Movie |
London, England | Based On Novel Or Book
In Depression-era London, a now-grown Jane and Michael Banks, along with Michael's three children, are visited by the enigmatic Mary Poppins following a personal loss. Through her unique magical skills, and with the aid of her friend Jack, she helps the family rediscover the joy and wonder missing in their lives.
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In Depression-era London, a now-grown Jane and Michael Banks, along with Michael's three children, are visited by the enigmatic Mary Poppins following a personal loss. Through her unique magical skills, and with the aid of her friend Jack, she helps the family rediscover the joy and wonder missing in their lives.
2019 | Emily Blunt
Highestgrossing leading actress in musical films at the global box office | 2019 | Meryl Streep
Best MusicScore | 2018 | Marc Shaiman
Best Original Score for a Comedy Film | 2019 | Marc Shaiman
Best Music | 2019 | Marc Shaiman
Family Feature Film | 2019 | David Magee
Worst Foreign Film | 2019 | Rob Marshall
Best Production Design International Studio Feature Film Fantasy | 2018 | Niall Moroney
Outstanding Achievement for Character Animation in a Live Action Production | 2019 | Chris Sauve
Best CrossMedia Artist | 2019 | Tony Bancroft
Best Achievement in Music Written for Motion Pictures Original Score | 2019 | Marc Shaiman
Best Achievement in Music Written for Motion Pictures (Original Song) | 2019 | Scott Wittman
Best Achievement in Production Design | 2019 | Gordon Sim
Best Achievement in Costume Design | 2019 | Sandy Powell
Best Performance by an Actress in a Motion Picture Musical or Comedy | 2019 | Emily Blunt
Best Performance by an Actor in a Motion Picture Musical or Comedy | 2019 | Lin-Manuel Miranda
Best Original Score Motion Picture | 2019 | Marc Shaiman
Original Music | 2019 | Marc Shaiman
Best Production Design | 2019 | Gordon Sim
Best Costume Design | 2019 | Sandy Powell
Best Score Soundtrack for Visual Media | 2020 | Marc Shaiman
Best Ensemble International Competition | 2019 | Noma Dumezweni
Best Duo International Competition | 2019 | Lin-Manuel Miranda
Best Original Music International Competition | 2019 | Marc Shaiman
Best Costume Design International Competition | 2019 | Sandy Powell
Best Lead Actress | 2018 | Emily Blunt
Best Actress | 2019 | Emily Blunt
Best Actress in a Comedy | 2019 | Emily Blunt
Best Score | 2019 | Marc Shaiman
Best SongRecording Created for a Film | 2019 | Tarik Frimpong
Best Music Supervision for Film Budgeted Over 25 Million Dollars | 2019 | Paul Gemignani
Best Music Supervision for Film Budgeted Over Million Dollars | 2019 | Michael Higham
Choice SciFiFantasy Movie Actress | 2019 | Emily Blunt
Choice SciFiFantasy Movie Actor | 2019 | Lin-Manuel Miranda
Best Actress of the Year | 2018 | Emily Blunt
Best Lead Performer in a Movie | 2018 | Emily Blunt
Actor of the Year for an exemplary body of work For and | 2019 | Emily Blunt
Actor of the Year (for an exemplary body of work) | 2019 | Emily Blunt
Outstanding Performance by a Female Actor in a Leading Role | 2019 | Emily Blunt
Best Actress | 2019 | Emily Blunt
Best Score | 2019 | Marc Shaiman
Best Production Design | 2019 | John Myhre
Best Music Film | 2019 | Michael Higham
BritishIrish Actress of the Year | 2019 | Emily Blunt
BritishIrish Actress of the Year For and | 2019 | Emily Blunt
Favorite Movie Actress | 2019 | Emily Blunt
Best Actress | 2018 | Emily Blunt
Best Actress | 2019 | Emily Blunt
Best Supporting Actor | 2019 | Lin-Manuel Miranda
Best Production Design | 2019 | John Myhre
Best Original Song Written for a Film | 2019 | Scott Wittman
Best Actor in a Motion Picture Comedy or Musical | 2019 | Lin-Manuel Miranda
Best Original Score | 2019 | Marc Shaiman
Best Visual Effects | 2019 | Steven Warner
