Movie |
Telepathy | Berlin, Germany
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Top Ten of the Year International Competition | 2019 | Luca
Best Song Original or Adapted International Competition | 2019 | Thom
Best Supporting Actress International Competition | 2019 | Tilda
Best Cinematography | 2019 | Sayombhu
Best Makeup and Hairstyling | 2019
Best Costume Design Migliori Costumi | 2019
Worst Foreign Director | 2019 | Luca
2018 | Brad
Best Supporting Actress | 2018 | Tilda
Best Costume Design | 2018
Best Make Up | 2018
Best Musical Score | 2018 | Thom
Best Score | 2018 | Thom
Best Original Song | 2018 | Thom
Best SoundtrackScore | 2018 | Thom
Best Original Song | 2018 | Thom
Best Song Written for Visual Media | 2020 | Thom
Best Film | 2018 | Luca
Best MakeUp International Competition | 2019 | Stephen
Best Sequence International Competition | 2019
Best Art Direction International Competition | 2019 | Inbal
Best SoundSound Efects International Competition | 2019
Best Original Music International Competition | 2019 | Thom
Best Cinematography International Competition | 2019 | Sayombhu
Best Editing International Competition | 2019 | Walter
Best Film International Competition | 2019
Best Music Migliore Musicista | 2020 | Thom
Best Production Design Migliore Scenografo | 2020 | Inbal
Best MakeUp Migliore Truccatore | 2020
Best Hair DesignStyling Migliore Acconciatore | 2020
Best Visual Effects Migliori Effetti Speciali Visivi | 2020
Best Song Migliore Canzone | 2020 | Thom
Best MakeUp | 2019
Best Makeup Hairstyling | 2019
Best Supporting Actress Mejor Actriz de reparto | 2019 | Tilda
Best Costume Design and Makeup | 2019
Best Supporting Actress | 2019 | Tilda
Best Director | 2019 | Luca
Best Movie | 2019
Best Editing | 2019 | Walter
Best Adapted Screenplay | 2019 | David
Best Production Design | 2019 | Inbal
Best Performance by an Actress in a Supporting Role | 2019 | Tilda
Best Production Design | 2019 | Inbal
Best Ensemble Performance | 2019 | Renée
Campy Flick of the Year | 2019
Best Original Song | 2019 | Thom
Best Producer Migliore Produttore | 2019
Best Original Score | 2019 | Thom
Best Original Song | 2019 | Thom
Best Film Miglior film | 2019 | Luca
Best Director Regista del Miglior Film | 2019 | Luca
Best Editing Miglior Montaggio | 2019 | Walter
Technical Achievement of the Year | 2019 | Thom
Best Horror Film | 2019 | Brad
Best Music Original Score | 2019 | Thom
Best Original Song | 2019 | Thom
Best Makeup and Hairstyling | 2019
Best Original Score | 2018 | Thom
Best Supporting Actress | 2018 | Tilda
Best Cinematography | 2018 | Sayombhu
Best Director | 2018 | Luca
Best Screenplay | 2018 | David
Best Cinematography | 2018 | Sayombhu
Best Supporting Actress | 2018 | Tilda
Best Horror Movie | 2018
Best SciFiHorror Film | 2018
2018 | Luca
Best Original Score | 2018 | Thom
Budget 20,000,000 USD
Box Office Collection 7,900,000 USD
Jessica Harper, who played Suzy in the original Suspiria (1977), appears late in the film as Dr. Klemperer's wife Anke. In an interview with her and screenwriter David Kajganich at the film's Fantastic Fest premiere in Austin, TX, Kajganich revealed he and director Luca Guadagnino thought Anke would be the best character for Harper to play, Guadagnino contacted her and proposed the idea to her, which she immediately agreed to - and then she immediately contacted the Berlitz School to learn and practice German for her scenes, as she had lied to Guadagnino about being fluent in the language. For Harper, the hardest thing to do was get the dialect right while walking backward.
Dakota Johnson completed 2 years of ballet training in preparation for her role in this film.
Unlike the original film, which uses exaggerated colors, Guadagnino conceived Suspiria as "winterish" and bleak, absent of primary colors.
In an interview with Elle magazine, actress Dakota Johnson revealed the intensity of the shoot had..."fucked [her] up so much that [she] had to go to therapy."
The music score is the debut score by Radiohead's singer Thom Yorke, who followed Radiohead and co-composers Jonny Greenwood and Phil Selway into film scoring. Greenwood is notable for scoring the films of Paul Thomas Anderson and Lynne Ramsay. Selway scored Let Me Go (2017).
"Dr. Josef Klemperer: Love and manipulation, they share houses very often. They are frequent bedfellows."
"Susie Bannion: [to Madame Blanc, communicated telepathically] It's all a mess. The one out there... [spoken] Susie Bannion: The one in here... the one that's coming. Why is everyone so ready to think the worst is over?"
