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7.8/10
IMDb90%
Rotten TomatoesThe television adaptation of Philip Pullman's acclaimed fantasy novel trilogy "His Dark Materials" is ambitious and artistically gorgeous. The show captivates viewers and transports them to a rich and fascinating realm with its intricate world-building, compelling characters, and thought-provoking issues. The show follows the adventures of Lyra Belacqua (played by Dafne Keen), who happens to be a young girl with a the future that merges with a cosmic struggle between the oppressive religious authorities, enigmatic entities, as well as an attempt for reality, set in an alternate dimension where souls of humans appear as animal companions called daemons. Lyra discovers mysteries that challenge her perception of her world and her own identity as she navigates through various dimensions and encounters a broad mix of allies and opponents. While the early episodes may take patience and investment, the voyage through Lyra's world is ultimately gratifying and leaves viewers eagerly expecting what comes next.
Special Visual Graphic Effects | 2021
Titles Graphic Identity | 2020
Sound Fiction | 2021
IMDbPro Top Most Popular TV Titles | 2021
Outstanding Achievement for Character Animation in an Animated TelevisionBroadcast Production | 2020
Best Actress | 2020 | Ruth
Best Photography and Lighting Fiction | 2020 | David
Best Costume Design Y Gwisgoedd Gorau | 2021
Design Titles | 2020
Production Design Drama | 2020 | Joel
Effects | 2020 | Danny
Effects | 2020
Professional Excellence Editing | 2022
Special Visual Graphic Effects | 2023
Production Design | 2021
Costume Design | 2020
Photography Lighting Fiction | 2020
Sound Fiction | 2020
Best Actress | 2020 | Dafne
Best Photography and Lighting Fiction | 2020
Best Editing | 2021
Best Sound Y Sain Gorau | 2021 | Adele
Best Editing Fiction | 2020 | Stephen
Best MakeUp Hair | 2020 | Pamela
Best Production Design | 2020 | Joel
Best Costume Design Y Gwisgoedd Gorau | 2020
Best Television Drama | 2020
Best Television Presentation under Episodes | 2021
Outstanding Editing Episodic or NonTheatrical Feature Over Minutes | 2021
Outstanding Visual Effects Episodic Under Episodes or NonTheatrical Feature | 2020 | William
Best Original Score for a Television Series | 2020 | Lorne
Best Supporting Actor Drama | 2021 | Andrew
Costume Design Drama | 2021
Effects | 2021
Make Up Design Drama | 2021 | Jacqueline
Production Design Drama | 2021 | Joel
Music Original Title | 2020 | Lorne
Best Television Series Genre | 2019
Video Media Entertainment Branded | 2021
Best Supporting Young Actor Television Series | 2021 | Kit
Excellence in Sound for a Television Drama | 2020
Televison Drama | 2020
Television Drama | 2020
Best International Series or MiniSeries in Streaming Melhor Srie ou MiniSrie Internacional em Streaming | 2020
Excellence in Title Design | 2020
Outstanding Visual Effects in a Photoreal Episode | 2020
Television Composer of the Year | 2020 | Lorne
Best Production Design International TV Drama including Mini Series TV Movie or Limited Series | 2019
Best Cinematography in a Television Drama | 2019
This is the first time the novels by Philip Pullman are adapted into a television series. The previous film adaptation, The Golden Compass (2007), was once cited by author George R.R. Martin as one of the reasons he wanted Game of Thrones (2011) to be a television series, rather than a feature film. Martin later shared his thoughts on the series on Twitter, calling it "SO much better than the feature film." There are only three novels in Pullman's series, however, and several in Martin's, so it's not surprising the original plan was to adopt His Dark Materials into a film trilogy.
Dafne Keen (Lyra) and Will Keen (Father MacPhail) are real-life daughter and father. This marks their second professional collaboration.
Leonardo da Vinci's painting "Lady with an Ermine" helped author Philip Pullman visualize his idea for the concepts of animal spirits.
During the title sequence at roughly thirty seconds you can see a knife in Lyra's silhouette and as the camera retracts it goes through an amber glass disk. This is a reference to The Subtle Knife (1997) and The Amber Spyglass (2000), the second and third entries in the His Dark Materials series by Phillip Pullman.
The title comes from a line in John Milton's "Paradise Lost".