best Cinematography | 2018 | Hoyte van Hoytema
Best Cinematography | 2017 | Hoyte van Hoytema
Best Cinematography | 2017 | Hoyte van Hoytema
Best Cinematography | 2017 | Hoyte van Hoytema
Outstanding Achievement in Cinematography in Theatrical Releases | 2018 | Hoyte van Hoytema
Best Editing | 2018 | Lee Smith
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture | 2018 | Daniel Locicero
Outstanding Achievement in Sound Editing Dialogue and ADR for Feature Film | 2018 | Hugo Weng
Outstanding Achievement in Sound Editing Sound Effects and Foley for Feature Film | 2018 | Michael W. Mitchell
Outstanding Achievement in Sound Editing Music Score for Feature Film | 2018 | Alex Gibson
Best Male Newcomer | 2018 | Fionn Whitehead
Excellence in Period Film | 2018 | Jeffrey Kurland
Excellence in Sound for a Feature Film | 2018 | Mark Weingarten
Budget 150,000,000 USD
Box Office Collection 527,000,000 USD
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According to Sir Kenneth Branagh, roughly thirty Dunkirk survivors, who were in their mid-90s, attended the premiere in London, England. When asked about the movie, they felt that it accurately captured the event, but that the soundtrack was louder than the actual bombardment, a comment that greatly amused writer, producer, and director Christopher Nolan.
In the sequence where the Spitfire ditches into the English Channel, an IMAX camera was strapped into the cockpit to film Collins (Jack Lowden) trying to get out. However, during filming, the plane with the camera still inside sank quicker than predicted. It took so long to retrieve the plane, that the IMAX camera housing filled with water, potentially ruining the expensive camera and the film inside. Cinematographer Hoyta Van Hoytema used an old movie technique of keeping the film wet, and shipped it back to Los Angeles, getting it processed before it dried out. The take from that scene is in the movie.
After first-hand accounts of the Dunkirk evacuation revealed to writer, producer, and director Christopher Nolan how young and inexperienced the soldiers were, he decided to cast young and unknown actors for the beach setting.
Writer, producer, and director Christopher Nolan, along with his wife, producer Emma Thomas, and a friend, made the crossing from England to Dunkirk on a boat, the way the civilians would have done during the original evacuation. Nolan said it took 19 hours because of sea conditions.
Told from three points of view: on the beach with the infantry (including Fionn Whitehead and Harry Styles), the evacuation by the Navy (featuring Cillian Murphy and Mark Rylance, showing how civilians came to the rescue) and then in the air (with Tom Hardy engaging in plane combat). Speaking about the narrative structure in Premiere Magazine, Christopher Nolan stated: "For the soldiers who embarked in the conflict, the events took place on different temporalities. On land, some stayed one week stuck on the beach. On the water, the events lasted a maximum day; and if you were flying to Dunkirk, the British Spitfires would carry an hour of fuel. To mingle these different versions of history, one had to mix the temporal strata. Hence the complicated structure; even if the story is very simple. Do not repeat it to the studio: it will be my most experimental film."
"Blind Man: Well done, lads. Well done. Alex: All we did is survive. Blind Man: That's enough."
"[last lines] Tommy: We shall go on to the end. We shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air. We shall defend our island, whatever the cost may be... Alex: What? Tommy: We shall defend our island, whatever the cost may be. We shall fight on the beaches. We shall fight on the landing grounds. We shall fight in the fields and in the streets. We shall fight in the hills; we shall never surrender. And even if this Island or a large part of it were subjugated and starving, then our Empire beyond the seas, armed and guarded by the British Fleet, would carry on the struggle, until, in God's good time, the New World, with all its power and might, steps forth to the rescue and the liberation of the old."
