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Criminal | Saving The World
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Most Promising Newcomer to Leading Film Roles | 1979 | Christopher
Best Dramatic Presentation | 1979 | David
1979 | Zoran
Top Ten Films | 1978
National Film Preservation Board | 2017
Best New Recording of a Previously Existing Score | 1998 | John
Best Instrumental Composition | 1980 | John
Best Science Fiction Film | 1979
Best Actress | 1979 | Margot
Best Music | 1979 | John
Best Special Effects | 1979 | Colin
Best Production Design | 1979 | John
1979
Best Music Original Score | 1979 | John
Best Film Editing | 1979 | Stuart
Best Sound | 1979
Best Original Score Motion Picture | 1979 | John
Best Supporting Actor | 1979 | Gene
Best Sound | 1979
Best Production DesignArt Direction | 1979 | John
Best Cinematography | 1979
Best Pop Instrumental Performance | 1980 | John
Best DVD Collection For and | 2007
Best DVD Collection For and | 2012
Best DVD Collection | 2012
Best DVD Classic Film Release | 2002
Best Actor | 1979 | Christopher
Best Supporting Actress | 1979 | Valerie
Best Director | 1979 | Richard
Best Costumes | 1979 | Richard
Best Overall New Extra Features Library Title | 2001 | Jonathan
Best Foreign Film | 1980
Best Comedy Adapted from Another Medium | 1979 | Mario
Best Edited Feature Film | 1979 | Stuart
Best International Actor | 1978 | Christopher
Budget 55,000,000 USD
Box Office Collection 300,500,000 USD
To obtain the musculature to convincingly play Superman, Christopher Reeve underwent a bodybuilding regime supervised by David Prowse, the man who played Darth Vader in the original "Star Wars" trilogy.
According to Roger Moore's autobiography, he witnessed Christopher Reeve walking through the canteen at Pinewood Studios in full Superman costume, oblivious to the swooning female admirers he left in his wake. When he did the same thing dressed as Clark Kent, no one paid any attention. Very interestingly, something similar happened with Harold Lloyd: when he wasn't filming movies and removed his iconic round glasses nobody paid attention to him at the point that no one recognized him as the famous actor he was. Lloyd was inspiration for Superman alter ego Clark Kent, specially in the detail of the glasses to hide himself of the public eye in his civilian identity.
(at around 28 mins) To achieve the shot of young Clark Kent kicking a football into orbit, an air cannon was placed underground and the football fired from it.
On his first day on the set, Marlon Brando suggested to Richard Donner that the cameras roll during rehearsal. Brando reportedly said, "Who knows? We might get lucky." According to Donner, that very first take was the one that was used in the finished film. Brando was notoriously lazy and was constantly pulling little stunts like this to lessen his workload. Christopher Reeve even complained about it in interviews, saying Brando was "phoning it in and it shows!"
Richard Donner was disgusted that production designer John Barry and cinematographer Geoffrey Unsworth received no recognition from the Academy for their work on this film. He was particularly aggrieved that one of the nominees for Best Art Direction was California Suite (1978), which merely duplicated an existing hotel, while Barry created an entire fictional city and a fortress in the Arctic.
"Lex Luthor: Some people can read War and Peace and come away thinking it's a simple adventure story. Others can read the ingredients on a chewing gum wrapper and unlock the secrets of the universe."
"Superman: Easy, miss. I've got you. Lois Lane: You - you've got me? Who's got you?"
