Movie |
Computer | Future
The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
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The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
Most Glamorous Actress Actrice la plus glamour | 2004 | Monica Bellucci
2004 | Don Davis
Choice Movie Actor DramaAction Adventure | 2004 | Keanu Reeves
Choice Movie Actress DramaAction Adventure | 2004 | Carrie-Anne Moss
Female For | 2003 | Monica Bellucci
Male For | 2004 | Clayton Watson
Best TA of the Year For | 2003 | Monica Bellucci
Outstanding Actor in a Motion Picture | 2004 | Laurence Fishburne
Outstanding Supporting Actress in a Motion Picture | 2004 | Jada Pinkett Smith
Best Villain Meilleur mchant | 2004 | Hugo Weaving
Worst Screenplay for a Film Grossing More than Million Using Hollywood Math For | 2003 | Lilly Wachowski
Worst Screenplay for a Film Grossing More than 100 Million Using Hollywood Math | 2003 | Lilly Wachowski
Film Best Supporting Actress | 2004 | Mary Alice
Best Visual Effects | 2004 | George Murphy
Outstanding Visual Effects in an Effects Driven Motion Picture | 2004 | George Murphy
Budget 150,000,000 USD
Box Office Collection 424,988,211 USD
The street corner where Neo and Smith fight in the crater is the same corner from which Neo made his phone call at the end of The Matrix (1999) - the corner of Pitt, Hunter, and O'Connell Streets in Sydney, Australia. You can see the phone booth to the right when they hit the ground.
Many of the "raindrops" in the final fight between Neo and Smith are actually single lines of Matrix code, similar to those on displays seen in the "real world" throughout the trilogy. This subtle effect was added to imply the Matrix was beginning to destabilize. This visual trick was easily seen on IMAX and larger movie theaters, but can be seen on smaller televisions as banded rain that seems to "jump" like static during close-ups of the fight scenes.
Only one full-size APU was ever built. It was completely rendered in Auto-CAD, and parts were made detachable, so that for scenes involving different pilots and APUs, the detail work could be altered. The full model weighed around two tons.
In an unprecendented simultaneous global release, this film opened at exactly the same moment in every major city in the world on November 5: 6 a.m. in Los Angeles, 9 a.m. in New York City, 2 p.m. in London, 5 p.m. in Moscow, 11 p.m. in Tokyo, November 6 at 1 a.m. in Sydney, and at corresponding times in over fifty additional countries worldwide.
During the scene at the club, The Merovingian is wearing his tie in a fashion that is actually called Merovingian tie-knot.
"The Oracle: What about the others? The Architect: ...What others? The Oracle: The ones that want out. The Architect: Obviously they will be freed. The Oracle: I have your word? The Architect: What do you think I am? Human?"
"Agent Smith: Why, Mr. Anderson? Why, why? Why do you do it? Why, why get up? Why keep fighting? Do you believe you're fighting... for something? For more than your survival? Can you tell me what it is? Do you even know? Is it freedom? Or truth? Perhaps peace? Could it be for love? Illusions, Mr. Anderson. Vagaries of perception. Temporary constructs of a feeble human intellect trying desperately to justify an existence that is without meaning or purpose. And all of them as artificial as the Matrix itself, although... only a human mind could invent something as insipid as love. You must be able to see it, Mr. Anderson. You must know it by now. You can't win. It's pointless to keep fighting. Why, Mr. Anderson? Why? Why do you persist? Neo: Because I choose to."
