Movie |
New York City | Italian American
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7.2/10
IMDbBest Actress in a Supporting Role | 1988 | Olympia
Best Actress in a Leading Role | 1988 | Cher
Best Performance by an Actress in a Motion Picture Comedy or Musical | 1988 | Cher
Best Performance by an Actress in a Supporting Role in a Motion Picture | 1988 | Olympia
Top Box Office Films | 1989 | Dick
Best Foreign Actress Migliore Attrice Straniera | 1988 | Cher
Best Female Dubbing (Migliore Doppiaggio Femminile) | 1988 | Ludovica
Best Foreign Actress Migliore Attrice Straniera | 1988 | Cher
Best Casting for Feature Film Comedy | 1988 | Howard
Best Screenplay Written Directly for the Screen | 1988 | John Patrick
Best Director | 1988 | Norman
Funniest Supporting Female Performer Motion Picture or TV | 1988 | Olympia
Best Supporting Actress | 1987 | Olympia
Best Supporting Actress | 1987 | Olympia
Best Actor in a Supporting Role | 1988 | Vincent
Best Director | 1988 | Norman
Best Picture | 1988 | Norman
Best Motion Picture Comedy or Musical | 1988
Best Performance by an Actor in a Motion Picture Comedy or Musical | 1988 | Nicolas
Best Screenplay Motion Picture | 1988 | John Patrick
Best Actress in a Supporting Role | 1989 | Olympia
Best Actress | 1989 | Cher
Best Score | 1989 | Dick
Best Screenplay Original | 1989 | John Patrick
Best Foreign Language Film | 1989
Best Foreign Actress Mejor Actriz Extranjera | 1989 | Cher
Best International Actress | 1988 | Cher
Best Foreign Screenplay Migliore Sceneggiatura Straniera | 1988 | John Patrick
1988 | Norman
Funniest Supporting Male Performer Motion Picture or TV | 1988 | Vincent
Funniest Actress in a Motion Picture Leading Role | 1988 | Cher
Best Supporting Actress | 1987 | Olympia
Best Screenplay | 1987 | John Patrick
Budget 15,000,000 USD
Box Office Collection 80,640,528 USD
Nicolas Cage's screen test didn't impress the studio, and they wanted to get someone else to play Ronny. But Cher insisted that Cage was the one to play that role, and threatened to quit unless he was hired. After a few days, the studio relented.
Norman Jewison has stated that the climactic kitchen sequence was the most difficult scene that he ever shot in his career. The crew were dismissed and Jewison rehearsed with the cast for some time, using a stage production approach. Only after the actors perfected their timing did he decide where to put the camera.
Director Norman Jewison was fined by the actors' union for not allowing his actors to go to lunch until they perfected the moods of their characters for the climax scene in the kitchen.
Norman Jewison considers this movie his favorite of all the films he has directed.
The opening title sequence was originally played on the score from "La bohème" opera but was changed to the Dean Martin track "That's Amore" because the preview drew negative test audience reaction. Many shifted uncomfortably on their seats, thinking that they had been lured into an art film.
"Ronny Cammareri: Loretta, I love you. Not like they told you love is, and I didn't know this either, but love don't make things nice - it ruins everything. It breaks your heart. It makes things a mess. We aren't here to make things perfect. The snowflakes are perfect. The stars are perfect. Not us. Not us! We are here to ruin ourselves and to break our hearts and love the wrong people and *die*. The storybooks are *bullshit*. Now I want you to come upstairs with me and *get* in my bed!"
"Rose: Do you love him, Loretta? Loretta Castorini: Ma, I love him awful. Rose: Oh, God, that's too bad."