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Dramatic | 1995 | Edward
Best First Feature | 1996 | Edward
Most Promising Producer in Theatrical Motion Pictures | 1996 | Edward
1995 | Edward
1995 | Edward
When Robert Redford was at the Entertainment Tonight studios for an interview, Edward Burns gave him a tape of this film in a an elevator and begged him to watch it. Redford said that Burns looked like a panhandler. "I get that all the time, but I thought, what the hell, that's what it's all about." He watched it, liked it, and the film went on to win at Sundance. The showing also led to a distribution deal, which included an additional $200,000 for post production work and to get the rights for the Sarah McLachlan song "I Will Remember You", which was added over the closing credits.
Most of this was shot at weekends at Edward Burns's mother's house.
Filmed every weekend over an eight-month period. For the scene where Edward Burns's character goes on a date in Central Park, the first part was shot in October, the second in January and the last part in April.
Seamus Egan, who composed much of the music on the soundtrack, was on a tour of New England when his car broke down. He was put up for the night by a local couple he had never met, whose adult son happened to be visiting for the weekend. They loaned Seamus their own car so he could finish the tour. In gratitude, Seamus (and bluegrass musician Dirk Powell) gave them copies of their CDs, they only gift they could afford at the time. The son turned out to be Andy Yarme, a technician working on the film in New York. The CDs found their way to Ed Burns, who in turn called Seamus and asked if he could use some of the music on the film. After the film was picked up by Sundance, the music was remastered, and due to the increased budget, Sarah McLachlan was brought on board. Together, they re-wrote Seamus' instrumental "Weep Not For the Memories", creating the hit "I Will Remember You". McLachlan's video for the song following its release as a single cost three times to make as the entire Brothers McMullen production.
The most profitable film on a percentage basis in 1995. It cost only $200,000 to make and grossed $13.4 million, 67 times it budget.
"Barry: [holds up a banana] Man is like a banana. Strong and firm, bright and phallic, and he's protected by his all-important shield. But, when a woman comes along, you know, she sees this bright phallic beast and she wants it. So, she starts peeling away your all-important shield. [peels the banana] Barry: First, she wants to see your romantic side, then she wants to see your passionate side, finally she wants to see your soft, caring, feminine side. She keeps peeling and peeling until you're left there buck naked, totally exposed with your balls blowing in the wind. And that's when she gets her knife, and she cuts away your manhood piece by piece until she's having your cock in her corn flakes."
"Barry McMullen: I like being a pessimist. It helps me deal with my inevitable failure."
