Movie |
Martial Arts | Bounty Hunter
An action-packed story of one young woman's journey to discover the truth of who she is and her fight to change the world. Alita: Battle Angel is an action, adventure and science fiction movie directed by Robert Rodriguez. Starring Rosa Salazar, Christoph Waltz, Jennifer Connelly are playing in prominent roles.
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![Alita: Battle Angel | Teaser Trailer [HD] | 20th Century FOX](https://img.youtube.com/vi/aj8mN_7Apcw/mqdefault.jpg)
![Dua Lipa - Swan Song (From Alita: Battle Angel) [Official Music Video]](https://img.youtube.com/vi/kO8fTk6oKQg/mqdefault.jpg)
![Alita: Battle Angel | Official Trailer – Battle Ready [HD] | 20th Century FOX](https://img.youtube.com/vi/U3D2vmWD88w/mqdefault.jpg)
![Alita: Battle Angel | Official Trailer [HD] | 20th Century FOX](https://img.youtube.com/vi/w7pYhpJaJW8/mqdefault.jpg)
An action-packed story of one young woman's journey to discover the truth of who she is and her fight to change the world. Alita: Battle Angel is an action, adventure and science fiction movie directed by Robert Rodriguez. Starring Rosa Salazar, Christoph Waltz, Jennifer Connelly are playing in prominent roles.
Best Visual Effects or Animated Performance | 2020 | Rosa Salazar
Best Voice or Motion Capture Performance | 2020 | Rosa Salazar
Best Original Song | 2019 | Dua Lipa
Best Visual Effects | 2019 | Eric Saindon
Outstanding Animated Character in a Photoreal Feature | 2020 | Michael Cozens
Best Actress Feature Film | 2019 | Rosa Salazar
Best VocalMotion Capture Performance | 2019 | Rosa Salazar
Best Motion CaptureSpecial Effects Performance | 2020 | Rosa Salazar
Best Motion Capture Performance | 2019 | Rosa Salazar
Best Science Fiction or Fantasy Movie | 2019 | Laeta Kalogridis
Best Original Song | 2020 | Junkie XL
Best Original Song | 2019 | Junkie XL
Best Original Score SciFiFantasy Film | 2019 | Junkie XL
Outstanding Virtual Cinematography in a CG Project | 2020 | Emilio Ghorayeb
Outstanding Visual Effects in a Photoreal Feature | 2020 | Eric Saindon
Outstanding Created Environment in a Photoreal Feature | 2020 | Mathias Larserud
Best Visual Effects | 2019 | Eric Saindon
Best Visual Effects | 2020 | Eric Saindon
Outstanding Achievement for Character Animation in a Live Action Production | 2020 | Michael Cozens
Outstanding Visual Effects Theatrical Feature | 2019 | Eric Saindon
Budget 170,000,000 USD
Box Office Collection 405,000,000 USD
This marks the first professional collaboration between James Cameron and Robert Rodriguez. Due to his prior commitments to direct the four sequels to Avatar (2009), Cameron could only serve as the producer and co-screenwriter on this film, with Rodriguez taking the directorial duties. In an interview with Empire magazine on December 8, 2017, Rodriguez said of the collaboration with Cameron, "This just doesn't happen. Guys like Quentin Tarantino and Jim only write scripts for themselves to direct. When Avatar becomes the biggest movie of all time, he told me that he's going to spend the rest of his career making Avatars, so I said, 'What happens to Battle Angel then?', because as a fan I was just interested! And he said, 'I don't think I'll ever get to do that. Hey, if you can figure out the script, you can shoot it!' So I took it home, spent all summer working on it, cut it down to 130, 125 pages, without cutting anything that he missed. It was a great gift. We had a blast; anytime I had a question I could just call him or email him and he would send back these hugely detailed answers that were so helpful. He just loves being the producer that he always wants. The guy's just so freakin' smart. Getting to learn from someone like that was the greatest internship ever."
Director Robert Rodriguez based the second Motorball sequence on NASCAR. Instead of aerial and impossible shots, he used the physics of real cameras in placements seen in NASCAR. It includes long lenses capturing things whizzing by, as well as cameras on the track with the players to keep it as "real world" as possible. It was the longest sequence in the film that he worked on, about three years from start to finish.
Even though the film is live-action, the main character is done with CG animation and was shot in 3-D, using the stereo imaging system that James Cameron had been developing for his documentaries.
The manga series is titled "Battle Angel Alita." In 2010, producer Jon Landau commented, "I'm telling people that we have to call it 'Alita: Battle Angel,' because Jim only does T&A movies." Most of James Cameron's movie titles begin with the letter "A" or "T," Aliens (1986), The Terminator (1984), The Abyss (1989), Avatar (2009), True Lies (1994), and Titanic (1997).
The film is based on the nine-volume Japanese manga "Gunnm," released in North America as "Battle Angel Alita." Written and illustrated by Yukito Kishiro, the comic book ran from 1990 to 1995. It was followed by the 19-volume sequel "Battle Angel Alita: Last Order," which ran from 2000 to 2014, and later by "Gunnm: Mars Chronicle," which began in 2014.
"Alita: I do not stand by in the presence of evil!"
"Vector, Nova: [staring at his stab wound given by Alita] That... looks... fatal"
