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Outstanding Achievement in Music in an Animated Feature Production | 2017 | Richard
Best Female Vocal Performance in a TV SpecialDirecttoDVD Title or Short | 2017 | Mackenzie
Best Vocal Ensemble in a TV SpecialDirecttoDVD Title or Short | 2017 | Jeff
Best Male Vocal Performance in a TV SpecialDirecttoDVD Title or Short | 2017 | Jeff
Best Animated Film Meilleur film danimation | 2016 | Mark
Animation Competition | 2015 | Mark
Special Mention | 2015
Best Sound Editing Sound Effects Foley Dialogue and ADR in an Animation Feature Film | 2017 | Christopher
Outstanding Visual Effects in an Animated Feature | 2017 | Mark
Outstanding Achievement in Casting Animation Feature | 2017 | Sarah
Best Female Vocal Performance in a TV SpecialDirecttoDVD Title or Short | 2017 | Rachel
Outstanding Achievement in Production Design in an Animated Feature Production | 2017 | Lou
Best Animated Series or Film on Television | 2017
Best Original Score Animated Film | 2016 | Richard
Best Animated Feature Film of the Year | 2016
Best Animated Film | 2016
Best Cartoon Voice | 2016
Best Animated Feature Film | 2015 | Mark
Budget 64,000,000 USD
Box Office Collection 97,571,250 USD
The stop-motion scenes in the desert were mosty created using paper, even the Little Prince was made out of paper clay.
Olivier d'Agay, author Antoine de Saint-Exupéry's grand nephew and spokesman for the Saint-Exupery estate, said in an email to Los Angeles Times in January 2016: "The movie is extremely faithful to the book. The story of the little girl, her friendship with the aviator, her conflict with her mother, [illustrate] the place of children today in a tough world of competition and solitude. It's why the two stories are really well linked. This is the originality and the genius of that movie: to show that the magic and the power of the book is still operating today."
Mark Osborne revealed that the book deeply affected him on a personal level when it was given to him by his wife years ago, back when they were dating. The two were college students at the time and trying to keep their long-distance relationship alive. "The Little Prince brought us back together," he admits. "I paid very close attention to it. It means so much to me and to everyone who has read the book, because it really connects you to the significant relationships and friendships in your life." Osborne's wife is thanked in the credits.
The Little Prince became the most successful French animated film ever, grossing $97 million worldwide.
Mark Osborne told that he approached the movie as a riddle to be solved. The big question was how can you make a cinematic experience that parallels or equals the very deep emotional experience of reading of the book. He tested the boundaries by pitching his ultimate dream scenario to producer Dimitri Rassam over a lunch, which included the radical idea of mixing CG animation with stop-motion. His big idea was to explore the touching relationship between the eccentric older version of the Aviator and the Little Girl who moves in next door. Osborne felt that ultimately it would need to be the story of the Little Girl learning to say good-bye to her friend, which would deeply parallel the book. Both the author's estate and the producers loved the director's passionate pitch.
"The Little Prince: it is only with heart that one can see rightly; what is essential is invisible to the eye."
"The Little Prince: Hey, come and play with me. The Fox: I cannot play with you. I'm not tamed."
