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7.5/10
IMDbBest Composer | 2007 | Philip
Outstanding Color Grading Feature Film in a DI Process | 2006 | Steven J.
For and | 2006 | Edward
Best Cinematography | 2006 | Dick
Outstanding Achievement in Filmmaking Acting | 2006 | Jessica
Top Independent Films | 2006
Outstanding Color Grading Feature Film in a DI Process | 2006 | Steven J.
Main Competition | 2006 | Dick
Fantasy Fox | 2007 | Jessica
Best DVD Release | 2010
Best Achievement in Cinematography | 2007 | Dick
Best Movie for Grownups | 2007
Best Original Score | 2007 | Philip
Fantasy Hero | 2007 | Edward
Outstanding Achievement in Cinematography in Theatrical Releases | 2007 | Dick
2007 | Dick
Excellence in Period Film | 2007 | Ngila
Best Original Score | 2007 | Philip
Best Screenplay | 2007 | Neil
Main Competition | 2006 | Dick
Best New Fiction Film | 2006 | Neil
Budget 16,500,000 USD
Box Office Collection 87,892,388 USD
So that the crew would not have to use CGI to "fake" the magical illusions seen, Norton received intensive training in sleight of hand and other stage magic techniques from British magician James Freedman and American magician Ricky Jay.
The Orange Tree trick was made famous in France by Jean-Eugene Robert-Houdin in the 1840s. It is first mentioned in old Indian manuscript as an illusion by Faux. Pinetti, an 18th century magician, did a similar trick, but he used lemons. Robert-Houdin was the first to use real fruit.
Edward Norton did many of his own magic tricks, with the coaching of James Freedman. He worked with Norton preparing him for his stage performances and acted as a hand double in numerous situations.
The love scene was entirely lit by kerosene lamps. By the end of each take, the small room was so filled with smoke that it was hard to see.
Aaron Taylor-Johnson, who plays the teenage Eduard in the beginning of the film, also learned how to do the ball trick.
"Eisenheim: From the moment we enter this life we are in the flow of it. We measure it and we mark it, but we cannot defy it. We cannot even speed it up or slow it down. Or can we? Have we not each experienced the sensation that a beautiful moment seemed to pass to quickly, and wished that we could make it linger? Or felt time slow on a dull day, and wished that we could speed things up a bit?"
"Eisenheim: Everything you have seen here has been an illusion."