Best Production Design | 2019 | Gordon Sim
Best Costume Design | 2019 | Sandy Powell
Best Original Song SciFiFantasyHorror Film | 2018 | Scott Wittman
Best Original Score SciFiFantasyHorror Film | 2018 | Scott Wittman
Best Original Song | 2019 | Scott Wittman
Best Visual Effects | 2019 | Steven Warner
Best Production Design | 2019 | Gordon Sim
Best Costume Design | 2019 | Sandy Powell
Original Score | 2019 | Marc Shaiman
Original Song | 2019 | Scott Wittman
Production Design | 2019 | John Myhre
Costume Design | 2019 | Sandy Powell
Best Song | 2019 | Scott Wittman
Best Art Direction | 2019 | Gordon Sim
Best Costume Design | 2019 | Sandy Powell
Film Score of the Year | 2019 | Marc Shaiman
Best Original Score | 2019 | Marc Shaiman
Best Music | 2019 | Marc Shaiman
Best Song Written for a Motion Picture | 2019 | Scott Wittman
Best Visual Effects | 2019 | Steven Warner
Best Production Design and Set Design | 2019 | Gordon Sim
Best Costume Design | 2019 | Sandy Powell
Best Original Song | 2019 | Scott Wittman
Outstanding Achievement in Casting Big Budget Feature Comedy | 2019 | Tiffany Little Canfield
Best Leading Young Actress Feature Film | 2019 | Pixie Davies
Best Young Ensemble Cast Feature Film | 2019 | Joel Dawson
Best Period andor Character Makeup FeatureLength Motion Picture | 2019 | Paula Price
Best Period andor Character Hair Styling FeatureLength Motion Picture | 2019 | Paula Price
Fantasy Film | 2019 | Amanda Leggatt
Best Production Design | 2018 | Gordon Sim
Best Costume Design and Makeup | 2019 | Peter Swords King
Excellence in Period Film | 2019 | Sandy Powell
Outstanding Achievement in Sound Editing Dialogue and ADR for Feature Film | 2019 | Heather Gross
Outstanding Achievement in Sound Editing Musical for Feature Film | 2019 | Jim Bruening
Outstanding Achievement for Production Design in an Animated Feature Production | 2019 | Jeff Turley
Outstanding Achievement for Storyboarding in an Animated Feature Production | 2019 | Ovi Nedelcu
Budget 130,000,000 USD
Box Office Collection 348,807,090 USD
Dick Van Dyke was offered four options for his dance scene, each with a varying degree of difficulty. He insisted on performing the hardest dance routine and refused any help from fellow cast members while filming the scene. The resulting dance scene was so well received that there were reports of audiences applauding during screenings to see the old actor dance so well for his age.
When Mary Poppins (1964) was being written, the lead role was offered to Dame Julie Andrews by Walt Disney. Andrews told Disney that she was pregnant and couldn't do the movie. Disney wanted Andrews so much that he postponed the production in order to accommodate Andrews' pregnancy. When this movie was announced, history repeated itself as Emily Blunt was also pregnant and the movie was postponed to accommodate her pregnancy.
Dame Julie Andrews turned down a proposed cameo appearance as the balloon lady, fearing that it would be too distracting from Emily Blunt's performance. Julie said, "This is Emily's show, and I really want it to be Emily's show." Quite poetically, the balloon lady part went to Dame Angela Lansbury, who had been considered for the title role of Mary Poppins (1964) in the first movie before Dame Julie Andrews was cast.
Since Dick Van Dyke looks younger than his 91 years, Disney used old age make-up and hair to make him look slightly older.
When Karen Dotrice, who played Jane Banks in Mary Poppins (1964), makes her cameo, before leaving she says, "Many thanks, sincerely." In the first movie, this was the phrase Jane and Michael Banks used at the end of their letter requesting a new nanny.
"Mary Poppins: Everything is possible, even the impossible."
"Mary Poppins: [singing to Georgie, Anabel, and John] Nothing's gone forever, only out of place."
