Movie |
Lawyer | Italy
A mafia family's leader named Don Vito Corleone decides to give his youngest son Michael control of his empire. The lives of his loved ones are, however, gravely endangered as a result of his unintended action.
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A mafia family's leader named Don Vito Corleone decides to give his youngest son Michael control of his empire. The lives of his loved ones are, however, gravely endangered as a result of his unintended action.
The Godfather is a cult classic of Hollywood. It's beyond spectacular. It's a true masterpiece. The storyline and plot are beyond anything. The details of the movies, like images, dialogue, and scenes, will stick in your head after watching them. It's an unforgettable movie for me. A mafia family's leader named Don Vito Corleone decides to give his youngest son Michael control of his empire. The lives of his loved ones are, however, gravely endangered as a result of his unintended action. It's incredible; there is no flaw in this movie. One must watch this movie if they like unpredictable plots. Marlon Brando is brilliant as Don Vito. I have no words to describe how incredible this movie is. One has to see this gem.
Best Actor in a Leading Role | 1973 | Marlon
Best Picture | 1973 | Albert S.
Best Writing Screenplay Based on Material from Another Medium | 1973 | Francis Ford
Best Actor in a Motion Picture Drama | 1973 | Marlon
Best Original Score Motion Picture | 1973
Best Screenplay Motion Picture | 1973 | Francis Ford
Best Director Motion Picture | 1973 | Francis Ford
Best Motion Picture Drama | 1973
1973
Best Original Score Written for a Motion Picture or a Television Special | 1973
Best Supporting Actor | 1973 | Robert
Best Drama Adapted from Another Medium | 1973 | Francis Ford
Best Actor | 1972 | Al
Best Actor | 1972 | Marlon
Best Actor | 1972 | Al
Best Foreign Film Miglior Film Straniero | 1973 | Albert S.
1973 | Al
Outstanding Directorial Achievement in Motion Pictures | 1973
Best DVD | 2002
Best Actor in a Supporting Role | 1973 | Al
Best Music Original Dramatic Score | 1973
Best Film Editing | 1973 | William
Best Sound | 1973 | Charles
Best Costume Design | 1973 | Anna Hill
Best Director | 1973 | Francis Ford
Best Actor in a Motion Picture Drama | 1973 | Al
Best Supporting Actor Motion Picture | 1973 | James
Most Promising Newcomer to Leading Film Roles | 1973 | Al
Best Actor For | 1973
Best Supporting Actor | 1973 | Robert
Best Actor | 1973 | Marlon
Best Costume Design | 1973 | Anna Hill
Best Instrumental Composition | 1973
Best Archival Release | 2023
Best Audio Commentary | 2001 | Francis Ford
Hall of Fame Movie | 1978
Best Edited Feature Film | 1973 | Peter
Best Foreign Language Film | 1973 | Francis Ford
Best Film | 1972 | Francis Ford
Best Film | 1972 | Francis Ford
Best Film | 1972
Best Director | 1972 | Francis Ford
Best Actor | 1972 | Marlon
Best Supporting Actor | 1972 | Robert
Best Screenplay | 1972 | Mario
Best Cinematography | 1972 | Gordon
Budget 6,000,000 USD
Box Office Collection 245,066,411 USD
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During an early shot of the scene where Vito Corleone returns home and his people carry him up the stairs, Marlon Brando put weights under his body on the bed as a prank, to make it harder to lift him.
Cinematographer Gordon Willis earned himself the nickname "The Prince of Darkness," since his sets were so underlit. "Paramount Pictures" executives initially thought that the footage was too dark, until persuaded otherwise by Willis and Francis Ford Coppola that it was to emphasize the shadiness of the Corleone family's dealings.
Lenny Montana (Luca Brasi) was so nervous about working with Marlon Brando that in the first take of their scene together, he flubbed some lines. Director Francis Ford Coppola liked the genuine nervousness and used it in the final cut. The scenes of Luca practicing his speech were added later.
Marlon Brando wanted to make Don Corleone "look like a bulldog," so he stuffed his cheeks with cotton wool for the audition. For the actual filming, he wore a mouthpiece made by a dentist. This appliance is on display in the American Museum of the Moving Image in Queens, New York.
The cat held by Marlon Brando in the opening scene was a stray that Coppola found while on the lot at "Paramount Pictures," and was not originally called for in the script. So content was the cat that its purring muffled some of Brando's dialogue and, as a result, most of his lines had to be looped.
"[to Rocco who has killed Paulie in the car] Peter Clemenza: Leave the gun. Take the cannoli."
"Michael: [speaking to Carlo] Only don't tell me you're innocent. Because it insults my intelligence and makes me very angry."
