Movie |
Jilted Woman | Journalist
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
The movie is in black-and-white except for the one shot of Max Ernst's "Temptation of St. Antony", which is in color.
The producers held a contest for artists to create a painting about the temptation of Saint Anthony for use in this movie. The artists were paid five hundred dollars each and got to keep their paintings after the pictures toured the U.S. and Britain during 1946 and 1947. Although Max Ernst won the contest (receiving an extra two thousand five hundred dollars) and got his painting on-screen, Salvador Dalí's contribution (featuring a parade of spider-legged elephants tormenting the saint) became better known. The other artists who submitted paintings are Leonora Carrington, Ivan Le Lorraine Albright, Stanley Spencer, Eugene Berman, Paul Delvaux, Louis Guglielmi, Horace Pippin, and Abraham Rattner. Artist Leonor Fini was also invited to contribute, but she never produced a painting.
Final theatrical movie of Warren William (Laroche-Mathieu).
During the 1953 re-release titled "Women of Paris", tenth-billed Marie Wilson was given first billing in order to capitalize on her television success in My Friend Irma (1952).
The appearance of, and set dressing for, the barmaid at the Folies Bergeres, was closely based on Édouard Manet's painting of that name.
"Georges Duroy: [dying] I have been scratched by an old cat."
"Georges Duroy: [after making overtures to Mme. Walter] I have lighted a fire in an old, soot-filled chimney."
